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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

Prague National Gallery Entrance Hall in Hradcanske Square, Prague, Czech Republic by Mateo Arquitectura

 
June 4th, 2013 by Sumit Singhal

Article source: Mateo Arquitectura

In the grounds of Prague Castle, among various palaces currently reused to house the National Gallery, the brief was to design a small building that provides an entrance to the museum complex. Two parallel surfaces organize what used to be an empty space without weighing it down: one forms the floor, the other the roof.

Image Courtesy © Adrià Goula

  • Architects: Mateo Arquitectura
  • Project: Prague National Gallery Entrance Hall
  • Location: Hradcanske Square, Prague, Czech Republic
  • Photography: Adrià Goula
  • Author: Josep Lluís Mateo
  • Client: National Gallery of Czech Republic
  • Site: Salm Palace, Hradcanske Square, Prague
  • Project: 2004
  • Construction: 2009 – 2012
  • Surface: 1.500 m2
  • Structural Engineering: Agustí Obiol – BOMA
  • Landscaping: Manuel Colominas
  • Installations Engineering: Grupo JG
  • Fire Protection: Francesc Labastida

Image Courtesy © Adrià Goula

The floor emerges as a surface layer of the earth, folding subtly over itself to adapt to minor differences in level and ease access to the neighbouring buildings. It is hard but it also conserves some of its organic nature, materialized in plants, earth and water.

Image Courtesy © Adrià Goula

The roof, the boundary that separates us from the sky, is a continuous sheet that does not quite touch the buildings around it, producing great skylights and generating an enigmatic interplay of reflections. An organic layer, topped with gravel, that marks the bounds of a secret garden.

Image Courtesy © Adrià Goula

The inner space is open, flexible, multiple and complex, as well as light filled. Its vertical limits are the existing façades, their only tectonicity expressed in the topography of the ground. The rest is light, reflections, and the dialogue, almost without touching, between roof and walls.

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy © Adrià Goula

Image Courtesy Mateo Arquitectura

Image Courtesy Mateo Arquitectura

Image Courtesy Mateo Arquitectura

Image Courtesy Mateo Arquitectura

Image Courtesy Mateo Arquitectura

Image Courtesy Mateo Arquitectura

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Categories: Building, Gallery, Museum

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