The square and pure white building located on a 100 square meter site is called TETOTE NOTE. TETOTE means handshake in Japanese, and it signifies the collaboration among the designers, the clients, and those involved in creating. The first to fifth floors are used as an in-house studio, and the simple arrangement of oblong circular windows in the flat outer surface is impressive. These windows have two ways of opening—vertically and horizontally. Attached just at the surface of the outer wall, these windows give the impression of flatness viewed from the outside, while the thickness of the walls further emphasizes the oblong shape, capturing more random and active shadow and light. In this way the structure has the impression of duality, with a rougher interior, and it represents a stronger relationship through space and minimal detail, without incorporating a great deal of design information. Glass is used for the roofs of the stairway shafts connecting the floors, shedding light on the walls of each floor, and this light changes over time. The steps of the steel staircases are punched through with oblong holes to allow more light to reach all the way to the bottom floor.
LGA Architectural Partners (LGA) has created Eva’s Phoenix, a neighbourhood within a building. Eva’s offers safe and inclusive long-term shelter, education and skills training to marginalized youth aged 16-24 in transition from homelessness to independent living. Within two, heritage-designated warehouses leased from the City of Toronto, the architectural team created a central, interior community faced by ten clean-lined and contemporary townhouses that are awash in natural light from a ceiling of new skylights, whilst securely enclosed by the original brick walls. For up to one year, each of the 50 residents enjoys his or her own bedroom, within a “house” comprised of a communal living and kitchen space and two bathrooms with up to four others. These houses face onto an internal street – which serves as a gathering place for the Eva’s community. The layering of spaces builds comfort by giving the youth the choice to decide their own level of integration.
Inhabiting 6 converted shophouse units at the confluence of Singapore’s historic Chinatown area and the CBD, MOD’s own design studio employs the same key principles which govern its approach to design—typological relevance, a disciplined material and tonal palette and an ‘essentialised” concept.
Dali office is for the board of directors of Dali building. Both the owner and staffs are all women who like romance, colors and express a desire for an exciting but cosy working place, they also want the furniture of the old office could be utilized for the new one. With the position on the terrace of the 13 floor building, using natural ventilation was requested. In addition, the colorful appearance is going to be a highlight for outdoor activities and events at night.
The renovation project for Thai traditional herbal products manufacturer “Wangprom” has been completed by Apostrophys. This place will bring back into 80’s, the origin time of brand “Wangprom” at Sampran district, Nakorn Pathom Province, Thailand by using the local element twist with modern design process and context and then become the main concept “Modern Sampran”.
What does an authentic workplace look like? Designing an authentic office is not an easy task. Just like the terms “artist”, “poet” or “great lover”, these are titles that are given or need to be earned rather than being self-assigned.
Our attempt in creating an authentic workplace started off with our WorkVitamins methodology. This methodology was created by me, Martin van der Linden, principal of van der Architects, when I was an assistant researcher at Waseda Univeristy in 2001 here in Tokyo. I believes that architecture can be a catalyst for change in innovative environments, and this methodology – called “WorkVitamins” – is based on this idea.
John Portman & Associates (JPA) is pleased to announce the grand opening of 615 South College in Uptown Charlotte. A celebration was held on Thursday, May 18 where Charlotte business leaders and commercial real estate professionals joined representatives of John Portman & Associates to commemorate the occasion.
The fast-growing Employee Solidarity Association of the National Bank of Costa Rica was in need of a new headquarter. They envisioned not only to build their house, but to create a common roof to shelter institutions with shared values and synergies.
The building is located in Llorente de Tibás, a mixed and varied urban fabric that changes dramatically both in landscape and program on every side of the irregular plot. The east facade faces a National Highway, the northern one faces a commercial street and the south side of the plot borders a sprawled residential community. The building accordingly responds differently to every side, situation that is intensified by the bioclimatic parameters that requested the maximum light from the north and south and thermal reductions from the strong east and west lights. This is contrary to the plot geometry that has the shortest side to the north and a reason why the concrete louvers were proposed as a project feature.
Universally considered as one of the pillars of the modern Ad agency, Leo Burnett embodies a rich lineage of contemporary creative thinking infused with age-old heritage and values.
Situated in a free plan space on the 2nd floor of a recently restored conservation building, the journey forms a continuous loop around the office. Rich materiality is found in the concrete floors, bespoke desks forming a checkered pattern of plywood patterns and milky white mirrored epoxy resin flooring. Design features include gigantic graffiti style mural of Leo, anamorphic art and gold-gilded wheel barrows overloaded with trophies.
The project consists in the implementation of customer service offices. They are located in a commercial premise in the centre of the city with a complex geometry, full of turns and structural elements that interfere in the understanding of the space.
Principal in Charge: Fran Silvestre, Fran Ayala and Vicente Picó
Collaborating Architects: Maria Masià, Estefanía Soriano, Pablo Camarasa, Sandra Insa, Santiago Dueña, David Sastre, Ricardo Candela, Sevak Asatrián, Álvaro Olivares, Esther Sanchís, Eduardo Sancho, Rubén March, José Manuel Arnao, Gemma Aparici, Giuseppe Felici