The conceptual design for shanghai is a theoretical exercise in thematic processes, an investigation into architectural language as a lexical device governed by thematic parameters and syntactical structures. The lexicon is rather a series of architectural devices and tectonics composed as an interface for a subject and object experiencer. These tectonics thread through an arrangement of digital art and light sculptures as a syntax of meaning and definition to the overarching architecture. The correlation between lexical properties and syntactic structures are modes of operation in which the architecture emerges. Meaning and experience are not limited by surface and material association; but when art and technology are introduced, the system of thematic structure becomes visible in its lexical and syntax relationship. The art work in the form of digital projection, light sculpture, and diverse mediums perform as aspectual properties, unlike the thematic tectonic shapes and form. They become interface entities; these entities are mediators between spaces and the architectural body. The subject experiencer correlates the differences in the art and tectonic expression, but the event in which these entities project are undefined allowing emergence in activity to develop and operate.
The new (rediscovered) wings of the Hôtel de Galliffet
Mirror reflection: strategy of lightness
The new architectural wings of the Hôtel de Galliffet will be enigmatic and surprising appearances.
Logics of composition, materials and formal repertoire push the architectural bodies towards an expressive vocabulary for which the terms of lightness and permeability prevail.
The strategy of inclusion aims to give the new buildings a kind of perceptive dematerialization; this way proceeding the partial clogging of the courts will assume a character of agreement and co-operation rather than imposition.
Led by Gordon Affleck (Design Partner) and Miriam Auyeung (Project Director & Partner), 10 DESIGN has won an international competition against 9 other international design firms for the second phase of a world class Zhuhai International Convention and Exhibition Centre in China (Zhuhai CEC). This phase will provide an additional new convention space, supported by office and retail components totalling 273,000 sqm. State owned Huafa Group anticipates construction to commence in Q4 2016.
The Gensler designed AltaSea project is a campus for innovation situated at City Dock #1 in the Port of Los Angeles. Along the 35 acre-campus, historic buildings and new architecture are woven together via public parks and plazas, and connected to the district’s growing waterfront. The project brings together people to expand science-based understanding of the ocean; incubate and sustain ocean-related businesses; and pioneer new ocean-related education programs. AltaSea inspires its users, visitors, and the creators of the next generation to live a more sustainable life through its research and connection to the ocean.
Nestlé has opened its doors to the public. On the occasion of the 150th anniversary of the world’s largest food company, Utrecht experience design bureau Tinker imagineers has designed the family experience nest in Switzerland. An open house with a floor area of 6,626 m2 (3500m2 exhibition space), located in Vevey at Lake Geneva, in the place where Henri Nestlé established his first factory in 1866.
An Icefjord Centre in Ilulissat will attract tourists to Greenland and contribute to our understanding of climate change. The Danish architectural firm Dorte Mandrup Arkitekter has designed the visionary building for the centre with respect of the unique, UNESCO-protected natural surroundings.
The vision of a world-class tourist attraction in Ilulissat has come one step closer to realization with the selection of Dorte Mandrup Arkitekter’s proposal for an Icefjord Centre. The centre will help develop Greenland’s tourism and will serve as a global portal to understanding the ice fjord and, not least, its culture and history as well as the dramatic melting of the Greenland ice sheet. The parties behind the centre are the Greenland Government, Qaasuitsup Municipality and Realdania.
The project site is located inside the green area called Rhike Park, in Tbilisi, Georgia. The building consists of two different soft shaped elements that are connected as a unique body at the retaining wall. Every elements has his own function: The Musical Theatre and the Exhibition Hall. The north part of the building contains the Musical Theatre Hall (566 seats), the foyer and several facilities, together with technical spaces for theatre machinery and various storages. The Exhibition Hall opens his great entrance with a ramp that brings visitors from the street level. The Music Theatre Hall, on the contrary, soars from the ground and allows the users staying in the foyer and in the cafeteria to have a view to the river and the skyline of the city. It is a periscope to the city and looks towards the river framing the historic core of the Old Tbilisi.
The Museum of Energy is located at the surroundings of Ascó, next to the river Ebro. The museum swings between public and private, between the river and the topography and between the urban grid and landscape. Because of this, one of the aims of the project was to reconfigure the site understanding its BOUNDARY condition.
With the opening of the 29th International Book Fair, the Iranian President Rohani and Tehran’s Mayor Ghalibaf marked the opening of the new exhibition center in Tehran, the Share Aftab, which is being built to a design by architects von Gerkan, Marg and Partners. The new exhibition grounds are located about ten kilometers to the south of the center of the Iranian capital, about half way to the international airport, and are connected to the city by an underground line which opened at the same time.
Design: Volkwin Marg and Hubert Nienhoff with Markus Pfisterer
Team, competition: Alberto Flores, Swantje Grasmann, Martin Hakiel, Patrick Hoffmann, Susan Möllmann, Burkard Pick, Siamak Rashidi, Tobias Schaer
Project leader, implementation: Nima Ghahreman, Fariborz Rahimi-Nedjat
Team, implementation: Justin Allen, Alexander Buchhofer, Kasia Ciruk, Yana Espana, Nicole Jahn, Felix Kastner, Christian Klimaschka, Lars Laubenthal, Sebastian Lundelius, Silvia Schneider, Katya Vangelova
We designed the illumination display made using Android-operating devices, which can be found in the plaza facing TV Asahi known as Roppongi Hills Arena. Since this is the time of the year where people think most of connecting with others, we were tasked with providing an installation using around 600 Android-powered smartphones.