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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

Didomestic in Madrid, Spain by Elii

 
December 22nd, 2013 by Sumit Singhal

Article source: Elii

The scope of the project covers from the development of a customised functional proposal for a user that is turning a new leaf to the rehabilitation of the structure, the insulation, the facilities and the modernisation of the existing construction systems.

The selected approach removes all obstacles from the floor to provide the greatest possible flexibility. Two basic elements are used: firstly, the central core, comprising the staircase, some shelves and the larder. The core is at the centre of the main space under the mansard roof. It connects the access floor and the space under the roof and allows the natural lighting coming through the roof into the living room. Secondly, there are two side strips for the functional elements (kitchen, bathroom, storage space and domestic appliances).

Image Courtesy © Miguel de Guzmán

  • Architects: Elii
  • Project: Didomestic
  • Location: Madrid, Spain
  • Photography: Miguel de Guzmán
  • Team: María Sole Ferragamo, Miguel Galán, Pablo Martín de la Cruz
  • Client: Dido Fogué
  • Const. Company: Dionisio Torralba Construcciones
  • Model: elii – Inmaculada Mariscal, Leonor Acero

BASIC DATA

  • Size: 57,60 m2
  • Starting Date: Ene 2013
  • Ending Date: Julio 2013

Image Courtesy © Miguel de Guzmán

This basic arrangement is complemented by two strategies that provide flexibility to the domestic spaces.

Firstly, the moving panels that are integrated into the core and run along guide rails. These panels can be used to create different arrangements, such as adding an extra room for a guest, separating the kitchen from the living room area or opening the whole floor for a party. The panels have transparent sections so that the natural lighting coming through the mansard roof can reach this space.

Image Courtesy © Miguel de Guzmán

Secondly, the secret trap doors that are integrated into the ceiling of the access floor and into the floor of the mezzanine and that house the rest of the domestic functions. The ceiling doors are opened with handles fitted on the walls. These handles actuate pulleys that lower part of the furniture (such as tables and the picnic benches, a swing or the hammock) or some complementary functions and objects (such as the disco ball, the fans to chill out on the hammock or an extra shelf for the guest room).

Image Courtesy © Miguel de Guzmán

In addition, the floor of the space under the roof has a series of invisible doors that can be opened to alter the functionality of the raised space where the bedroom area is (these spaces house the dressing table, the tea room and the storage spaces for the bathroom).

Image Courtesy © Miguel de Guzmán

All these elements are integrated within the floor and the ceiling and they appear and disappear at the user’s whim. The secret trap doors and the sliding panels complement the basic configuration, fit the needs of the moment and provide different home layout combinations.

Image Courtesy © Miguel de Guzmán

Click! >Play. Didomestic is a space that has been conceived to turn a new leaf. It is a flexible space where everyday life can be rehearsed.

Experimenting with oneself.

Black box. The stage area in a theatre (also known as the ‘black box’) is the architectural space where anything can happen. Didomestic is the stage within a domestic theatre, it is a black box. Your house can be a dance floor one day and a tea room the next.

Image Courtesy © Miguel de Guzmán

Living backstage.

The script. In this domestic theatre, life itself is the script. The architecture is the space where everyday scenes are played.

Every day is a rehearsal.

Blackboxing. We are living through days of profound changes, when the black boxes of cities are being opened and households are one of the essential stages for these transformations. We are constantly witnessing how the things that used to be invisible are invisible no more. However, in parallel to the visibilisation (deblackboxing) process, we seek architecture that not only reveals these changes, but that can also be used to rehearse them, test them, experiment with them and create prototypes (blackbloxing) of them. Let’s blackbox (in the theatrical sense, that is, let’s stage) the spaces, habits and relationships.

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

Image Courtesy © Elii

Image Courtesy © Elii

Image Courtesy © Elii

Image Courtesy © Elii

Image Courtesy © Elii

Image Courtesy © Elii

Image Courtesy © Elii

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Category: House

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