Plan land is a large forest. The contents of the plan is Housing and accommodation . To protect forest trees, Without a large volume, the volume has been small. The form is like a leaf. To make low-cost, the walls is only shower room . The other is the window. By opening the window that looks like outside. So this building looks like among from thr tent to the architecture.
Situated away from a small village in the middle of the Swiss Alps (Canton of Valais), this 19th century house included an adjacent barn and had a too vast volume to be renewed in its totality. The existing building had no special qualities apart from the thick stone walls hidden by external plaster cement. The double-sided pitched roof was too low to allow us seeing the surrounding landscape from the garret floor. The existing windows were small; a large part of the volume was blind, half the building was being used as a barn. Consequently, we preferred to intervene directly on the existing building, walls and roof included.
BTEK is a new technologies interpretation centre, focused on student visits. The most significant determinants set by the developer, Parque Tecnologico SA, were the following:
The generation of a very flexible and varied exhibition area, capable of hosting all sorts of exhibition.
The design of high efficiency building services and the use of renewable energies.
The projection of a roof (destined to lodge the solar panels) of a similar geometry to that of its triangular logo.
One of the main goals of the project is to come up with an implantation solution adapted to the surroundings, in a plot with a certain geometrical and topographical complexity, uniting architecture and urbanization, thus deleting the limits between indoors and out.
Magdeburg, founded upon the Elbe River, has a history of scientific innovation. The scheme takes the existing bland, but quite functional campus and adds a series of gathering spaces. These linked spaces continue eastward to form the framework for the future development of a tech center, while also connecting to the historic harbor and the riverfront. This forms a car free spine that brings together diverse users to mingle in a series of mixed use spaces. Additionally, new pathways complete a previously broken link in the green network of the city. The signature element along the spine is a covered public forum that resides adjacent to the pedestrian underpass and is topped by a cinema and conference center.
The project “Between Cathedrals” seeks to create an intervention worthy of the most significant location in the history of Cadiz, the oldest city of the West: the empty space facing the sea located between the Old and New Cathedrals.
The basic premise is to cover and protect an archeological excavation. Additionally, this new plane serves as a base for a space facing the ocean, a raised public space providing clear views unobstructed by cars passing on the circle road.
Exhibition Kotaro Horiuchi 2010 was held in Paris, France.
The panels which expressed all the works of kotarohoriuchiuntil 2010 tovariety of different sized squares are made to float. It turns around the surroundings of panels that are floating scattered in different sides and turns around the exhibition hall.The shadow by panels changes with the people who pass. The chair, the desk, and lighting manufactured simultaneously are exhibited.
The library of Delft Technical University is the central library of the Netherlands, but also the technical library of the Netherlands, linked by the latest electronic devices to libraries all over the world. The university library not only offers space to books, it also offers space for knowledge and research. It is a meeting place where ideas are exchanged. The programme allows for a thousand study places. That means that warmth and light will be given to more than three thousand students per day.
In the center of the village of Boudry, the project settles on a narrow plot, surrounded with collective housing, a church and an old mansion. In this motley context and its limited openings, the villa seeks to favor the inhabitants intimacy. Turning its back to the public space, it is widely opened on the park and benefits from the natural green environment. It stretches over three levels to be able to appreciate a few perspectives thanks to the height.
To build a house for a poet. To make a house for dreaming, living and dying. A house in which to read, to write and to think.
We raised high walls to create a box open to the sky, like a nude, metaphysical garden, with concrete walls and floor. To create an interior world. We dug into the ground to plant leafy trees.
Historically, Metalsa began as a family-owned company, founded by Guillermo Zambrano Gutierrez in November 1956, previously named Manufacturas Metalicas Monterrey. The company later entered the automotive industry through a partnership with American firm A. O. Smith and began manufacturing chassis frames for heavy trucks and pickups in the late 60’s. The official name of Metalsa was adopted in the late 70’s and operations started in Apodaca. Metalsa’s successes allowed them to acquire the commercial vehicles business from Tower Automotive expanding to Virginia, and later building facilities in China, Japan and India. Today the company boasts several major automotive corporations as their clients, including Ford and Toyota.
Total Area: Phase I_ +/- 500 sqm of Offices, +/-1000 sqm of Warehouse, Phase II_ +/-500 sqm of Offices, +/-3000 sqm of Warehouse (Phase II sqm is in addition to Phase I)
Project Team: Lawrence Scarpa, FAIA – Lead Designer, Daniel Poei, Abby Katcher, Oliver Liao, Darien Williams, Jordan Gearhart, Ching Luk – Project Design Team
Landscape: PEG
LEED: Zinner Consultants
Engineering:
Structural Engineering: Carl W. Howe Partners, Inc.
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