Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
The New Holmenkollen Ski Jump in Oslo, Norway by JDS Architects designed using Rhino
May 27th, 2011 by Sumit Singhal
Article source: JDS Architects
The New Holmenkollen Ski Jump: A Perfomative Project
Project update on November 9, 2011: Holmenkollen Ski Jump Wins The Norwegian Steel Day Prize
Project update on September 22, 2011:
JDS Architects’ Holmenkollen Ski Jump has been announced as the winner of the 2011 ECCS Structural Steel Design Award today at the ECCS Congress in Postdam, Germany. The award recognizes outstanding design in steel construction emphasizing the many advantages of steel in construction, production, economy and architecture.
145 years ago the first Norwegian took off from a hill, catapulting himself to the sky, creating a sport that would spread all over the world and captivate millions. Today Oslo remains the undisputed capital of ski jumping, having had annual competitions at Holmenkollen since 1892, served the Olympics in 1952 and hosted several world championships. The Holmenkollen site has been the cradle of evolution in ski jumping and the facility was revisited and improved more than twenty times. Its building history represents a form of record or architectural fossil of the discipline’s progress.
As the city of Oslo will host the 2011 world championships, the facilities required a renovation beyond what the existing structures could manage. Our submission won the international open competition held in 2007 against 104 proposals to redesign the jumping tower and the 40,000 seats arena. Beyond fulfilling the discipline’s requirements our project proposes two aspects we believe have led to its completion:
Symbiotic relationship between architecture and experience The design aims at unifying the various elements present in a ski jump into one single expression, shape and action. Rather than having a series of dispersed pavilions on site, we’ve managed to combine them into one organism.
The judges booths, the commentators, the trainers, the royal family, the VIPs, the wind screens, the circulations, the lobby, the entrance to the arena and the arena itself, the lounge for the skiers, the shop of souvenirs, the access to the existing museum, the viewing public square at the very top, EVERYTHING, is contained into the shape of the jump in a symbiosis of programs and experiences giving the jump a harmonic contextual relationship to the surrounding landscape. The resulting simplicity of the solution improves the experience of the spectators and the focus of the skiers.
There’s an impressive feeling of intimacy at Holmenkollen: both audience and jumpers are enclosed in the arms of the skijump in a form of an architectural embrace. Iconographic dialogue between structure and city Looking at the Olympic models of Barcelona, Sydney and Munich, architecture was at the forefront of redefining how the city was perceived. We believe that the Holmenkollen ski jump could liberate Oslo from regional perceptions and help leverage a more international status. The ski jump also invigorates the capital with an icon, adding to the city’s collection of exemplary civic buildings like the new opera house and reinforcing the city’s wave of regeneration.
There is another crucial aspect to this iconographic issue that our project emphasizes: from its strategic position, at the highest peak over the city, the structure offers the most breathtaking views of Oslo, the fjord and the region beyond. We have designed a public square, on top of the jump, literally a plaza, to let visitors experience Oslo from this exceptional vantage point. It’s a new form of public space, using an unlikely architectural form as its host — allowing for a dialogue between the city and its inhabitants.
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