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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

Centennial Tree House in East Coast, Singapore by Wallflower Architecture + Design

 
September 15th, 2013 by Sumit Singhal

Article source: Wallflower Architecture + Design

The owner wanted external blank walls. Then talk continued to fixed screens. Centre courtyard for light and air. These summed up for them, the tangible facets of an ideal home, a protective enclosure of solitude.

Introversion has a negative connotation in a culture where being social and outgoing are prized above all else. But what is withdrawal to some is energizing for those who thrive on self-reflection and contemplation; life is found within.

Image Courtesy © Albert Lim

  • Architects: Wallflower Architecture + Design
  • Project: Centennial Tree House
  • Location: East Coast, Singapore
  • Photography: Albert Lim
  • Design Team: Robin Tan, Cecil Chee, Sean Zheng, Shirley Tan & Eileen Kok
  • Project Completion: End 2012
  • Site Area: 781 m2
  • GFA: 796 m2

Image Courtesy © Albert Lim

That fortitude and strength is visually given expression by a hundred year old frangipani tree literally found within, centred in a large grassed courtyard surrounded with water.  The tree was given a new lease of life having been rescued from a Holland Road site slated for new development.

Image Courtesy © Albert Lim

True to the owners’ requirements, the facade is entirely sealed off in most areas, and veiled by fixed timber screening in others. The purity of intention to internalise results in a purity of architectural elevation on three sides; there is no yard, opening, back of house, but a pebbled path between a rhythmic timber screen and a lush wall of polyalthias.

Image Courtesy © Albert Lim

Visually, the aesthetics exclude both physically and psychologically, but the timber screens along the periphery of the 1st storey allow breezes to comb through, refreshing the sheltered corridors and living spaces. The central court encourages this, acting as both a light and air well.

Image Courtesy © Albert Lim

Throughout the day as the environment changes, the breezes shift, the house breathes. The only area where the timber screens can be opened is between the second storey master bedroom and the court. Motors silently fold the screens away, linking the court to the bedroom.

Image Courtesy © Albert Lim

The central air and light well is key to the experience and enjoyment of the house through the day as the light shifts, different walls, passages, are literally seen in a different light, or shade or shadow. The centennial tree awakes, basks, and rests; and the surrounding spaces share that experience.

Image Courtesy © Albert Lim

The aesthetic encounter is intensified perhaps because there are no distractions from the world outside; Even the world outside is acquired as the sky above is framed by the court and forms part of the spatial composition. The elemental reduction of sky above, water surrounding an island of grass below, all axially centred by the stolid tree distils for the owners what life can and should be; a re-focus on the basics being pure, simple, and celebrated.

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Albert Lim

Image Courtesy © Wallflower Architecture + Design

Image Courtesy © Wallflower Architecture + Design

Image Courtesy © Wallflower Architecture + Design

Image Courtesy © Wallflower Architecture + Design

Image Courtesy © Wallflower Architecture + Design

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Category: House

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