The Andarzgoo Residential Building was built in five units ,each one with three bedrooms, on a land with the area of 215 m2. The ground floor included parking area, yard and the entrance while storage rooms, mechanical room, and gym were placed on the basement.
The residence is the first apartment building on the site of the urban renewal program implemented around the station. It is perceived as a flagship project, intended to strengthen the town’s identity. Outlines, scales, volumes and materials, defined in particular during the studies carried out for this “pilot” building project, enabled the definition of urban rules that will shape future projects all around it. It is a compact building where the work on the composition of volumes made it possible to integrate it into the loose urban fabric while simultaneously restructuring the latter. The complex composition of the façades is rendered visible across the entire length of the building through the differentiation of volumes, setbacks and materials. The prow black enameled brick marks the corner of the two future streets. Splitting the two volumes creates a more diverse morphology in the existing cityscape, while also marking the linear rhythm of the façades through fractures of several stories and top floor setbacks creating a greater sense of lightness.
Krøyers Plads is a five-story housing project with a significant location in the centre of the Copenhagen harbour area designed by Danish architects Vilhelm Lauritzen Architects and COBE. The award-winning and Nordic Eco-labelled project is now finished. The project is based on a hyper-democratic and contextual approach where folded roofs and architectural heaviness create a dialogue between old and new, and a modern, empathetic interpretation of the architectural uniqueness of the old Copenhagen warehouses.
Nestled at the old industrial district of Section 13, Petaling Jaya, Glad Tidings Vision Centre (GTVC) is a visual respite from its dour surroundings. It is strategically located amidst established and flourishing neighbourhoods, which are predominantly residential.
The brief called for a revamp and upgrade of the old church facilities due to the growing congregation. The new building comprises a Multipurpose Hall, a garden chapel (for wedding, water baptism, prayer and meditation, and outdoor functions), prayer halls, prayer chapel, function rooms for meetings and seminars, and car parking facilities.
This project is the implementation of an urban strategy based on continuity with the existing built environment. The program is contained within two buildings: the first facing the street, with ground floor + 4 floors, containing seventeen apartments; the second, at the back of the lot, contains an additional eight. The first building opens to the rue Nicolo through façade detached from the ground and creating a passageway toward the center of the city block and to the vertical circulations.
The 50-acre estate owned by Fernandes Distillers Ltd, whose rum business was sold in 1973 to Angostura, world renown for its aromatic bitters, has been transformed initially into Fernandes Industrial Centre, but now gradually into its current incarnation, Fernandes Business Centre. It follows that there was an increased need for better eating facilities for its growing population of office workers. When the owners came to Trinidad-based architecture and interiors firm, acla:works to design a new food court building, they were delighted as they too would be benefit as their headquarters was also located there.
A subtle dialogue between historical structure and current architectonic accents is being offered at the former Herding spinning mill in Bocholt. The industrial monument has been reinvented for use as a cultural centre. Warehouse for shows, special exhibition areas, event spaces and catering found place at the so called TextilWerk. “Reanimate and reinvent” were the maxims of ATELIER BRÜCKNER. By means of careful architectural surgery the original functional interrelationships of the factory were underlined. The language of form and colour are derived from the old building structure.
In recent years, investor/owner Bouwinvest and real estate developer Top Vastgoed transformed the outdated buildings along the Amsterdam Nieuwendijk 196 and Damrak 70 and 80 into hyper-modern offices of international retailers such as Zara, JD Sports, and C&A. At the end of this year Primark will open their Dutch flagship store with its entrance in the Beurspassage. In total this project, known as Nowadays, will encompass an impressive 27.500 m2. This is an extraordinary large project for Amsterdam’s retailcenter, and – for Dutch standards – an enormously large and involved renovation of retail property in the city center. The completion of Nowadays, with its closing act the opening of the Beurspasssage and its artwork, will take place by the end of this year. Bouwinvest will have taken its final step in the largest Dutch inner city redevelopment of recent years.
Historical building contains many strong characteristic of space and living and it expresses the significance of the certain age. While facing the renovation of a historical building, our first intention is to “re-specify” the initial gestures of the space in order to remain the condition for the traces of time could be experienced. Therefore, carefully but distinctive inserting an element to shape new spaces become the key issue of this project.
Za’abeel Park has been designed to showcase Dubai’s status as a regional center for the development of high-technology and IT industries through a unique mix of educational and recreational facilities. The development of these facilities within a large scale garden-park setting has created a multi-faceted urban space within the city center for both residents and visitors alike. This urban idea is fundamental to the “new face of Dubai” and the future development of the city within an international context. Within this spirit, the proposed “Emblem” tower for Za’abeel Park should be expressive of the confluence of these regional ideas, energy, and culture which define the modern city with an underlying emotional reference to a more universal iconography.