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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

Sohsul Hotel in Seoul, S.Korea by Archigroup ma

 
January 6th, 2014 by Sumit Singhal

Article source: Archigroup ma

It is a common sense that detailing takes its place at the later phase of process, and this is especially true for an architectural design. However, on the other hand, I think it is possible for detail to be the beginning of the process. The more so, if the process is for interior design. Although Mies van dero Rohe said “God is in the details” to emphasize <precision> and Rem Koolhaas stated “no money, no detail, just pure concept” to put <concept> of the plan before anything, the detail was what connected the beginning and the end of this project. The detail is not limited to properly joining and finishing the materials. It motivates the design, brings harmony to neighboring materials, and sometimes the detail itself grant certain characteristic to the whole space. Every material has its own unique characteristics and it can be revealed through the detail. Properly displayed detail distinguishes itself from the other materials, and that uniqueness became the main material for the design for this project.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

  • Architects: Archigroup ma
  • Project: Sohsul Hotel
  • Location: 53, Banpo-daero 14-gil, Seocho-gu, Seoul, S.Korea
  • Photography: Sun Namgoong
  • Interior Design: Geunju Yoon, Junghwan Hwang
  • Hotel Features: 52 Rooms(12 Types), Lobby, Restaurant, Multipurpose Room
  • Gross floor area: 3,771.03§³
  • Buildings Scope: B2, 13F
  • Client & Construction: Youngwoo Seo (Bit Sal Co.)
  • Floor finishing: Wood flooring, Marble, Tiles(Italy)
  • Wall finishing: Wood, marble, Tiles(Italy), Made wallpaper, Eco-friendly paints
  • Ceiling finishing: Tiles(Italy), Made wallpaper, Eco-friendly paints

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Floor, Wall and Ceiling
Floor, wall and ceiling of the room are such common elements for architecture just like ground, column and roof. Hence, an old history of architecture can be defined as standing on the ground with your both feet, leaning your back against the wall and keeping your body under ceiling. However, these elements, which seem to be all segregated, are treated slightly different in this project.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

The material that were usually used on floor is now applied on wall or closet (a, b, c, f, h), some part of the wall is connected to ceiling (corridor), and floor and ceiling is reflecting each other like a mirror (e, l, lobby). Exterior wall material that were usually seen from a balcony is not forming a wall inside the room (k) and even surrounding the entire interior space (g). The top of the fathomless wall, which is tall and lengthy, is bent and folded, hence, forming front desk and half arch on top (lobby) and the mosaic pattern that is decorating the floor and ceiling of the 1st floor lobby covers the entire floor, wall, and slanted ceiling once it gets to the penthouse house on the top floor(I).

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

As shown in interior finish material legendo fall architecture sheet set, base boar displace dat the edgeo fall floor and wall. Such element, which was added due to functional requirements, is part of both wall and floor. Molding at the edge of wall and ceiling is another example that exist sand travels between two different elements. Door and window also makes the similar relation ship with wall in the same manner. All these regular elements that construct the architecture become a key for a design, and there sultisobtained from the mixture of interpretation, decision ,intuition, and response of this key.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Material and matter
Material lays in-between matter and the result of the work using that material. In other word, matter turns into material and material turned into building. However, there is another factor that material must have in order for it to be an architecture not merely building. That factor is called attribute. Attribute is like a prerequisite for the matter to be that matter, and a special process is required in order to put attribute into material. It’s the respect (or attitude towards) for material. In this project, fidelity and betrayal toward that respect coexist. Real is mixed with fake, thing-in-itself and phenomenon coexist, and characteristic and accident intersect each other. Like the way the image on a mirror exist yet differ from its origin, stone is thin and sharp yet heavy, and tree is soft and warm while it is still hard. Brick is thickly stacked in one place, yet sliced and cladded in another place. Although, it is hard to distinguish tile and wallpaper using their applied location and purpose, they are in fact the same as they both serve the same purpose of cladding. Every materials stay in the place where they belong to, but still appears in unexpected places with the different image. In this project, material is made from matter, but they share half the appearance and personality of matter.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Mirror
“There is no sound in the mirror and me inside the mirror is unable to shake my hand as he is left handed, however, me from the mirror, who is opposite of me, is actually somewhat similar to me.” (Yi Sang) Oftentimes, floor and ceiling share similarity in many ways. They both have similar size and shape. However, man always walk on the floor and stay under the ceiling and it is uncertain whether it’s good or bad. They are different, yet similar to each other, and they look alike, but certainly not the same. But now, they are made to be perfectly identical to each other (lobby, e). Floor becomes a ceiling and ceiling becomes a mirror of a floor producing an illusion of looking down on a ceiling while walking on the floor. So the interior lightings are projecting both floor and ceiling at the same time. Of course, neither floor nor ceiling has a mirror on them (e). Black stainless steel is covering the entire curved wall and distorting naturally scattered chaotic lights on the ceiling into stars (lobby). The wall with a mirror on the opposite side of room entrance creates another exit that can never be used (j, m, corridor). Once you go into the room, you will encounter two bedrooms on each side, but there is no need for making a hard decision as one of the bedrooms won’t be able to shake my hands (h). The shape of combined light from floor and the door inside the mirror is the same as the one that appears on the floor when you open the door. This is the overlapping moment of reality and delusion (e). Everyone look into a mirror at least once a day to shave or wear make-up. Mirror is a familiar object that people use in their everyday life, but in this project, it plays the role that grants a bit of unfamiliarity.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Furniture
There are many furniture that are occupying the room, such as bedside table, closet, table, shelf, sink and tub, but not all of them are brought from the outside of the room. Part of the wall pops out and changes its form to a headboard and certain part of that headboard turns into a small table (a, b, c, d, e, i, j, k). The floor, which has different heights like wide stairs of plaza, changes into chair or back support (a), center part of the floor rises and functions as table and headboard (e), sink and shower booth, which are part of a bathroom, are actually extension of room floor (a, b). A long table, where the television and laptop is placed on top, can be a mat for closet, bathroom and entrance floor (b). When water fills the sunken floor, it naturally becomes a tub, and carved round stone sticking out from the wall becomes a sink. When this wall reaches the bedroom horizontally, it becomes a large headboard that surrounds the bed obliquely (c) At last, the bed is no longer furniture. Bed is now part of the bedroom.

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © Sun Namgoong

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

Image Courtesy © archigroup ma

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