Kaleydo Hotel is a hospitality project located in Gili Trawangan island of Lombok, Indonesia. The client asked for a contemporary concept which considers the vernacular character of the area. Without being in so much resemblance of the aesthetics and style of Indonesian architecture, StudiSTAG started analyzing the vernacular in a function and usefulness guidance. A more contemporary approach reached by evaluating the ratios of the vernacular, rationalizing the Indonesian style and using the local techniques and materials.
After a search for the best possible result to ensure the equal view of the courts from different directions, the project has been generated by a geometric combination of badminton courts. Around ten badminton courts a circulation belt of 3m was formed, this is how spectators or athletes can freely move all around. This circular space was surrounded by a large triangle which forms three triangular areas around the circle. Thanks to this organization of space three spectator stands were generated all of which has different view directions to the courts. In order to assure the proper angle for the triangular stands to view the courts, they were elevated upwards and were connected with triangular trusses so each triangular space carries each other’s load. Thus a dynamic interior setting was formed.
Although the cellar is surrounded by a vineyard, it is not associated with it. The relationship between the building and the surrounding area is practically nonexistent, largely due to the access road that makes a harsh separation between the building and the vineyard at the arrival zone. On the west part of the building, the separation between the vineyard and the building is less prominent, however a possible symbiosis between the built and the natural is unfulfilled by the strong and enclosed character of the warehouse.
The particularity of this project is the very small (116sqm), plot and the desire of two friends to build together their urban apartments, each of them with its own appendix functioning as a professional space – a wine bar and a recording studio respectively. These special additions, along with the reduced imprint of the house, dictated a vertical spatial layout: the wine bar and duplex belonging to one of the clients were placed on the underground, ground floor and first floor, thus also enjoying the presence of a small courtyard, whereas the recording studio and the other duplex were placed on the terraced attic, the second and the third floors. The result was a five-level building with four functional units. The height – unusual for a house – as well as the owners’ lifestyle and requests led to the design of four different access ways and a semi-open exterior staircase, integrated in the building’s envelope. The wine bar, located on the underground level and open to the public, communicates directly with the street through a buffer space on the ground floor.
Is the first detailed design of the Ruggeveld master plan. The planning area covers 6.5 hectares and is located south of the E313 highway. The program includes park design (the blueprint for the “green seams” throughout the entire master plan, landscape design (a qualitative improvement of de Koude Beek Valley), 172 community gardens and a reservation of about 30 additional gardens and a parking for about 50 cars.
At the time when Seattle wonders what course to follow for a lasting transformation on public spaces, the [in]-closure project puts itself as the mainspring of the urban revival for the next five decades. Slow decision-making processes increased by fast practice changes and modern means of communication as globalized dematerialization implies that, nowadays, traditional urban planning methods are reaching the limit. You can plan an urban project; it will be obsolete even before seeing the light.
For its latest Kinoya, interior designer Jean de Lessard has tapped into the sources to emulate in his design the primary spirit, function and aesthetics of the izakaya, as the latter was originally an informal place where people drank beer and sake. The transformation is particularly unusual that it explores through extreme design intimacy in relationships between people, making of Kinoya a true representation of the unique approach the designer has developed about the different ways of occupying a space.
The first child of this young family was born while this house was under construction making it the place where all the strategies the firm has come up to, took place. The project is developed in three levels, using the basement as garage, for man must be above automobiles at all times. This cellar is also the place for storerooms, equipment and service rooms, allowing the existence of these two alternate worlds for the dwellers.
Collaborators: Juan Antonio Jaime, Humberto Dueñas, Blanca Moreno, Miguel Sánchez, Marc Steven Fernández, Javier H. Aguirre, Gabriela Villarreal, Javier Gutiérrez, Erick Martínez, Jessica Magaña, Gabriel Gómez, Fernanda Palma,