Article source: Staff7
The beach house is Mystery, 117 kilometers south of Lima, Peru.
The land consists of 200m2 and the house has 330m2 built.
- Architects: Staff7 (Chete Cortés)
- Project: Misterio I, Beach House
- Location: Lima, Peru
Archive for July, 2014
Article source: Rangr Studio with Charlet Design
After years of renting a weekend house in the area, our clients found land they loved and asked us to design a weekend and summer home. The clients were particularly fond of one of their previous rentals — a chicken coop turned into a small house — and that became a departure point for our design. Within a strict budget, the design took advantage of a steep slope in the hillside, using the foundation as a retaining wall on the high point of the hill and opening up the lower story with doors and windows. The house looks small and humble from the street side, with a mostly opaque wall creating privacy, but opens up to a deck and stone terrace, the facade punctured with windows looking to the Catskill Mountains.
Article source: María Langarita and Víctor Navarro
Perhaps more than anything else, it is the very strangeness of the diverging intentions found in the La Serrería Belga adaptation project for the Medialab-Prado that makes it possible for them to coexist, though not without a certain measure of irony.
The first of these caustic coexistences stems from a certain institutional schizophrenia. While the ‘Paseo del Arte’ was transformed into Madrid City Hall’s banner to attract international tourism, an architectural competition was simultaneously promoted in the same area, which would end up serving an institution that sponsored debates that were deeply critical of this model.
Article source: Petr Hajek Architekti
The house is located in the centre of a garden. Each single room is oriented to one of the trees. The living room faces the apple tree, the master bedroom, the cherry tree, the bathroom faces the peach tree, the guest room, the silver spruce and the children’s room, the walnut. Each room has its unique view and atmosphere. The building is resting like a lizard in a sun-lit meadow. The inspiration for the proposal of this house is in fact a chameleon. Eyes (windows) unrestrictedly observe the surroundings. The skin (facade), consisting of a semi-gloss coat, partly reflects the colours of the garden and the sky.
Article source: Germán del Sol, Architect
Travel opens up new perspectives, to see life with new eyes.
This Hotel invites travellers to stop wandering, and make a fruitful pause. Life, dispersed in Atacama’s vastness, is somehow present at the hotel, inviting visitors to go out and experience first hand its natural and cultural riches, and return every evening back to comfort, free of the sheer tasks of survival.
Article source: Germán del Sol, Architect
The inspiration are the sheep farm’s buildings of Patagonia.
Not the main houses of the estancias, their warm interiors closed to their place, but the buildings made for the sheep farm works where daily life in Patagonia is lived, and finds an splendor of its own; the barns for drying the sheep’s hides and for the many other works at the estancias, that have to be done inside because of the cold or the wind, or both.
An the other many signs of human live dispersed in Patagonia, like the endless wire fences, the small houses for the shepherd’s dogs, etc.
Article source: COTTONE+INDELICATO ARCHITECTS
The walkway is designed as a sculptural element that integrates with the enchanting context of the Valley of the Temples in Agrigento, and establishes a dialogue with it that draws inspiration from the landscape and architectural features of the place.
Article source: stpmj
“DRIFT proposes a triangular arrangement of eight foot diameter balloons that create a dynamic canopy over bourbon tastings, educational spaces for children and other groups. Jurors praised the project for its unexpected playfulness and relationship to historic river imagery. The design was interpreted by the panel of jurors as a type of inverted raft with romantic allusions to the journeys of Huckleberry Finn as well as the flatboats that once populated Louisville’s wharf in great numbers. — Kentucky Museum of Art & Craft blog”
KCEV Krkonose Mountains Centre for Environmental Education in Vrchlabí, Czech Republic by Petr Hájek ArchitektiTuesday, July 1st, 2014
Article source: Petr Hájek Architekti
The building is situated into a city park in front of the administration building of KRNAP (Krkonoše Mts. National Park). The building geometry is derived from the geometry of Krkonoše Mountains. Every edge or slope on the building could be found in its real, natural topography. In between of the metal vectors, which represent the mountain ridges, there is growing sedum. The new building is set apart from the existing one to create an entrance platform.
Article source: La Biennale di Venezia
Vjenceslav Richter’s 1961 project exposé for the building of the Museum of the Revolution starts thus:
“The purpose and idea of this museum is to safeguard the truth about us. From this follows its extraordinary importance, which has found its confirmation in the assigned location.