Any time I manage to make something genuinely new, it is made of well-known elements of surrounding reality. It fascinates me as a kind of perversion, kind of unauthorized, unacceptable operation and I think it is the only way to find something truly isolated in art.
Design team: SławomirZieliński, architect(project leader), Tomasz Gomułka, Michał Marcinkowski, Marcin Kowalewski, Adam Wereszczyński, Marzena Surowiec-Dotoń, Monika Mackiewicz, Łukasz Skorek, Karol Grec, Katarzyna Ceran, Bartłomiej Łobaziewicz, Ewelina Siestrzewitowska
Author: Wizja sp. z o.o. andnsMoonStudio within the IQ2-Group Consortium, Stanisław Deńko, architect(Wizja sp. z o.o.), Agnieszka Szultk(nsMoonStudio), Piotr Nawara(nsMoonStudio)
Client: The Center of Documentation of the Art of Tadeusz Kantor – CRICOTEKA
The Mad Potter of Biloxi, George E. Ohr, whose ceramic art reemerged in 2010 with the opening of the Frank Gehry-designed Ohr-O’Keefe Museum Of Art, was the inspiration behind a new workplace created by interiors firm MKDA for Southpoint Capital Advisors.
The hedge fund’s owner, originally from the Southern United States, also provided vision for the 22nd floor boutique office located at 1114 Avenue of the Americas in the W.R. Grace Building. He required a warm and hospitable environment that was equally modern and efficient.
On January 18, 2015, China sees the opening of its first kids design experience: the Kids Museum of Glass. Children can explore their creativity in the former workshop that is converted into a space that hosts an Exhibition, a DIY Workshop, two Cafés, a Gift Shop and a Party Space. The idea and design of the museum are by Tilman Thürmer, founder and CEO of COORDINATION ASIA, and combines art, design, performances, films and games in a creative, interactive and educational environment. The 2,000 sqm space is designed for children in the age of 4-10 to learn about the basics of glass in a playful and fun way.
The Piraeus and the city of Athens together form a complex metropolitan area in which the presence of an archipelago of spaces emerges clearly from the dense low-rise fabrics’ layer of the houses. The islands of this archipelago could be considered the eminent mountains, hills, sporadic open spaces, thick industrial buffers and a myriad of gardens. In a way, here the Cyclades are mirrored to form a reverse: where the docking to one of those “islands” often means to get a breath. “Kanari Island” and “Ietionian Gate” are two twin islands placed next to the Piraeus Port, even if not directly connected with the sea and not even to each other, still their opposite topography makes the docking to them two completely different experiences. The relationship between these two islands is the framework in which this proposal has to be collocated. Both for the visitors and for the residents, the “Kanari Island” has a central role due to its position: it is a contemporary urban gate for the city.
Jára Cimrman is a fictitious Czech national giant. He excelled in many roles – as an inventor, scientist, playwright, poet, composer, artist, teacher, traveler, philosopher, detective, mathematician, pilot, sportsman and dentist.
In his case, you can hardly find a profession that he has not made a radical contribution to.
He was born in the end of the 19th century and his footprint disappeared after the First World War.
Architecture, nature, culture and history fuse together into a total experience at Moesgaard Museum. With its green roof, bright courtyard gardens, and underground terraces, the museum will invite various new and alternative kinds of exhibitions.
Article source: LPzR architetti associati & Principioattivo architecture group
The skyline of the Guggenheim Helsinki Museum emerges as a sequence of soft golden waves undulating in the harbor.
To the north the volumes are low, to avoid shading the public realm and not to overlook the Palace Hotel; then they rise rapidly and decrease in the center of the building; towards the park the waves rise again and fall to the south, where they find a perfect balance with the harbor’s public realm. There’s a central slope between north and south so that the volume does not interfere with the main views from the park Tähtitornin Vuori, the Helsinki Cathedral and the Uspenski Cathedral.
Ringve – Norway`s National Music Museum is located on a hill on the Lade peninsula near Trondheim with great views of the cultural landscape and Trondheimsfjorden surrounding the site. The buildings, situated in a typical homestead arrangement, were erected from 1740 to 1952. All of the buildings are worthy of protection. The Ringve National Music Museum has a national mandate to conserve and convey both music and musical instruments. The museum is fitted with a new extension as well as rehabilitation and refurbishing of the existing buildings. The extension is located outside of the stead enclosure as a “black box” for temporary exhibitions. The design of the building is in part inspired by the resonance boxes usually featured in many musical instruments. From the media library, you will find beautiful views of the botanic garden surrounding the estate. A new common entry area with a reception, museum store and café connects both the permanent and temporary exhibitions. In addition, the old banquet hall has also been upgraded and refurbished. One of the main goals of the project was to secure an environmentally friendly design throughout, and the new extension is Norway’s first museum building built in compliance with the passive house standard. A new elevator was installed to secure accessibility for all visitors in the new museum complex.
The design aims to function as a translator between the urban condition, the public, and the museum spaces.
The existing urban edges of the city context define a triangular building mass. Lifting the main exhibition space allows the public and the museum programme to float freely underneath, creating a continuous connection between the urban fabric and water.