LLI Design recently completed a total redesign and refurbishment of a 4 story 1970’s townhouse in Highgate, a leafy and desirable part of London.
The house had tremendous potential and the new owners, a young professional couple, wanted to embrace the 1970’s feel, rather than try to ignore it, albeit not in a cliched way. Top of their wish list was a contemporary glass and steel open tread staircase and a master bathroom with a distinctive WOW factor.
This house is situated in the foothills of the Val Tidone, in the Piacentine countryside. Conceived as a contemporary interpretation of the traditional ‘cascina’ and barns typical of the area – reflected in the materials and proportions – it presents itself as a modern design, free from nostalgic elements.
Elite house in the Rostov region The severe and laconic outline of the building, the large heavy roof – it all creates enormity, static impression. At the same time, the huge stained glass windows do not prevent a view from penetrating to the interior space, revealing the building structures which are the main aesthetic value. Specially highlighted structure shows the inner beauty of the building.
Julian and his wife, Mana, a fashion designer, chose the 3,500 sq ft, five-storey house they have now been living in for 18 months for its stunning views over the country park, Plover Cove Reservoir and the South China Sea.
“It is a famous feng shui area because you can see three ‘dishes’ of water – the reservoir and the sea on either side of an island – which is a sign of very good fortune. There are green mountain views and we can also see the Kwun Yum [statue] from our rooftop on a clear day,” says Chan. “I love it because we are so close to nature – you can hear the birds sing during the day and the insects whistling at night. One of our priorities was the private glass-fronted terrace [with water wall] so we could take advantage of our natural environment.”
Coupée Croisée is the extension of a Ville Mont-Royal cottage, the enclosed garden-city of Montreal.
With quality lands of good dimensions, the framework is overshadowed by a neighborhood of residences with poor architectural qualities.
In order to build upon the natural qualities of the location while respecting the rigorous municipal regulatory constraints, we adopted a concept that gave its name to the project. The building was cut (coupé) in two, maintaining the street-side half, and completing it with a new half focused towards the yard. The residence is organized by a cross (croisé) pattern.
The “Blanche” Chalet, whose name evokes the spirit of the vernacular houses of the region, is situated in La Malbaie’s area of the “Terrasses Cap à l’Aigle”. Its simple and pure architecture gently complements the landscape of Charlevoix in a modern fashion.
The raw concrete materiality of the lower level is a nod to the stone foundations of the old wooden barns that once swept the landscape. This base also serves as the foundation for the main entrance and houses the technical functions of the cottage. Perched on the podium, the upper two levels are clad in a white stained wood, which is reminiscent of lime plaster that was applied to the ancestral homes of the area. The wood is smooth or raw textured and, at times, creates an openwork siding, depending on the façade, bringing lightness and joy to the house.
HOUSE 1 is an architectural installation based on an experimental format for collaborative design and construction by ALICE (Atelier de la Conception de l’Espace) – an international group of young architects and researchers, scientists, and doctoral candidates from the EPFL (École Polytechnique Fédérale de Lausanne), led by the Director Dieter Dietz.
In this house with bioclimatic elements in Kantou, Cyprus, the building program was structured in such a way that it is fully operational, while the aim of the full exploitation of the environmental conditions in order to save energy and achieve thermal comfort for users was achieved. All the above, resulted its ranking in energy class “A”. The main idea, which determined the final morphological outcome, is characterized by the parallel synthesis of 3 monolithic volumes. Morphologically, the design combines some more “traditional” typologies and materials with other modern minimalist trends. In this design context, the “monolithic” volumes, are coated with different materials, from a neutral white color to stone and wood panels.
The task was to transform the ground floor of a 70’s office building, used as a kindergarten, into a clean and contemporary house for a collector.
Some 16 tons of concrete were cut away, to enlarge the windows overlooking the two level garden. Remaining were three concrete pillars, which were integrated in the floor plan of the apartment using them for the fireplace, the closet and the TV wall… creating so an open but organized and structured space.
This house provides a retreat from the city, allowing its owners to enjoy the magnificent coastal bushland setting and time with family and friends. This is a true holiday home providing casual and informal living within flexible spaces, and reflects the owner’s desire to live as sustainably as possible.
The house needed to be flexible, at times a single bedroom retreat and other times expanding to house larger groups of family and friends.