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Archive for the ‘Museum’ Category

Ordos T.C.A.O. Museum in Inner Mongolia, China by ///byn

Tuesday, November 15th, 2011

Article source: ///byn

Chinese calligraphy is mainly based in three characteristics: status of mind, line & color. These tree concepts triggered our original ideas for the Ordos Museum

The inhabiting/space populating logic in Inner Mongolia is grouping. Local herds of camels & horses used to browse the steppe in search for comfort. This comfort was only fulfilled when they would arrive to a DECISSION to settle in the landscape. In the same manner, the always present clouds populate the Inner Mongolian sky: groups of rounded & cotton locking clouds spread at the intense blue sky. Finally, also the original nomads will settle their yurts following a constellation. An primary impression of non-organization is quickly overcome by a self-organized logic. Here, the museum volumes have found their own space in the park. The logics of placement come from many different aspects: orientation, functionality, targeted visuals, public space, creating a unique orchestrated sequence of spaces.

Aerial View (Images Courtesy ///byn & ZhuJin for ///byn)

  • Architect: ///byn
  • Name of Project: Ordos T.C.A.O. Museum
  • Location: Ordos, Inner Mongolia, P.R. China
  • Principals: Nicolas SALTO DEL GIORGIO & Bittor SANCHEZ-MONASTERIO
  • Team: DUAN Jun, HUANG QiShan, Audrius LIUGMANINAS & LI Min
  • Rendering: ///byn & ZhuJin for ///byn
  • Photography: ///byn
  • Software used: Designed mainly in Rhino. Using several Plug-ins to define shape,  structure and façade patterning. For instance, to define the overall building shape, the architects used T-Splines or to apply the façade construction detailing into the façade the architects used Paneling Tools.

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Eli & Edythe Broad Art Museum in East Lansing by Zaha Hadid Architects

Tuesday, November 15th, 2011

Article source: Zaha Hadid Architects
More projects by Zaha Hadid

Echoing and extending the many circulatory and visual connections that define its surrounding topography, the museum forms itself by extending and folding these connections through a series of pleats, producing a structure that changes as visitors move past and through it – creating great curiosity yet never fully revealing its content. The location of the Eli and Edythe Broad Art Museum at the northern edge of the Michigan State University campus is influenced by a set of movements along and across it.

Eli & Edythe Broad Art Museum

  • Architects: Zaha Hadid Architects
  • Project: Eli & Edythe Broad Art Museum
  • Location:East Lansing, USA
  • Design: Zaha Hadid with Patrik Schumacher
  • Project Director: Craig Kiner, Nils Fischer
  • Project Architect: Alberto Barba
  • Competition Project Director: Nils Fischer

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The National Art Museum of China by UNStudio

Sunday, November 13th, 2011

Article source: UNStudio

”Stone Drums” and ”MO BAO”
This design for the NAMOC presents an emblem of Chinese culture and a national museum of global significance for the 21st Century. The architectural concept is based on uniting dualities; past and future, day and night, inside and outside, calm and dynamic, large and small, individual and collective.

Entrance

  • Architect: UNStudio
  • Name of Project: The National Art Museum of China
  • Location: Beijing, China

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IWC Museum in Schaffhausen, Switzerland by Smolenicky & Partner Architektur

Sunday, November 13th, 2011

Article source: Smolenicky & Partner Architektur

Two phenomena were important in the project for the IWC museum:

  1. The clock. This museum is a place to showcase the IWC-clock as a small and precious object.
  2. The aesthetic context. In which world in terms of Interior Design do the customers want who purchase an IWC watch want to live?

 

View historical building

  • Architects: Smolenicky & Partner Architektur
  • Project: IWC Museum
  • Location: Baumgartenstrasse 15, CH-8201, Schaffhausen, Switzerland
  • client: IWC Schaffhausen, Branch of Richemont International SA
  • Architect Team: Joseph Smolenicky, project management: Philipp Röthlisberger; collaborators: Christoph
  • Herr, Simon Krähenbühl, Juan-Carlos Smolenicky; site manager: Christof Keller
  • kind of project:
  • Invited study commission 2005
  • Opening: june 2007
  • Floor area: 350 m2
  • Software used: ArchiCAD, Adobe Photoshop, Indesign, Cinema 4D

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New Taipei City Museum of Art in Taiwan by LOVE architecture and urbanism ZT (designed using AutoCAD)

Saturday, November 12th, 2011

Article source: LOVE architecture and urbanism ZT GmbH

“Biennale compact“

The core idea of the project is to create a kind of „condensed-Biennale-concept“ consisting of diverse unique „pavilions“ which are melted together. Each pavilion differs in shape, size, transparency, etc. in order to create a necklace-like structure of various identities.

