Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
‘M’ Building in Rue Rebière, Paris by Stéphane Maupin & Nicolas Hugon
February 9th, 2012 by Sumit Singhal
Article source: Stéphane Maupin & Nicolas Hugon
The project takes place in the north of Paris, in Pierre Rebiere Street, a 600 meters long and 25 meters wide straight line. It is surrounded by the Batignoles’ cemetery on one side and by the back entrance of the international high school Honoré de Balzac on the other. The transformation of this narrow abandoned street allows the establishment of whole string of new buildings.
The local rules for urbanism and the scope statements associated to this neighborhood minimizes plastic expressions. As a result it is not allowed to open any views on the cemetery. Thus directly implying a blind front for the future building and making it impossible to have normal front to front flats. The project impressively manages to get around those constraints: each of the flat benefits from both multiple sights and light sources at any time of day and year.
This climatic mechanism suggested the shape of the building. Those solar templates sculpted internal slopes getting to the very heart of the construction. The 45° symmetrical slopes establish a triangular quadrant relieving the whole block from its compactness. As a result a central void appears where the dwellers can share a continually illuminated unique space. Hence as the light hits one side in the morning the opposite side will benefit from it in the afternoon.
The shape of this new space is favorable to the composition of an unusual landscape. It is made from a cascade of Parisian roofs with its respective proportions and rhythm, as well as its apparent disorder. The whole is included in a succession of terraces which represent genuine extra room for the flats. Those terraces are so wide and comfortable that they become like private suspended gardens. In modern Babylonia, the Parisian Barbie rediscovers the joys of barbecue in the open air.
The staging withdraws itself from the urban stranglehold.
Materials contribute to the staging of this unique ship. The body of the building is treated as a white hull. The homogeneous coating on the street fronts creates a casual relation to the rest of the agglomeration. The inside is a metallic and shining sheathing. The flats are revealed in a play of light and reflect.
The building even possesses a central space dedicated to sharing. Once the hall crossed, a simple staircase brings to an inside square at the heart of the building. The setting here is sympathetic. We wander on a wooden deck. We are surrounded by flowers and trees. Our sight gets lost in the foliage of the great neighboring trees.
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