Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
Microrifugio alpino – Wardrobe in the landscape in Madesimo, Italy by Enrico Scaramellini Architetto
May 4th, 2012 by Sumit Singhal
Article source: Enrico Scaramellini Architetto
The project is based on two specific conditions: – on one side the client’s needs, looking for a small and intimate space; – on the other a small, special and precious place. The alpine landscape dominates the place: it becomes evident the condition of a privileged and unique space.
The concept of size guides the project. Great is the land, the landscape: small is the place, the space. There is a mutual relationship that inspires the design process. What is the role of the “room” in relation to the landscape? How the landscape reflects, “adopts” the room? The point of view changes in a frenzied search for balance.
A micro retreat for weekends, a place for contemplation, a clearing house from a daily hectic urban condition. A small wooden box fits between two existing buildings. Inside, the wood shows its nature in warm tones; outside, the surface treatment with silver-gray paints echoes the colors of the centenarian woods of rural buildings. The wooden panels, assembled with different development of the vein (horizontal – vertical), react to sunlight returning different geometric compositions.
Outside, almost in a mimetic condition, the new wooden facade seems to hide itself, in the shadows of the landscape, and then to confirm, with sunlight, its presence, dazzling, throwing a visible signal at a long distance. Inside, the space becomes a privileged place overlooking the landscape. Almost an abstraction, an estrangement that allows to emphasize the privileged status of the “spectator”. A second level of thinking regards the stability of the building’s image in the landscape: spaces lived for short periods consolidate their status of “closed” places.
The light that reflects differently on the wooden panels changes the appearance in colors and tones, the uninhabited façade lives of its own life. Finally, the project underlines yet another ambiguity: as a wooden container, as furniture and furnishing, it is “a wardrobe in the landscape”. The project operates in small size, uses simple devices to find a contemporary language within strongly characterized environmental contexts
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