The Moody Pedestrian Bridge is a one of a kind Inverted Fink Truss bridge in Austin, Texas. The bridge connects two buildings as part of the Moody College of Communication at The University of Texas. It crosses over West Dean Keeton Street, a busy thoroughfare that traverses the campus. The bridge is characterized by a series of slender steel towers that vary in height and scale creating an elegant statement along one of the major avenues surrounding the campus. This type of bridge is the first of its kind in the United States, and the only one worldwide with a single support tower as the main loading member. The overall length of the bridge is approximately 300’ (91m) with a slender high tower of 65’ (20m) which marks the bridge crossing from a distance creating a gateway to the university campus for students and visitors alike. The pedestrian bridge compliments the architecture of the Bello Center, one of the recently completed buildings of the College of Communication. The bridge has integrated aesthetic lighting into its stainless steel railings.
This contemporary architectural design, located just blocks from the Barton Springs Pool and the Umlauf Sculpture Garden, features two residences in the heart of Austin’s Zilker Neighborhood. Both units open out to private landscaped interior courtyards as well as second floor balconies with views to downtown. The exterior material palette consists of a vertical standing seam siding contrasted against a white washed, vertical cypress tongue and groove siding. The rear unit is the builder / developer, Tim Mccabe’s own residence featuring prints from noted photographer David Hume Kennerly and sculpture from his travels in Asia as the development manager for the Pero Family in Dallas. Tim’s brings his sensibilities from living in Dallas in cannonical modern urban residences by the likes Bud Oblesby and Frank Welch of the O’Neil Ford School here to Austin’s own growing modern tradition. The building as a whole is a focused on elegant, urban living through a simple edited material palette, amazing framed views to the Zilker’s mature tree canopy and ample outdoor gathering spaces.
NAN is the remodel of a 11,450 SF warehouse into an office and production facility for the custom electronic parts manufacturer Arnold Electronics, Inc. The existing, prefabricated warehouse was converted into a high-tech office and manufacturing facility with the intent to create a graphic and architectural identity for the client.
The project VIL is an interior build-out in an existing warehouse for the Los Angeles headquarters of the content and production agency Conscious Minds. A main architectural feature is a continuous surface sheet forming an articulated ceiling and simultaneously folding around two conference spaces. The digital surface manipulation follows in part pragmatic stipulations but also creates a divided two-material sheet that appears to artificially tear at the seams to allow glimpses into the otherwise enclosed conference rooms.
TCA has had a lot of experience connecting smaller apartments together into a seamless whole, but this adventurous client requested something we’d never seen before. In a newly constructed multi-residential development, in the East Village of NYC, TCA had the opportunity to meet a unique client’s desire to combine two penthouse condos… with a helical slide. In this transformation, two identical 1-bedroom units, one atop the other, were combined into a duplex 2-bedroom home with the option to descend in the usual way on a new Italian-made “Rintal” stair, or more speedily, in a seated position, careening through the new double-height atrium.
The project proposes an architecture that responds to the inherent qualities of the site, privileged views, and the larger context of the Sonoran Desert. The language of the house draws upon these inherencies and allows for a greater understanding of the project’s circumstances.
This project started out as an addition/remodel to a really nice little cape…”we’d like to remove the roof and build a second story addition”. This kind of project usually leads to extensive remodeling of the first floor, at which point you’re very close to the cost of just building a new house. One I heard “we’d also like taller ceilings on the first floor”, that’s when the decision was made to tear down the house & build a new house in it’s place.
This site for this project has one main view to the east towards Camelback Mountain. The intent of the project was to focus the views towards the iconic landmark to capture it and have it constantly presenced in the experience of the house while creating other introspective moments of experience.
The idea of working with repeated motives of a barn gable is inspired by the American painters Charles Sheeler and Andrew Wyeth. Sculptural monoliths of barns are orientated according to the sloping landscapes giving interesting compositions where many volumes in various directions can be seen as a layered additive structure.
Sited in a 1950’s era dense neighborhood in Tempe, Arizona, the Sosnowski Residence takes the form of a courtyard house defined by three sandblasted 8-8-16 standard gray CMU walls at the main level and an exposed Virendeel truss at the upper level that ultimately characterizes the project.