Article source: Luigi Rosselli Pty Ltd – Architects
A designer would find oneself dancing to a familiar tune when approached to upgrade this terrace house in Paddington, a suburb east of Sydney City. Faced with the age old problems presented by much loved terrace housing – damp, dark and introverted – we sought to create a luminous space to give a full family a much needed dose of vitamin D. Introducing some fluid lines with a light filled stairwell at the centre and a sun drenched kitchen and living at the rear, the new configuration of old and new proves an enriching experience. Accustomed to muted tones, and a subtle palette, a much needed spring was put in our step by the bold use of colours, delphinium blues, cadmium yellows, beautiful artworks, exotic patterns and rich textures carefully selected by the interior designer in residence, Heidi Correa. The lush landscaping at the rear provides a verdant backdrop to family life. The final result knocked even us off our feet.
Article source: Luigi Rosselli Pty Ltd – Architects
It began with a simple enquiry. “Can we have a bird cage lift?” And so with this addition at its core, a once unexceptional dwelling on Sydney Harbour was transformed into an extraordinary waterfront townhouse. By reconfiguring the house around a revived grand stair with the new bird cage lift at its centre, accessibility, comfort, elegance and good living across five stories was made possible.
Located on one of the few lots in Dallas elevated enough to enjoy a view of the downtown skyline, the five-story Vertical House rises dramatically above the treetops to capture views of the surrounding gardens and the skyline beyond. Characterized by clean lines, sheer glass walls, and sculptural sun shades, this sharply-detailed house offers an intriguing counterpoint to the tropical ambiance of its forest-like setting.
<The House of Prajna> seems like a vessel heading for the woods, embraced by the forest, with the pentagon shape of building site reminding of that of ship. On the bow of ship shape, a persimmon tree over hundred year old branches its arms toward the large sky with hollowed trunk. Although this house is a result of intentional design, I feel like it is already been completed by thousands of interactions of invisible components. Every time I visit, I feel like appreciating the work of someone else’s.
The Double Duplex was created in response to the cities growing need for alternative housing models due to the rising cost of urban real estate and the need for urban densification within Toronto’s established residential neighbourhoods. A proliferation of high and mid-rise condo’s have densified the urban core and serve as the predominant model for entry level home ownership within the city. However, very few new low rise infill models of densification or affordable living within Toronto’s sought after historic residential neighbourhoods have been developed.
The 726 sqm site, being reminiscent of a fairy glade, is located at the northern part of Nagykovácsi. The garden surrounded by young fruit trees and pines on three sides has idyllic atmosphere. There are cottages, some new family homes and most of all green all around. The square site is slightly sloped to the street and wide enough for a long house to fit in between its borders. These makings suggested that the fourth side of the garden should be closed by the house itself creating intimate atmosphere inside.
Wilson House is a weekend house in a relaxed beachside town in Chiba, an hour and a half by train from Tokyo.
The house combines the aspirations of both client and architect – the client wanted the house to have a feeling of real solidity, and Klein Dytham architecture was keen to open the house to its magnificent setting. In meeting these two goals, KDa found inspiration in the wooden platform trays – called sanbo – found in Japan’s Shinto temples. These small trays have a built-in stand, and are used in Shinto rituals to present offerings of food or other special items to the enshrined gods. KDa reinterpreted this form as a building with a solid base – two heavy walls of concrete supporting a concrete tray. Arranged on this tray is the “offering” – a variety of lightweight, wooden-framed boxes.
The house is located in Hamamatsu, a city located on the southern coast of Central Japan, known for its warm climate. The house is a detached extension of an existing house built in 1983. Our aim was to create a whole, old and new altogether rather than emphasizing the contrast between the two. Linear volumes stretching in the east-west direction, spread over the site leaving spaces in between, which are terraces and gardens. The group of roofs of the new volumes relate to that of the existing house, creating a sense of continuation between old and new.
This project is by a long, open beach, on a desert dune rising in front of a wetland. It is a seasonal house to accommodate up to three couples, and can be leased or bartered the rest of the year. Its intermittent occupation and isolated location led us to think of it as a superposition of two models: the motel and the cabin. The motel suggests self-sufficient rooms served from the outside by a second access, while the cabin presumes a centralized space that brings the community together. A set of 4 rooms come together in a shared central kitchen, forming a larger compact structure enclosed by mobile panels, which open different possibilities of use according to their position.