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A Needle Woman: Galaxy was a Memory, Earth is a Souvenir in Ithaca, New York by Kimsooja, Jaeho Chong, and Ulrich Wiesner
November 5th, 2014 by Sanjay Gangal
Article source: Kimsooja, Jaeho Chong, and Ulrich Wiesner
As part of the 2014 CCA biennale, Korean-born conceptual multi-media artist, Kimsooja has created a new work in close collaboration with architect Jaeho Chong and the Wiesner Nanomaterials Lab at Cornell University.
“An inward directionality found in visual perspective employed by nano science convinced me how much nano-techniques are an inverse expression of our perspective of the universe, as well as being related and interconnected to observations in art making.”
Inspired by the perspectival direction of nanotechnology and French philosopher Henri Bergson’s thoughts on memory as related to metaphysical perception, Kimsooja explores the notion of the needlepoint as an intersection between distance and memory threading across a cosmic scale.
A Needle Woman: Galaxy was a Memory, Earth is a Souvenir is a 46 foot high, 4.5 foot diameter needle-shaped steel structure made for an intimate exterior and interior experience. The structure’s grid-like, sleek, volumetric spine is fleshed out with acrylic panels to form a crystalline, transparent pavilion when seen directly. At a raking light, each of the panels, which have been individually treated with an iridescent nano polymer, transforms the transparent pavilion into a radiant spectrum with color as the polymer refracts various wavelengths of natural light dependent on the angle from which it is viewed.
“Working at an architectural scale inspired us to transform a micro-molecular phenomenon at the nano-scale into a tangible structure, thereby unveiling a new spatial dimension to the human senses.Once installed, their descent needle form gave the entire Arts Quad an artistic definition.”
Created in collaboration with Cornell nanomaterial engineer and chemical scientist Ulrich Wiesner, the molecularly engineered ‘blockcopolymer’ is precisely structured to maximize the refractive qualities of natural light. Similar to the iridescence that occurs in nature on the wings of butterflies or shell of beetles, the color of the pavilion is physically interactive, where the various spectral colors appear as a radiant glitch in the fabric of reality. The interior floor of the structure is mirrored, doubling its scale and light effects so that it appears to extend simultaneously into the earth and the sky.
“The most enjoyable part was to see how enthusiastic and excited the students were about what they were working on. To spend time on a project that was going to provide a person not knowledgeable about nanotechnology a way to appreciate the work of scientists via a piece of art was a dream come true for everybody involved.” Uli Wiesner
While the announcement of earth as a ‘souvenir’ in the title suggests an object or gift, the idea of Earth as a readymade or readyused object functions as an aperture through which to view Kimsooja’s artistic evolution. Expanding from the notion of needle as form and concept, this project addresses the needlepoint as both a void and a point of departure in time and space on an architectural scale.
“The fact that Kimsooja’s work often materializes the phenomenal forms in nature, made it clear to me that she would be a wonderful artist to engage not only with the intangible realm of nano-scale science, but with the philosophical and cultural questions that are posed by the synthetic manipulation of the elemental components of life. While some artists are experimenting with nano technologies because it offers new forms, Kimsooja’s ability to bring us to the threshold between cultural and natural worlds allows us to connect with this unimaginable scale by pulling it, with vibrance and light, into our everyday reality.”
By presenting a morphological form that assimilates the perspective of scale at the heart of nanoscientific practice as well as perspective in art and the universe, the artist aims to explore the possible shapes and points of view that reveal the invisible as visible, physical as immaterial, and vice versa. A Needle Woman: Galaxy was a Memory, Earth is a Souvenir is a continuation of Kimsooja’s decades long exploration of the concept of the needle and the notion ofbottari, both of which have been explored in a number of site-specific projects, most recently in the Korean Pavilion in the Biennale diVenezia, 2013.