The strict building regulations reduced the design margins. From these requirements, the architects developed a three dimensional structure that stands out for its sculptural character. The starting point was the clear shape of a cube whose edges follow the building lines and the instructions to the roof design. As with a sculptural work the corners are cut out creating differently proportioned indoor and outdoor spaces. The living area is placed on the top floor, a flowing space that narrows and widens or opens into a corner. Built-in furniture divide the smooth transitions between the different residential areas. The deep cut terraces offer either private or through openable glazing, rubbing shoulders with the city and adjoining vineyard. The strict building regulations reduced the design margins. From these requirements, the architects developed a three-dimensional structure that stands out for its sculptural character. The original clear shape is a cube whose edges are defined by the building lines in height and length. As with a sculptural work the corners are cut out creating differently proportioned indoor and outdoor spaces. The living area is placed on the top floor, a flowing space that narrows and widens or opens across the corner. Built-in furniture divide the smooth transitions between the different residential areas. The deep-cut terraces offer either private or through openable glazing, rubbing shoulders with the city and adjoining vineyard.
The Equalizer is a philosophical concept representing three different activities as the core activities held in the building i.e. Musical studies, movies and ballet. The three core activities are about rhythm therefor the architect took Equalizer as the philosophical concept. The building has three stories and the front view is different from the side views. The left side of the building has high covers until the third floor while the right side has shorter cover yet they still have the same total number of floors. The massing of the building is separated into two parts, one part is elongated upwards and the other on is elongated forward. The concept if the building is semi industrial thus some details are left unfinished. The building has a movie room on the first floor, recording music studio on the second floor and a ballet studio on the third floor. The building façade is covered with terracotta shaded bricks arranged in an equalizer-like shape as a representation of the three main activities in this building.
The generative concept of the museum is derived from the potent imagery of Yunnan’s famed local “stone forests”, the dramatic geography of raw, powerful beauty of the geological landscapes sculpted by nature over millennia, and the idea of stacked boxes holding fragile treasures, giving the architecture its defining metaphor as an assembled container of artifacts – a group of spatial volumes that congregates to form a larger mass, where individual pieces are still evident.
The footbridge by studio PP8 was created as part of the city of Milan’s ongoing urban plan. The steel structure crosses the A8 motorway at Arese, giving a safe passage to pedestrians and cyclists to the Milan expo area. The footbridge is composed of cross steel tubes, with corrugated steel slabs on two levels, one for foot traffic and the other for bikers. To avoid uncomfortable acceleration produced by running people it was inserted a TMD (Tuned Mass Daper) just under the corrugated steel slab, in the middle of the main span.
The Bamboo Tea Pavilion is located southwest of the city of Lishu in the province of Zhejiang. Songyang is under the “Protection and Development of Traditional Chinese Villages”, the villages are created from the varying slopes of the mountain. Damushan Tea is an important tourist attraction in Songyang. The ancient tea garden is surrounded by mountains and planting of the tea trees form elegant lines within the mist of the mountains, creating a lightweight and poetic beauty. The main concept of the pavilion is developed from the “lightness” of the environment.
It is an installation made with cardboard tubes with a metallic appearance atop a mosaic made of 96,000 wooden pieces.
During the Fallas festival in Valencia held every year the ultimate goal of these installations is to be burned to celebrate the arrival of spring. In this context we built a structure entirely of cardboard and wood joints. The purpose was to investigate to what extent we could carry up this type of structure, and also to place in a traditional context a contemporary image to provoke the debate between tradition and modernity.
The auditorium’s duality arises from the contradiction of its site. On the edge of town, the auditorium faces two realities: the beauty of the coastal landscape and the harsh and fragmented urban context.
The exhibition Argini Variabili, held in the Sala Maier of Pergine Valsugana, exhibits the photos of Andrea Vicentini, a young artist who marries technicity, research and emotional impact. The main theme is Australia, a country he has visited to immortalize its natural landscapes, its cultural ones and the people who live in them.
This project is a self-build pavilion on campus. Responding to the light, it shows unique morphing between different geometries. One is the fern, biological swirl form, and the other is the roof, architectural triangular form. These traditional design motifs seamlessly merge into a livable architecture by using today’s electronic technologies.
Kurve 7 is a community mall located within a dense residential district in the Eastern part of Bangkok, Krungthep Kreetha 7. Using a series of soft curvature strategies to define, frame, lead, and connect, Stu/D/O is able to realize their goal of creating a new neighborhood commercial space that is linked together by a series of open air garden and public space rather than creating a large enclosed community mall.