ROOM Concept Store takes inspiration from the idea of a “designer’s studio”, a place where designs are derived and processed, where visitors explore, experiment, and appreciate creative thinking in an intriguing way.
The challenge is how the store could display these products in harmony without compromising their outstanding identities. The store is located in renovated space with limitation in width and height. Physical challenge of the site is to circulate traffic efficiently within the low-ceiling elongated site.
The Melbourne Residences, is a 20 storey building consisting of 200 units in Brisbane’s Southbank. It contains retial and rooftop club including gym, pool, cinema and dining room. The tower plan is driven by the desire to maximise the oblique views from the units to the river and CBD. This results in a stepping form which maximises the number of units with access to the East. We derived inspiration from the ripple patterns created by the wind. This ripple orders the stepping of the façade reflecting the interplay of the environment on the façade. The tower has a unique undulating façade which ranges from zero to 4m. These facades contain operable glass screens to create wintergardens. These wintergardens provide a second skin to maximise thermal efficiency and reduce energy use. Melbourne street is becoming a fashionable retail address. We designed a 4 storey retail façade. Retail connects the street via a through site link to Fish Lane which is being revitalised by art installations and cafes as a bohemian centre. The clients brief was to create a superior residential address and activate the street with world class retail.
The striking residence, a monolith designed of insulating concrete is located on a quiet street with little traffic in the village of Pliezhausen, a good 30 km south of Stuttgart.
Facing the street, the new building presents only a few openings cut deeply into the solid concrete shell. While the crystal-shaped house still relates to the existing built context due to its parallel elongated sides, it contrasts distinctly with the neighboring buildings by virtue of the tapered ends formed by its shorter sides. It is this oblique arrangement of the facades that enables the building to open out to the surrounding outdoor spaces and to offer its inhabitants unexpectedly expansive views in the distance. A conventional gable roof and the gently rising terrain reinforce the angular, sculptural effect of the house, which is designed on a hexagonal ground plan.
Article source: Luigi Rosselli Pty Ltd – Architects
A designer would find oneself dancing to a familiar tune when approached to upgrade this terrace house in Paddington, a suburb east of Sydney City. Faced with the age old problems presented by much loved terrace housing – damp, dark and introverted – we sought to create a luminous space to give a full family a much needed dose of vitamin D. Introducing some fluid lines with a light filled stairwell at the centre and a sun drenched kitchen and living at the rear, the new configuration of old and new proves an enriching experience. Accustomed to muted tones, and a subtle palette, a much needed spring was put in our step by the bold use of colours, delphinium blues, cadmium yellows, beautiful artworks, exotic patterns and rich textures carefully selected by the interior designer in residence, Heidi Correa. The lush landscaping at the rear provides a verdant backdrop to family life. The final result knocked even us off our feet.
The project is an extension of a 17th century farmhouse and wine cellar in the countryside of La Mancha, which creates a centre devoted to wine culture. A new star–shaped piece is placed in the ancient courtyard, connecting old buildings and new ones. Its large scale is fragmented into smaller open spaces, each of them linked to the new functions around it. The courtyard, centre of the activity of the old farmhouse, is transformed by this star–shaped construction but maintains its character as an exterior space. The peaks of the star open towards the landscape giving entrance to the new complex. In this way the complex acquires a new relationship with the surroundings.
Article source: Luigi Rosselli Pty Ltd – Architects
It began with a simple enquiry. “Can we have a bird cage lift?” And so with this addition at its core, a once unexceptional dwelling on Sydney Harbour was transformed into an extraordinary waterfront townhouse. By reconfiguring the house around a revived grand stair with the new bird cage lift at its centre, accessibility, comfort, elegance and good living across five stories was made possible.
The new restaurant on the top of Monte Generoso graces the spot where an early twentiethcentury hotel once stood. The location is extraordinary: a small plateau overlooking the precipice on the north side of the mountain, characterised by a mighty rock with a steep 300- 400 metre drop. The impressive rock formation was the deciding factor for creating the “stone flower” – an octagonal building with individual “petals”. On the east front this circular crown provides the space for an observation deck that follows the ridge of the mountain.
Interior design is one of the disciplines that Olivier Dwek undertakes with a passion. His taste for the interaction of materials and unexpected, exclusive textures leads him to conduct all kinds of experiments with seasoned artisans. Working together, they engage in treatments of materials that generate sometimes unexpected results. For this Parisian apartment, the materials are combined and confronted following a rhythm that is metered down to the last detail. Nothing allows itself to be fully understood from the outset. Olivier Dwek likes to cover his tracks. Brushed aluminium, which boldly dominates the composition of the reception room, offers moiré reflections that could be mistaken with the grey velvet. The sense of a somewhat futuristic sophistication which he elicits is nuanced by touches of American walnut and natural foalskin introduced in the selected items of furniture. The stone flooring, shaped by the years it has spent in a riverbed, in turn creates an unfathomable impression, a vibrancy that appeals and questions. In this highly architectural, urban environment, it was important to incorporate light and nature. According to Olivier Dwek, one of the major revolutions in contemporary architecture involves the thickness of window frames. Having now become imperceptible, they enable the exterior to reach right to the heart of this city home.
<The House of Prajna> seems like a vessel heading for the woods, embraced by the forest, with the pentagon shape of building site reminding of that of ship. On the bow of ship shape, a persimmon tree over hundred year old branches its arms toward the large sky with hollowed trunk. Although this house is a result of intentional design, I feel like it is already been completed by thousands of interactions of invisible components. Every time I visit, I feel like appreciating the work of someone else’s.
In this flat situated in Barcelona’s Eixample, our starting point was an unfortunate period renovation from the 1980s.
At first glance, it seemed like the ’80s had erased all the original and distinctive elements of the space, which dates to 1875. But after some light “cleaning”, we uncovered some of the original elements, and realized they could be the soul for the new space. These elements were traditional Catalan hydraulic cement tiles, and exposed structural elements of the building, including exposed brick walls and the wooden beamed ceilings.