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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

38 Housing units in Rue Bonnet, France by Avenier Cornejo Architectes

 
January 6th, 2017 by Sumit Singhal

Article source: Avenier Cornejo Architectes 

The 38 social housing units at 10/12 rue Bonnet in the city of Clichy-la-Garenne completed for Efidis (social housing landlord) are located at the doorstep of Paris, along the périphérique beltway.

At the edge of the capital and its inner suburbs, they look towards both the Clichy-Batignolles district and the new high court designed by Renzo Piano, and the greater Paris area. Inside and out, they embody the metropolitan issue of eliminating borders. The architects seem to have set a roadmap to relay the dynamism that characterizes the urban development zone of Batignolles in a disparate environment. It is this double relationship with the city dictating the physiognomy of the building that seems to transcend the limits of the périphérique to connect two different urbanities towards a common future.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

  • Architects: Avenier Cornejo Architectes
  • Project: 38 Housing units 
  • Location: Clichy-la-Garenne 92110, France – 10/12, rue Bonnet
  • Photography: Takuji Shimmura and Avenier Cornejo
  • Client: Efidis / groupe SNI
  • Project leaders: Miguel Cornejo, Christelle Avenier, Somanad Petitjean, Julia Leroy
  • Engineering firms: EVP Ingénierie, CFERM Ingénierie, Fabrice Bougon
  • Cost: 4500 000 € ex-Tax
  • Total floor area: 2739 sqm
  • Plot area: 430 sqm
  • Garden: 57 sqm
  • Floor area apartments: 2 563 sqm
  • Floor area commercial space: 90 sqm
  • Floor area billiard room: 86 sqm
  • Completion: June 2016

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

The multifamily-housing building sets a unique standard of a new neighborhood, which will mark the threshold of Clichy-la-Garenne, the aptly named urban developement zone of “entrance of the city”.

Constructions can climb up to 10 stories allowing the building to overlook a large part of its surroundings. Through this emergence it approaches Paris and its attempts of achieving great heights. The southeast facade on perforated metal vibrates with its louvered shutters and echoes the activity of the city and the speed of the périphérique.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Located on the elbow of Bonnet street, the building takes part to the composite fabric of Clichy-la-Garenne, starting by its street and its numerous buildings in brick of varied color, which emerged over time. To begin this dialogue, the northwest and southwest facades feature a dark red ‘Lucca’ brick full with vivid joints which, in addition to giving its name to the residence, signs the resolutely contemporary look of the building.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Avenier Cornejo

Image Courtesy © Avenier Cornejo

To render this brick facade even more vibrant, an array of ornamentation connects two expressions of the city, that of the capital and that of the suburbs. A motif in Art deco tones, two crossing diamonds, originates from the overhanging and recessing of brick headers on one side, and through largescale metal perforations on the other.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

On the ground floor facing the street, the facade alternates large spans of brick with glass-covered surfaces such as the entrance and the commercial space. The moucharabiehs, attained from the spacing between bricks, roam to create intimate spaces or ventilate premises with a transparency that only allows to glance in from certain angles. The hall, in turn, acts as transition between the exterior and the interior by allowing to view from the sidewalk into the garden at the heart of the lot.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

The units also entertain this ambiguity of rapport to the gigantism of the city or the intimacy of their street by opening to the heart of the lot through balconies and loggias, which hide behind the perforated metal, or through loggias cut into the brick facing the street. Each apartment has at least a double exposure: by multiplying the exposure of each unit the project transforms the natural light contributions in order to connect the interior with its environment. This also multiplies the viewpoints on an ever-changing city that builds upon itself and extends its borders to regenerate its identity.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

About Avenier Cornejo Architectes

Christelle Avenier and Miguel Cornejo studied together at the architecture school of Paris Malaquais. They worked on various projects for Mathias Klotz (Santiago, Chili), Douglas Deremer (San Francisco, USA) and in France François Roche, (R&Sie(n)), XTU, Jacques Ferrier, and Galiano & Simon before founding their own firm in Paris.

Their collaborative career begins with a winning project for the Électra Grant (EDF) in ValparaÍso, Chili, followed by projects for private individuals before the firm wins a public contract in 2007 for a social housing project. In 2014 Avenier Cornejo wins the “Europe 40 under 40” prize. Its young workers’ hostel and kindergarten at Paris’ Porte des Lilas is selected for the French prize “Équerre d’Argent” as well as the Mies van der Rohe prize.

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Image Courtesy © Takuji Shimmura

Their very diverse architecture has been featured in exhibitions as the Pavillon de l’Arsenal in Paris and in many publications: Annuel Optimiste d’Architecture, AMC, the Architectural Review, and Wallpaper magazine, which named Avenier Cornejo among its top 20 young architectural talents of 2013.

Today, Avenier Cornejo is currently designing a number of schemes: housing, sheltered accommodation, childrens’ facilities, and medical installations. Meanwhile, the firm completed several projects this year, notably the multi-purpose lot in the Batignolles area in Paris’ 17th district, and a housing project in Paris’ rue Saint-Maur.

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

The firm’s approach is above all inventive, with no prejudices. Each project gives rise to a process of reflection, each expectation has several possible answers but, whatever the architectural desire, the goal is to bring about a fertile reaction.

“We want to take the time to design and build with pleasure so as to ensure quality. Experience confronts us with constraints: the better we grasp them the better we can master them so as to design freely.”

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

Image Courtesy © Avenier Cornejo Architectes

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Categories: Housing Development, Residential, Retail




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