A private residence frames a spectacular natural context, on the hills surrounding the Galilee Sea. Folded in a plastered white envelope, the inner spaces are oriented towards the view and invite it to enter the family’s domain.
Xrange wraps a new layer of 80- 177cm wide by 7m high living spaces around an existing indigenous stone house to create an “extreme” new house of outrageous living proportion. The newly added programs of pantry, bar, study, library, dog house and bathrooms are new “rooms” averaging about 4m2 in footprint, but with soaring 7m headroom. The new house becomes a sequence of small narrow vertical spaces that interlock like the spaces within an ant colony.
Minaret house is an amalgamative representation of modern technologies and traditional ideologies. The house is situated in an urban setting in the National Capital Region. The immediate surrounding area has very high density most of which have been developed as replicated housing units. In the midst of this repetitive and dense urban environment, the Minaret house is located adjacent to a large golf course in a plotted development.
The volumetric envelope is almost the first of the premises when confronting preexisting and program requirements. The contradiction between a latent hostility in an apparent idyllic condition of the place is also.
LeapHome is born from the experience of LEAPfactory, gained through building in high altitude, in extreme and difficult environments. LeapHome is an unprecedented architectural solution that will revolutionize the construction industry: a house that is entirely realized through an industrial process, that is simple and innovative and adapts to your specific needs and desires, which is rethinking the dwelling paradigms.
Los Angeles-based architect Dan Brunn, AIA, Principal of Dan Brunn Architecture, redesigned the 3,600-square-foot former Janss Family residence—a hub associated with the contemporary L.A. art scene in the 1970s and 1980s—by using his minimalist aesthetic, while incorporating design cues from the home’s original architect Frank Gehry, FAIA. The entire first floor was gutted to create an open-air plan that accommodates work and display space for the owner, artist James Jean, as well as domestic necessities. Interiors are arranged around an existing oversized rectangular skylight. New windows were added to bring additional natural light into the kitchen and living areas. Brunn created a dynamic undulating staircase wall and utilized primary building materials—such as wood, concrete, and glass—as a nod to the architectural shapes and material palette famously used by Gehry at the time.
Situated in Laoshan Forest to the west of central Nanjing city, China International Practical Exhibition of Architecture (CIPEA) began in 2003 to bring twenty-four renowned international & domestic architects together onto one site. CIPEA consist of four public buildings and twenty small houses, in accordance with the brief, the houses should have at least five bedrooms, public spaces, and hospitality accommodations on 500 square meters.
The connection is the focus: a continuous, equipped panel in raw iron and wood, thought as double wall, branches out into three spatial axes to thicken the consistency of one of the main building components. Value is conferred to the structure through additional panels that merge, loosen, huddle around, re-open and lastly extend; synchronous, inverted, alternate, they embody, unveil and gather the intimacy of this home: the panels are diaphanous to see, glimpse, conceal, discover, double: a wardrobe, an entrance, a hall, a large kitchen, a bookcase.
This project involved redesigning one dwelling unit of condominium in Osaka, Japan.
Requests from clients were “widely and brightly expansive space” and “amount of storage that is twice as large as general house”, when we started design. Although these are at first somewhat contradictory, requests that everyone wants. For responding such requests in limited occupied area and ceiling height of building skeleton, we focused to three elements usually working behind the space.