Article source: Department of ARCHITECTURE Co., Ltd.
For Bangkok, or any other modern-day cosmopolitan cities, living conditions and spatial form continue to evolve. Bangkokians are now yearning for new possibilities of outdoor living space that can effectively answer to the tropical heat and its dense living condition where there is not much space for the outdoor. ‘The Commons’, a small retail development in the city center, is an attempt to create a new active outdoor space where people can comfortably enjoy it at anytime of the year.
The production of 176.000 liters of whisky by Italy’s first and only destillery of this beverage takes place in a building reflecting the company’s pioneer character through a rigorous organization and an expressive façade. Inside the double height of the production zone allows a view to the underground silos and the stills from the store situated at the entrance level. All the functions and the three stories of the building are wrapped within al lattice of cement blocks, colored with soft earth tones, forming a modular scheme as used in farm buildings of the area. So the complex on the outside appears as a simple cube nuanced only by the gaps of the lattice.
The refurbishment of the Reg Bartley Oval Grandstand required restoration of the existing grandstand and the construction of new public amenities and ground staff facilities. The brief included demolition of three buildings that surrounded and attached to the grandstand, cutting it off from the street and parkland behind.
Masseria Moroseta: a white stone farmhouse standing proudly on the ridge with views across the olive trees to the sea.
Built using traditional techniques and local materials, the modern architecture is influenced by masserie (farmhouses) of the past. Set in five hectares of olive groves with trees up to 500 years old, Masseria Moroseta is an enclave of pared-down relaxation and rural simplicity.
This contemporary architectural design, located just blocks from the Barton Springs Pool and the Umlauf Sculpture Garden, features two residences in the heart of Austin’s Zilker Neighborhood. Both units open out to private landscaped interior courtyards as well as second floor balconies with views to downtown. The exterior material palette consists of a vertical standing seam siding contrasted against a white washed, vertical cypress tongue and groove siding. The rear unit is the builder / developer, Tim Mccabe’s own residence featuring prints from noted photographer David Hume Kennerly and sculpture from his travels in Asia as the development manager for the Pero Family in Dallas. Tim’s brings his sensibilities from living in Dallas in cannonical modern urban residences by the likes Bud Oblesby and Frank Welch of the O’Neil Ford School here to Austin’s own growing modern tradition. The building as a whole is a focused on elegant, urban living through a simple edited material palette, amazing framed views to the Zilker’s mature tree canopy and ample outdoor gathering spaces.
This construction is located in Tufi d’Agna, a small settlement in the mountain town of Corniglio, inside of the Tuscan-Emilian Appenine recently recognized by the UNESCO as a MAB (Man and the Biosphere Programme) reserve.
The small building, a farm building once used to shelter the shepherds and animals, was recovered as a refuge where the residential use, considering the remote location and the difficulties to achieve it, is sporadic and linked to the summer period.
The house sits in the context of a densely built residential area in North Bangalore. A substantial area of the plot along the road edge is occupied by the expansive canopy of a beautiful African Tulip.
The design takes the tree into consideration at every stage in an attempt to unite it with the built space, factoring in daylight and ventilation. The resulting home is marked by a sedate atmosphere, hints of the tree and the sky mingling with sober earth walls, which then contrast with oxide floors and painted steel windows.
The project proposes an architecture that responds to the inherent qualities of the site, privileged views, and the larger context of the Sonoran Desert. The language of the house draws upon these inherencies and allows for a greater understanding of the project’s circumstances.
Of the need for an exhibition space came the “MATO – Art Gallery”, next to Paulo Neves sculptor’s atelier.
Looking for inspiration in their own work of the sculptor, the organic design mirrors the trace of Paulo Neves. Whole body develops without straight surfaces. As if a strange animal has born on site, mixed with the surrounding vegetation.