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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

T-Site Complex In Tokyo, Japan by Klein Dytham Architects

 
October 9th, 2012 by Sumit Singhal

Article source: Klein Dytham Architects

Daikanyama T-Site is a village like complex for Tsutaya, a giant in Japan’s book, music, and movie retail market. Located in Daikanyama, an up-market but relaxed, low-rise Tokyo shopping district, it stands alongside a series of buildings designed by Pritzker Prize-winning architect Fumihiko Maki.

Image Courtesy © Klein Dytham Architects

  • Architects: Klein Dytham Architects
  • Project: T-Site Complex
  • Location: Shibuya, Tokyo, Japan
  • 2012
  • World Architecture Festival 2012 – Shortlisted
  • Client / Developer: Culture Convenience Club
  • Main Contractor: Kajima
  • Structural Engineer: Structured Environment

Image Courtesy © Klein Dytham Architects

Drawing on all our design skills – architecture, interior, furniture and visual merchandising display – the project’s ambition is to define a new vision for the future of retailing. Tailored particularly to the over-50 “premier age” customers, Tsutaya’s normal product range is complimented by a series of boutique spaces carrying carefully curated merchandise. This selection of goods is intended not to be exhaustive but stimulating – sections include art, architecture, cooking, cars, design, travel, and literature. Each section is run by a concierge – like their intended customers they are all over 50, and both have expert knowledge of their subject area and can provide other services (in the stores travel section you can book a holiday!)

Image Courtesy © Klein Dytham Architects

The project also merges the worlds of new and old media. Movies, for example, can be bought, rented, or downloaded, and while iPads are on hand throughout the store as guides to the stock on offer, that stock also includes Tokyo’s largest selection of pens.

Cunningly solving a number of planning issues, including retention of the beautiful trees standing on the site, the complex was set back from the street and split into three pavilions. This arrangement of two- and three-storey buildings creates relaxed walkways between buildings. Two bridges clad in polished stainless steel battens connect the pavilions, reflecting the surroundings and creating gateways for visitors passing through the site.

Image Courtesy © Klein Dytham Architects

In the design of the pavilion exteriors, our characteristic wit emerges in subtle ways – the perforated screens of the façade are formed from the Ts of the Tsutaya logo, and much larger T-shapes are disguised in the building plans and elevations. The Ts are no mere graphic play, but provide fully three-dimensional organizing principles, guiding how the plan is laid out and the defining the arrangement of the structural system.

The pavilions contain retail space on the lower floors with accommodation above. Internally, selected materials such as aged timber flooring, furniture pleasant to the touch and warm lighting stands and pendants create a relaxed space, more reminiscent of a comfortable home rather than a slick “department store”. The three pavilions are linked by an organizational spine – called the “magazine street” – which passes through interior and exterior, linking the three buildings together. To reinforce its presence, the magazine street’s shelving, flooring and slatted ceiling are all timber, even where it runs outside under the bridge.

Image Courtesy © Klein Dytham Architects

Elsewhere, a stone floor creates continuity between interior and exterior while an open ceiling gives a warehouse feel (big lighting lanterns hang down to subtly mask the buildings’ innards) and signage designed by graphic maestro Kenya Hara was printed on perforated metal to create more openness and visibility.

Within this organizational and material framework, each of the boutique spaces has its own character – the shelving in the literature section is tightly packed to evoke Tokyo’s atmospheric Jimbocho second hand book district, while in other spaces overhead shelves are used to make them feel more intimate.

Other facilities include a café, an upscale convenience store, and the Anjin Lounge. Located in the center of the complex, this lounge includes a bar, a performance space, and a collection of artworks and rare books for sale (including a signed Frank Lloyd Wright volume!) that visitors can enjoy as they eat, drink, read, chat, or relax. Visitors to the lounge can also browse an amazing world magazine archive that includes beautifully bound collections of such classics as Domus, GQ, and Arbitare – a entire class of fashion students was spotted poring over the archive’s back issues of Vogue.

Despite its design innovations, this was not a big budget project – it was low cost and produced extremely quickly. The whole project was completed in 20 months, with construction taking just 11 months despite disruptions to Japan’s construction industry caused by the Tohoku earthquake and tsunami. We were awarded the project through an invited competition, requiring to beat out many of Japan’s highest profile architectural firms. The scheme triumphed by tackling both explicit branding issues and architectural subtleties in every aspect of the building. Merging the digital and analogue worlds, and providing for both sophisticated tastes and simple curiosity, the design is intended to allow a new retail paradigm to emerge.

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Categories: City Center, complex

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