The construction of the transportation-related building on Móricz Zsigmond Circus, Budapest was completed in 1943, according to the design of József Schall; and because of its shape later it was identified as the “Mushroom” by the word of mouth. Originally a departure building, cash- and waiting room and a café were placed in three building sectors under the roof with a ring-shaped layout. A fountain stood in the middle of the ring (stone relief by László Szomor). Shortly after its completion the building was roughly converted, transformers were placed into one of its circle sectors. The structure has started to be a slum-like environment already in the ’70s. For its particular spatial space composition and extremely slim reinforced concrete details it has been recorded as a listed building under monumental protection since 1997.
Article source: Esculpir el Aire / José Ángel Ruiz Cáceres
White or visible light can be split into monochromatic beams of light by passing it through an obstacle that forces the different waves which make up white light to travel at different speeds. This is the concept from which this small building developed.
The Tetrarc agency has put its name to the Hub Créatic in Nantes, a building dedicated to young companies developing new digital applications. Behind its lively yellow walls, the building assembles seventy of these start-ups businesses. It has affirmed their presence in the town and offers them a scalable work space at a reduced rent where they can finalise their creations, live out the first moments of their existence and recognise their early development. It gathers them around a vast swirling atrium, a spatial design favourable to communication and the synergy of projects, Here architecture and innovation work in harmony.
Building a utilitarian building marked the direction of this project.
That is why the whole strategy turned around the prefiguration of a traditional typology. The different elements of the composition, galleries, sloping roofs, metal enclosures, are the typical components that qualify this type of buildings in this place.
The project of the Elisabeth and Helmut Uhl foundation has been realized thanks to a restricted international architectural competition held in 2009, which saw the participation of fifteen architectural teams from Italy, Switzerland, Austria and Germany. The jury was composed by prof. arch. Thomas Herzog, prof. Andrea Vidotto, prof. Vittorio Magnano Lampugnani and prof. arch. Hermann Kaufmann. The aim of the competition was to design a building able to host the activities of the homonymous cultural and research foundation.
The new program includes: the seat of Brussels Parliament (PFB : French speaking part) and the restoration of the former Postal Relay (Renaissance 1694) as a polyvalent space. It would have been risky to chose the easy way by the creation of a mimetic building right wing of The Parliament or propose a dissonant solution with a draft bill only contemporary. Skope’s approach was different; inspired by the history of the place while assuming contemporary issues.
An industrial building in the premises of an old early twentieth-century textile factory in Terrassa, a leading city in Catalonia’s textile industry, has been refurbished and equipped as an office.
Prior to the intervention, the whole building had false ceilings, plaster-covered walls, et cetera, and we suspected that they concealed the magnificent architecture that characterised the majority of the great textile mills of the beginning of the twentieth century.
The architectural idea of the building is derived from an inside-out perspective, where the social qualities of the building are a dominant driver for the design: Often in tall buildings, the sense of community amongst the occupants is challenged by the fact that you hardly ever meet your neighbours, except coming and going via the lobby and at the lifts.
The rundown building housing Nièvre’s departmental archives has undergone rehabilitation and been provided with an extension. Two new buildings are positioned in parallel with the existing rehabilitated building.
The first, giving onto the street, is slightly stepped back to create an esplanade marking the public nature of this institution. The façades are formed from screen-printed glass panels with different gradations and levels of transparency that create reflections and random vibrations.