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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

2006 Pritzker Architecture Prize Laureate by Paulo Mendes da Rocha

August 24th, 2011 by Sumit Singhal

Article source: Paulo Mendes da Rocha

Paulo Mendes da Rocha was chosen as the 2006 Laureate of the Pritzker Architecture Prize. At the age of 77-years,  architect became the second laureate from Brazil, Oscar Niemeyer being the first, chosen in 1988.

2006 Pritzker Prize - Paulo Mendes da Rocha

  • Architects: Paulo Mendes da Rocha
  • Project: 2006 Pritzker Architecture Prize Laureate – Paulo Mendes da Rocha

2006 Pritzker Prize - Paulo Mendes da Rocha

In announcing the jury’s choice, Thomas J. Pritzker, president of The Hyatt Foundation, said, “Mendes da Rocha has shown a deep understanding of space and scale through the great variety of buildings he has designed, from private residences, housing complexes, a church, museums and sports stadia to urban plans for public space. While few of his buildings were realized outside of Brazil, the lessons to be learned from his work, both as a practicing architect and a teacher, are universal.”

2006 Pritzker Prize - Paulo Mendes da Rocha

The formal ceremony for what has come to be known throughout the world as architecture’s highest honor was held on May 30, 2006 in Istanbul, Turkey. At that time, a $100,000 grant and a bronze medallion were bestowed.

2006 Pritzker Prize - Paulo Mendes da Rocha

Paulo began his career in the 1950s and was part of what was then considered the avant-garde in São Paulo, known loosely as creators of the Paulist brutalist architecture—practicioners whose work, often using simple materials and forms, emphasized an ethical dimension of architecture. He is widely considered the most outstanding architect of Brazil. He has steadfastly devoted his career to the creation of buildings and spaces guided by a sense of responsibility toward the residents of his buildings and the broader society.

2006 Pritzker Prize - Paulo Mendes da Rocha

During a career that spans six decades, he has maintained his own practice, taught for many years at the University of São Paulo, and contributed to the professional community through his work as president of the Brazilian Institute for Architects. He has lectured extensively throughout South America and Europe. He has received many awards, but it was the Mies van der Rohe Prize for Latin American Architecture in 2000 that brought international recognition.

2006 Pritzker Prize - Paulo Mendes da Rocha

Pritzker Prize jury chairman, Lord Palumbo, commented, “Mendes da Rocha brings the joyful lilt of Brazil to his work…never afraid of innovation or of taking risks…indeed, a worthy choice.”

2006 Pritzker Prize - Paulo Mendes da Rocha

Among his most widely known built works is the Brazilian Sculpture Museum, a non-traditional concept of a museum, nestled partly underground in a garden in São Paulo. He made bold use of a giant concrete beam on the exterior that traverses the site. His Forma Furniture Showroom in the same city is considered an icon of his approach to architecture. The front has a window that spans the length of the building, opening the building to the cityscape, a recurring theme of his work.

2006 Pritzker Prize - Paulo Mendes da Rocha

His renovation of São Paulo’s oldest Fine Arts Museum, the Pinacoteca do Estado, affirmed his understanding and respect for Brazil’s legacy—the basic structure of the nineteenth century building was simply restored with some striking new functional additions.

2006 Pritzker Prize - Paulo Mendes da Rocha

Mendes da Rocha revitalized a square in the heart of São Paulo, called Patriarch Plaza, adding an enormous steel canopy that appears to float over the square. Internationally, he was a finalist in the competition for the Centre Pompidou in Paris in 1972, and was the architect of Brazil’s Pavilion at Expo ‘70 in Osaka, Japan in 1970. Currently, in Galicia in the northwest part of Spain, he is developing a master plan for the Technological City, part of the University of Vigo. His task is to integrate new buildings—library, engineering departments, student residences, administration offices—designed by several different Spanish architects into an overall landscape scheme that also fosters connections between buildings.

2006 Pritzker Prize - Paulo Mendes da Rocha

Martha Thorne, speaking as the executive director of the Pritzker Prize, quoting from the jury citation which states, “Inspired by the principles and language of modernism, he brings a renewed force to each of his projects through his bold use of simple materials and a deep understanding of the poetics of space.”

Juror Carlos Jimenez from Houston, who is professor of architecture at Rice University, said, “…he builds with exceptional economy to achieve an architecture of profound social engagement, an architecture that transcends the limits of construction to dazzle with poetic rigor and imagination. ”

Balkrishna Doshi, Pritzker Juror from India, spoke of Mendes da Rocha’s work, “It is not impossible to create generous architecture even in situations with minimum resources and numerous constraints. What one needs is a largeness of vision and a desire to create something that people can touch, feel, and in which they can participate.”

“For Mendes da Rocha, the meaning of architecture is not to create isolated buildings, but to respond to the eternal question of human habitation. His answers are at the same time classical and audacious: a new força geográfica for a new society,” is juror Rolf Fehlbaum’s comment.
Another juror, Victoria Newhouse, says, “The jury was deeply impressed by this practitioner’s ability to create powerful structures working within the technical limitations of his culture.”

Juror Karen Stein commented, “As the translation of his surname—“of the rock”—implies, he has steadfastly adhered to the experimental approach upon which he established his own architectural practice over half a century ago, consistently pushing the sculptural limits of structural form to surprising and often poetic effect.”

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