SFMOMA’s leadership worked closely with Snøhetta to create a transformational expansion that incorporates and renovates the museum’s existing Mario Botta–designed building, which debuted in 1995. The new museum accommodates the significant growth of SFMOMA’s collection, program and visitorship, nearly tripling the museum’s gallery space, including nearly 45,000 square feet of free public-access space and weaving SFMOMA into its urban setting as never before.
Project Architects: Aaron Dorf, Lara Kaufman, Jon McNeal
Senior Architects: Simon Ewings, Alan Gordon, Marianne Lau, Elaine Molinar, Kjetil Trædal Thorsen
Design Team: Nick Anderson, Behrang Behin, Sam Brissette, Chad Carpenter, Michael Cotton, Aroussiak Gabrielian, Kyle Johnson, Nick Koster, Mario Mohan, Neda Mostafavi, Anne-Rachel Schiffmann, Carrie Tsang, Giancarlo Valle
The University of Oklahoma has renovated and expanded The Fred Jones Jr. Museum of Art. The impetus of the expansion was the awarding of the Eugene B. Adkins Collection to a partnership between the University of Oklahoma and the Philbrook Museum of Art in Tulsa. The Collection is among the nation’s most important private collections of works by the Taos artists as well as Native American works of art. It totals more than 3,300 objects including 1,100 two-dimensional works, 370 pieces of pottery, more than 1,600 examples of jewelry and silverwork, and nearly 250 pieces of other Native arts.
The Kirkpatrick family began oil exploration in the 1920’s when John Kirkpatrick’s father-in-law, M.B. Blake, drilled their first well. John then founded Kirkpatrick Oil in 1950. Kirkpatrick Oil has been active in the Hennessey area for 60 years.
Apple today announced that Apple Park, the company’s new 175-acre campus, will be ready for employees to begin occupying in April. The process of moving more than 12,000 people will take over six months, and construction of the buildings and parklands is scheduled to continue through the summer.
Envisioned by Steve Jobs as a center for creativity and collaboration, Apple Park is transforming miles of asphalt sprawl into a haven of green space in the heart of the Santa Clara Valley. The campus’ ring-shaped, 2.8 million-square-foot main building is clad entirely in the world’s largest panels of curved glass.
Woodard Residence is a personal residence for a developer on an unused piece of land left from his recently completed mixed-use development. The clients sought to be tucked away from activity, but maintain views of the Mississippi River and the downtown Memphis skyline.
The exterior of the building features staggered metal panels which function to screen views of the vehicles and provide airflow to qualify the building as an open parking structure. Internal ramps and screening vehicles from view is visually harmonious with the adjacent structures. The metal panels match details on the adjoining office building. Brise soleil on the west side of the garage visually connects the adjoining office building. Horizontal panels vary in size, with 6” slats at ground level for human scale, and change to 1’, 2’ and 4’ widths as they rotate around the façade and add texture. There is no exterior lighting on the building. Internal lighting glows between horizontal panels.
Located on a historic farm adjacent to Frank Lloyd Wright’s renowned Fallingwater residence, High Meadow serves as home base for students of Fallingwater Institute’s summer residency programs in architecture, art, and design.
Positioned between forest and field, four modest dwellings with simple wood interiors and framed vistas of the surrounding hilltops rest lightly above ground on a network of nimble steel columns and delicate tectonics, imparting minimal disturbance to the site. An angled shroud at the end of each unit catches cool breezes rising up from the valley floor below and shields the naturally ventilated rooms from the summer sun. Screened entry doors allow for additional airflow and connect the units to a covered walkway.
The Oak Pass Main House sits atop a 3.5-acre ridge site with panoramic canyon views. The property’s topography and landscape, which most notably include over 130 protected Coast Live Oak Trees, were the primary drivers for the house’s design. In order to showcase and amplify the site’s inherent beauty, the house’s mass is buried into the hillside, with only a one-story pavilion above grade as it unfolds along the ridge.