Everything in nature is made up of components. It starts from basic components like atoms and molecules, and grows to bigger components like tissues and organs in order to construct a ‘live’ body. The artificial environment is quite the same. It all starts with basic components like points and lines, and grows to surface and finally construct a space.
The enlargement of the Diocesan Museum was made in the structure of the former seminary, organized on three levels of visit. The project focuses its attention on two pragmatic choices: welcoming visitors, researchers and experts in the field of historical and artistic heritage.Construction of a museum area with multiple itineraries related to the story in a chronological approach.
The most important aspect of Erick van Egeraat’s design for the new entrance and extension of the Drents Museum is the consistent integration of the museum into the fabric of the city. A balanced play of building, landscape and water, creates a new identity for the extended museum, emphasizing both the scenic character and the cultural-historic face of the city centre of Assen. The new exhibition wing covers 2 000m², all under ground. Its staggered, organic roof consists of a public garden that connects the existing city parks. Openings in the roof allow daylight to enter the exhibition spaces below.
The recently opened Médard Museum in Lunel and the Maritime Museum in Sète are now part of a wide choice of cultural visits offered in Languedoc Roussillon. The region has supported the towns in the financing of these cultural amenities. Benefiting from new funds, the two museums stand out from the rest because of the way their architecture has been restored – they are both diametrically opposite in historical terms – and because of the content of their respective collections.
As part of the commemoration of the centenary of the First World War, impressive new galleries centred on a new atrium have been unveiled today at the Imperial War Museum. These new public spaces represent the first phase of a long-term redevelopment project, which will improve access and circulation through the Museum, open the interiors to daylight and views, and create new connections with the surrounding park.
The ancient forum of the Roman city of Narona was buried for more than a thousand years. Barbarians came down the valley, destroying temples and decapitating statues. Then the river that descends from the high mountains piled up the sand and buried the ruins. On the site of the civic centre of the once sizeable ancient city, village houses were built, fields were sown and olive groves planted.
Guangdong Museum is one of the four cultural landmarks for Zhujiang New Town of Guangzhou. Conceived as an Objet d’Art in a monumental scale, it is an allegory to the impeccably and intricately sculpted antique Chinese artifacts of a lacquer box, which collects and reflects treasures of the times. The museum is designed to house objects of treasure, and is also a treasured object of fascination. It is an identifiable cultural icon, giving visitors a memorable experience on the traditional wisdoms as well as the appreciation of the cultural identity of the city.
A life-size indoor maze by BIG-Bjarke Ingels Group is sure to delight its visitors at the National Building Museum in Washington, offering a glimpse into the upcoming BIG exhibition at the Museum in early 2015.
“The concept is simple: as you travel deeper into a maze, your path typically becomes more convoluted. What if we invert this scenario and create a maze that brings clarity and visual understanding upon reaching the heart of the labyrinth”, Bjarke Ingels, Founding Partner, BIG.
The Real Hospicio del Ave María y Santo Rey Don Fernando was founded in 1673 by the Queen Mariana de Austria.
Between 1673 and 1703, architects including José del Arroyo, Felipe Sánchez, Teodoro Ardemans, Fillippo Pallota and Francisco de Sevilla constructed the first phase of the church and part of the principal building.