The “Centro per l’arte contemporanea Luigi Pecci” was opened in 1988 and donated to the city of Prato by Enrico Pecci, in memory of his son who died at an early age. The museum is situated on the periphery of Prato, near the exit of the A11 highway, a strategic spot where, from the first floor, you can see the skyline of Florence, the city where tourism and ancient culture reign. On this spot however, two opposites dominate: (textile) industry and modern art. The art centre is one of the few museums in Italy that is devoted to modern art and furthermore, that possesses a superb collection which, for lack of exhibition space, is stored in various depots. To be able to display the invisible works of art it was decided to double the exhibition space and to solve two important problems with the new construction.
The site is located at Daebang-dong, where U.S. army base ‘Camp Grey’ had been located for 55 years until the retrocession in 2007. Located adjacent to this site was Seoul Women Shelter which accommodated prostitutes, runaway dementia elders, and vagrants from 1962 to 1998. The shelter was converted to Seoul Women Plaza. This is a symbolic place where tragic division of the Korean peninsula, poverty and hardships of woman in the era is accumulated and conveys the agony of Korean modern history. The purpose of this project to turn this gloomy and ‘deathlike’ space into a place of resurrection, a site of nurturing space that will foster welfare of women and families.
Embedded within the summit of Mount Kronplatz, 2,275m above sea level at the centre South Tyrol’s most popular ski resort, the Messner Mountain Museum Corones is surrounded by the alpine peaks of the Zillertal, Ortler and Dolomites. Established by renowned climber Reinhold Messner, the sixth and final Messner Mountain Museum explores the traditions, history and discipline of mountaineering.
Article source: gmp Architekten von Gerkan, Marg und Partner
The new museum building at Friedrichsplatz in Mannheim links up with the historic Art Nouveau building and has been designed as “city in the city”. Within a simple overall structure, individual units have been arranged in an inspiring composition to provide exhibition space and rooms for supporting functions. They enclose a central atrium and are linked via galleries, terraces and bridges. In analogy to the elements that make up urban environments – buildings, blocks, streets and squares – the architects have created varied circular routes through enclosed and open spaces with changing vistas and outlooks. As in the layout of the city of Mannheim with its “street squares”, the clear overruling structure makes orientation easy; at the same time, each situation conveys new impressions – just as the city’s diversity of the architecture, changes in the building lines, recesses and empty plots ensure that no space is identical to another.
Article source: J. MAYER H. und Partner Architekten
The Miami Design District, a neighborhood dedicated to innovative art, design and architecture, has commissioned The Museum Garage to be built as part of its Phase III development.
It is a seven-story mixed-use structure with ground-floor retail and the capacity for 800 vehicles. Curated by Terence Riley of K/R (Keenen/Riley), the project will feature five dramatically different façades by WORKac, J.MAYER.H, Clavel Arquitectos, Nicolas Buffe and K/R (Keenen/Riley). The building will also feature a mural by Sagmeister & Walsh.
The knowledge of the past is the key to our future , it enhance the way we know ourselves , our life , our experiences , a good building is a building that can corporate with all the knowledge states , our sustainable life cycle is aiming for a futuristic development that is raising by the human beings a key to a better life
The Gate of the City Park, the correct form of the place. Transformations that reshape soil and earth alike, which make interrelationships between inside and outside, up and down visible. The transformed surface provides space and frame for the expected functions to be planned here.
The Museum of Energy is located at the surroundings of Ascó, next to the river Ebro. The museum swings between public and private, between the river and the topography and between the urban grid and landscape. Because of this, one of the aims of the project was to reconfigure the site understanding its BOUNDARY condition.
Article source: Business & Culture – strategies and communication
The Ulma Family Museum of Poles Saving Jewish People during World War II in Markowa is Poland’s first institution commemorating Poles who helped Jews. The museum’s ascetic architectural form that cuts into the ground, as well as the exhibition hidden inside, was designed by Nizio Design International. The museum was opened March 17, 2016.