Thereby this whole structure will be lifted in order to enable the park to flow through the plot. Each unit could host one of the exhibition spaces (of the fine arts museum or the children’s museum), the diverse areas of the research centre and the lecture hall. The units are connectable in order to enable a maximum in flexibility.

 

Rendering

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New Taipei City Museum of Art in Taiwan by Peter Boronski and Jean-loup Baldacci (designed using Sketchup and Artisan)

Tuesday, November 8th, 2011

Article source: Peter Boronski and Jean-loup Baldacci

This is a large multi-program museum to be built on the outskirts of New Taipei City, Taiwan.

We wanted to make a museum that was well connected to the site and had extremely good public spaces, both interior and exterior. Drawing on the historical convergence of influences from several different nations over the centuries, the convergence of the rivers bounding the site, and the multi-use program of the museum itself we chose to work with the idea of convergence for this project.

But by pulling the park up into the project and by bending the building down into the ground we were able to create something that is in between building and landscape. It is easy to enjoy this museum weather you enter it or just have a picnic, up high on the grass with friends, while enjoying the view.

MoA New Taipei City

  • Architect: Peter Boronski and Jean-loup Baldacci
  • Project Name: New Taipei City Museum of Art
  • Location: Yingge District, New Taipei City, Taiwan.
  • Assisted by: AKio Takatsuka, Nicolas Wehrung, Machi Ikuta
  • Rush hour extra team: Christophe Atamaniuk, Matthieu Bonato, Michael Pepper, Luke Jackson, Atsuki Ayama
  • Client: New Taipei City
  • Software used: Sketchup and several add-ons. In particular one called ‘artisan’, (very good for creating and manipulating curved forms).

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Shelburne Museum, Center for Art and Education in Vermont by Ann Beha Architects

Monday, November 7th, 2011

Article source: Ann Beha Architects

Shelburne Museum in Shelburne, Vermont is one of North America’s finest, most diverse and unconventional museums of art, design and Americana. Over 150,000 works are exhibited in a remarkable setting of 39 exhibition buildings, 25 of which are historic and were relocated to the Museum grounds.

Exterior Rendering

  • Architects: Ann Beha Architects
  • Project: Shelburne Museum, Center for Art and Education
  • Location: Shelburne, Vermont

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Moesgård Museum in Århus, Denmark by Henning Larsen Architects

Sunday, October 30th, 2011

Article source: Henning Larsen Architects
More projects by Henning Larsen Architects

Henning Larsen Architects winning proposal connects all exhibition activities of the museum under one roof. The new museum will be uniquely located in the hilly landscape of Skåde. With its sloping roofscape of grass, moss and flowers in bright colours the building will appear a powerful visual landmark perceptible even from the sea.

Moesgaard Museum

  • Architects: Henning Larsen Architects
  • Project: Moesgård Museum
  • Location: Århus, Denmark
  • Client: Moesgård Museum
  • Gross floor area: 16,000 m2
  • Year of construction: 2010 – 2013
  • Type of assignment: First prize in invited competition

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Celtic Museum in Glauburg, Germany by Kada Wittfeld Architektur

Tuesday, October 25th, 2011

Article source: Kada Wittfeld Architektur

A museum for Celtic art, in direct proximity to a historic burial mound. Added Value Similar to an excavated archaeological find, the metal body of the museum juts out from the landscape and forms a counterpart to the burial mound. More of a mysterious object itself rather than architecture, the museum should be stumbled upon by its visitors as a marker of landscape discovery.

Image Courtesy Werner Huthmacher

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ISMOF – International School – Museum of Flamenco in Jerez de la Frontera, Spain by MUS Architects (designed using AutoCAD and 3DS Max)

Friday, October 21st, 2011

Article source: MUS Architects

Movements and gestures of dancers are full of expression and tension. Dancers bring the fascinated viewer into an internal world of experience and emotion through the swinging movement of their hips, decorative arrangement of their fingers and smooth vibration of the ornamental frills. Rhythmic and dynamic music transmits the spectator into a world of incredible aesthetic feelings awakening all senses and inflaming the imagination…

….This is how architecture dedicated to the culture of feisty flamenco should look like….

ISMOF - International School - Museum

  • Architects: MUS Architects
  • Project: ISMOF – International School – Museum of Flamenco
  • Location: Jerez de la Frontera, Spain
  • Architect Design: arch. Adam Zwierzynski, arch. Anna Porebska
  • Software used: AutoCAD, 3dsmax, PhotoShop for post production

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