Archive for the ‘Historic Site’ Category
Friday, August 1st, 2014
Article source: Festival des Architectures Vives
The Festival des Architectures Vives aims to raise public awareness of the wide range of architecture. It seeks not only to highlight the work of a young generation of architects, landscape architects and urban planners but also to make discover unexpected urban areas.
Image Courtesy © Paul KOZLOWSKI
- Architects: Festival des Architectures Vives
- Project: Festival des Architectures Vives – FAV 2014 à Montpellier
- Location: Montpellier, France
- Photography: Paul KOZLOWSKI
Sunday, May 18th, 2014
Article source: gmp Architekten von Gerkan, Marg und Partner
The architects von Gerkan, Marg and Partners (gmp) are designing the new rehearsal building for the ballet company of Deutsche Oper am Rhein. In a consortium with HOCHTIEF Solutions, they were commissioned by Düsseldorf City Council in a PPP scheme.
Image Courtesy © gmp Architekten von Gerkan, Marg und Partner
- Architects: gmp Architekten von Gerkan, Marg und Partner
- Project: New construction of rehearsal building for “Ballett am Rhein”
- Location: Düsseldorf, Germany
- Collaborate: HOCHTIEF Solutions AG and HMI, BIG and Capatti Staubach
- Design: Volkwin Marg and Hubert Nienhoff with Kristian Spencker
- Team members: Veit Lieneweg, Silvia Schneider, Michael Scholz, Daniel Tome
- Client: The City of Düsseldorf
- GFA: 4,500 m²
Friday, April 11th, 2014
Article source: ARCHICLUB
Urban approach . The study site is a vacant lot owned by the city of Bessancourt and located a few hundred meters away from the town hall. Its location is in continuity with its historic downtown. The site is marked on the north by the imposing presence of a church. The urban environment of the study site is very mineral, the stone church is massive and reinforces this homogeneity. The building distribution on the site is diffuse and invites us to propose a singular object, an additional object that can join the existing group.
Image Courtesy © 11h45 montrer l’architecture
- Architects: ARCHICLUB
- Project: Espace Culturel Marc Steckar
- Location: Paris, France
- Photography: 11h45 montrer l’architecture
- Software used: ZWCAD, SKETCHUP, MAXWELL RENDER.
- Client: City of Bessancourt
- Consultants Fluids, Environnement: IDEEL environnement
- Consultants Structure: ID+ engineering
- Consultants acoustics : ALTIA acoustics
- Type: Cultural, Performing art center, Public building
- Status: Built 2013
- Building area: 580 m²
- Budget total: 1 510 000 USD, 1 090 000 €
- Main materials: Stone, Glass.
- Curtain wall: WICONA
- Stones: BLOCSTAR
- Floor: ARTIGO
- Wall: PLACOPLATRE
- Electrical: BTICINO, REGENT
- Plumbing : HANSA DESIGNO, DURAVIT
Thursday, March 6th, 2014
Article source: LAN Architecture
THE NEW GRAND PALAIS: AN EXAMPLE OF MODERNITY
To our contemporary eyes, the Grand Palais is both an idea and a symbol of modernity. It is a hybrid building in terms of its architecture, its usage and its history. Neither a museum nor a simple monument, its architecture has an identity all its own, centered around the notion of a “culture machine,” a spatial means for hosting a vast diversity of events and audiences that exponentially exalts the site’s “universal” and “republican” vocation. The restoration and restructuring of the entire monument affords us the chance to reinforce this aspiration.
Image Courtesy © LAN Architecture
- Architects: LAN Architecture
- Project: Restoration and redesign of the Grand-Palais des Champs-Élysées
- Location: Paris, France
- Competitive dialogue: 2013-2014
- Client: Réunion des Monuments Nationaux – Grand-Palais
- Budget: € 130 M. excl. VAT
- Surface: 70 623 m²
- Team: LAN (mandatory architect), Franck Boutté Consultants (sustainable design), Terrell (structure, façades, fluids), Michel Forgue (Quantitysurveyor), Systematica (flux), Lamoureux (acoustic), Casso (Fire protection and accessibilityengineers), CICAD (SCMC), BASE (landscaper), Mathieu Lehanneur (design).
Wednesday, February 5th, 2014
Article source: Crepain Binst Architecture nv
The Jordaenskaai in Antwerp developed from the Burgt – the historic centre or first, small medieval settlement from which the city evolved. The construction site is a special location with prehistoric finds, remains of the medieval city walls and of the old Antwerp canal. The remains have been painstakingly integrated into the ensemble and are largely visible in the ample inner zone accessible to residents and visitors.
Image Courtesy © Immpact
- Architects: Crepain Binst Architecture nv
- Project: JORDAENSKAAI
- Location: Antwerp, Belgium
- Photography: Crepain Binst Architecture nv, Immpact
- Proprietor: Impact vastgoed
- Collaborator: Philippe Van Damme, Edwin Remmerie, Lieven Louwyck, Tom Goos, Dimitri Pauwels.
