Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
The Kurdistan Museum in ERBIL, IRAQ by STUDIO LIBESKIND
April 28th, 2016 by Sumit Singhal
Article source: STUDIO LIBESKIND
Daniel Libeskind unveils the design for The Kurdistan Museum at the Bloomberg Businessweek Design conference in San Francisco. Libeskind will present the design for a building that will create the first major center in the Kurdistan Region for the history and culture of the Kurdish people.
In collaboration with the Kurdistan Regional Government (the KRG) and client representative RWF World, the team has embarked on a visionary project to share the story of the Kurdish people with the world and inspire an open dialogue for the future generations within Kurdistan.
“The museum aims to convey the spirit of the Kurdish people, their rich culture and the future of Kurdistan,” said architect Daniel Libeskind. “The design had to navigate between two extreme emotions: sadness and tragedy, through the weight of history, and of joy and hope, as the nation looks to the future.”
Situated at the base of the ancient Citadel, in the center of Erbil, Iraq, the 150,000 square-foot museum will feature exhibition spaces for both permanent and temporary exhibitions, a lecture theatre, state-of-the-art multimedia educational resources, an extensive digital archive of Kurdish historical assets, as well as community center and landscaped outdoor spaces for public use.
The form of the museum is created by four interlocking geometric volumes that represent the Kurdish regions: Turkey, Syria, Iran, and Iraq. The volumes are intersected by a line that is broken into two angular fragments, representing the past and future of Kurdistan. The two fragments create an emotive duality: a heavy and opaque mass, the Anfal Line, which symbolizes the genocide under Saddam Hussein; and the Liberty Line, a lattice structure filled with greenery that ascends towards the sky and culminates with an eternal flame – a powerful symbol in Kurdish culture.
At the junction between the Anfal and Liberty Lines is an open-air courtyard conceived as a tranquil and meditative space at the heart of the museum. The courtyard references those found in the Citadel and throughout the ancient, urban neighborhoods of Erbil. There is a water feature that extends from the landscape through the museum, bringing to mind the rivers and fertile valleys of Kurdistan. The landscape offers performance spaces, café seating, and picnic grounds where people can gather.
The Kurds in Iraq are currently engaged in fighting the Islamic State (ISIS), which has been covered widely by the international media. The construction of the museum will begin once the region is stabilized and the threat posed by ISIS is minimized. The Kurdistan Regional Government’s financial resources have been drained by their epic struggle, so to achieve this vision they are inviting outside financial support for the project.
About Studio Libeskind (New York/Milan/Zurich)
Daniel Libeskind established his architectural studio in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum in Berlin. In February 2003, Studio Daniel Libeskind moved its headquarters from Berlin to New York City when Daniel Libeskind was selected as the master planner for the World Trade Center redevelopment. Daniel Libeskind’s practice is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers. In addition to the New York headquarters, Studio Libeskind has European partner offices based in Zürich and Milan, Italy.
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