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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

OrfiSera in Izmir, Turkey by YERce Architecture

 
July 11th, 2012 by Sumit Singhal

Article source: YERce Architecture

Looking at the design and realization process of the project one can notice that the challenge was to build up the perception of a firm through the ‘atmosphere’ it has and the ‘activities’ it hosts; instead of adopting a design approach which focused only on product display and aimed for a space with only showroom function.

Space (Image Courtesy Emin Emrah YERCE)

  • Architects: YERce Architecture
  • Project: OrfiSera
  • Location: Izmir, Turkey
  • Client: Orfis Orçelik Office Furniture
  • Project year: 2011
  • Architect: YERce Architecture, Nail Egemen YERCE
  • Lighting design: YERce Architecture, Nail Egemen YERCE
  • Electrical engineer: Orfis Orçelik Office Furniture
  • Mechanical engineer: Orfis Orçelik Office Furniture
  • Construction: Nano Buildings, Hilmi Aydın NİĞDELİ
  • Landscape design: Nesil Landscape, Hakan ERDOĞAN
  • Photographer: Emin Emrah YERCE

Entry (Image Courtesy Emin Emrah YERCE)

Concept of ‘street’, ‘garden’ and ‘square’ were the key elements of the design. One was entering a luminous hall thanks to the light coming from its roof from a dimly lit existing showroom space. Naturally this was causing one’s eyes to be dazzled. We thought about connecting these two spaces with a buffer zone. In this way one could have entered to the luminous space with ‘slow’ but ‘balanced’ change of light after a curiousity awakening trip in a curvilinear path. This has become the expression of the ‘street’ idea.  On one side our street we designed a brick wall in which the holes of the bricks were laid horizontally. This wall, as seen from the holes of the bricks forming it, gave mysterious information about the space lying behind it. Moreover the street was illuminated with the light passing through the holes of the bricks and thus its ground was showing the lacework created by light.

The street (Image Courtesy Emin Emrah YERCE)

One full façade was facing amazing cypresses. We wanted to make this facade more transparent so that the exterior landscape could integrate with the inner space. Together with the transparency concept; a sculptural olive tree in the space, few bambu’s, ceiling ventilators circulating the air and a parrot reminding the tropical forests became the expression of the ‘garden’ idea.

Space (Image Courtesy Emin Emrah YERCE)

Moreover we imagined a central space where various activities such as meetings, presentations, celebrations, plays, exhibitions, speeches can take place. We were inspired by the piazza’s of Italy made up of unpolished natural travertine. We chose the same material and used unpolished natural travertine in this central space which became the expression of ‘square’.

Space (Image Courtesy Emin Emrah YERCE)

Last but not least, we realized that the abundant light which the space was receiving and the green plants it was containing made the space look like a greenhouse. This became the inspiration for the name of it, ORFISERA; ‘Orfis’, the name of the firm and ‘Sera’, greenhouse in Turkish.

Space (Image Courtesy Emin Emrah YERCE)

Garden (Image Courtesy Emin Emrah YERCE)

Brick wall (Image Courtesy Emin Emrah YERCE)

Space (Image Courtesy Emin Emrah YERCE)

Detail (Image Courtesy Emin Emrah YERCE)

Brick wall (Image Courtesy Emin Emrah YERCE)

Panoramic (Image Courtesy Emin Emrah YERCE)

Plan

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