- Stability: DS Engineering nv
- Engineering: Gebotec
- General contractor: Hooyberghs nv
- Start design: February 2006
- Start execution: 16.10.2009
- Temporary completion: part 1 end 2012, Part 2 begin 2013
- Site: 1600 m2
- Total: 1325 m2
- Commercial space m²: 1200 m²
- Aantal, m2 appartments: 5500 m2
- Number of parking spaces: 41
Saturday, January 25th, 2014
Article source: Pierre Vurpas et Associés Architectes
The project enhances the historical building of the Trévoux hospital, located on the old ramparts. It has been built on the site of the former annexes and outbuildings.
Image Courtesy © Studio Erick Saillet
- Architects: Pierre Vurpas et Associés Architectes
- Project: La Passerelle
- Location: Trévoux, France
- Photography: Studio Erick Saillet, Pierre Vurpas
- Client: Communauté de communes Saône Vallée (CCSV)
- Project Manager: Pierre VURPAS et Associés Architectes
- Structural engineering: Tecbat
- Cost of work: Demolition, asbestos removal,
- Works: €4.7 million ex. VAT
- Furnishings, scenography, signing: €470,000 ex. VAT
- Surface area: 2,800 m2 net surface area (including 1,150 for renovation and 1,650 extension)
- Total useable area: 2,000 m2
Sunday, November 10th, 2013
Article source: Caples Jefferson Architects PC
Weeksville Heritage Center is a unique urban design project in which a modern architectural syntax of simple forms, strip windows, and glass passageways is impacted by repeated African riffs. The riffs are variations that provide a visual counterpoint. The riffs are embedded in construction, in structural elements, such as the joints in paving and stone, in the choice of colors and materials, and in the details like the fence posts and the frit in the sunshading glass. The modern syntax and African riffs, although independent from each other, harmonize when experienced as an entirety.
Image Courtesy © Nic Lehoux
- Architects: Caples Jefferson Architects PC
- Project: Weeksville Heritage Center
- Location: Brooklyn, New York, U.S.A
- Photography: Nic Lehoux, Julian Olivas
- Clients: David Burney, FAIA, NYC Department of Design & Construction, Victor Metoyer, NYC Department of Cultural Affairs, Pamela Green, Weeksville Heritage Center
- Sub-consultants: Alma Smith, Construction Manager, Hill International, Seamus McNabb, General Contractor, Brickens, Construction, Benjamin Alper, Structural Engineer, Severud Associates, Hazern Huss, MEP Engineer, Loring Consulting Engineers, Andrew Ciancia, Civil & Geotechnical Engineer, Langan Engineering, John Rhyner, Geothermal Engineer, P.W. Grosser Consulting, Jeffrey Berg, Lighting Design, Berg-Howland Associates, Elizabeth Kennedy, Landscape Architect, Elizabeth Kennedy Landscape Architects, Greg Dimech, Cost Estimating, Faithful + Gould, Fred Shen, Acoustics & Audio Visual, Shen Milsom + Wilke, Francesca Bettridge, Theatrical Lighting, Cline Bettridge Bernstein Lighting Design, Frank Fortino, Building Department, Metropolis, Barbara Heller, FAIA, Specifications, Heller + Metzger PC, Gordon Smith, Curtainwall, Gordon Smith Construction, Carmel Bowron, Sustainable Design & Commissioning, Viridian, Jeffrey Venter, Security, Ducibella Venter & Santore, David Dial, Museum Programming, Dial Associates
Wednesday, April 24th, 2013
Article source: SV60 arquitectos
Our proposal starts with an existing traditional house enclosed between the side walls of two adjacent buildings in the area of San Lorenzo neighborhood, in the Historical Center of Seville. The origin of the house dates to the late S. XVIII, but it has suffered several modifications in different times till the present.
Image Courtesy © Jesús Granada
- Architects: SV60 arquitectos
- Project: Malpartida House
- Location: C/ Juan Rabadán 38. Sevilla. España
- Photography: Jesús Granada
- Team: Antonio Gonzalez Cordon, Antonio G. Linan
- Collaborators: Architects, Victor Silveira, Mª Luz Villar
- Technical Architect: Manuel Lopez Ruiz
- Owner: Privado
- Construction: Sansor S.A.
- Year: 2008/2010
- Area: 572 sqm
Thursday, March 15th, 2012
Article source: Mariusz Piesik & Kuba Szymański
Gdańsk Historic Heritage Center is designed to be a multifunctional building and a part of targ sienny / targ rakowy complex – a new project in the very center of Gdańsk. The buildings’ main purpose is to host an exhibition of a large scale model of a pre-World War II center of the city and mark the starting point of tourist excursions around it’s streets. The design of GHHC was to be chosen in a contest for architecture students.
Gdańsk Historic Heritage Center
- Architects: Mariusz Piesik & Kuba Szymański
- Project: Gdańsk Historic Heritage Center
- Location: Gdańsk, Poland
- Software used: AutoCad, 3DsMax, V-ray.
Sunday, November 20th, 2011
Article source: Meridian 105 Architecture
The Atlanta History Center project is a partial interior renovation of the existing building. The building’s exterior is addressed with the intent of maintaining a large portion of the current structure while achieving a transformation of image. The History Center fulfills a dual purpose, operating as a traditional museum and exhibit space on the mission of the Historical Society, and acting as a revenue generating event space. The current building, characterized by corridor-style circulation and partitioned rooms challenges the use of each function, creating a circulation driven by destination rather than exploration. Because of the shortcomings of the original design, the existing history center does not support the mission and revenue goals of the historical society. This project addresses this problem.