Infobip is a unicorn IT company based in Vodnjan, Istria, where it also built its first campus. The company’s rapid growth has spawned the need for a new hybrid building in Zagreb. Infobip is located on a plot on the southern edge of Zagreb, in a rurban zone bordering New Zagreb, directly next to the corridor of the newly planned avenue that will, once it is built, run along the southern edge of Zagreb. The zone is an entropic and poorly regulated area with low-rise medium-density multi-dwelling buildings lacking both an articulated public space and nature.
Today, Skidmore, Owings & Merrill (SOM), QuadReal and Thor Equities announced the completion of 800 Fulton Market, located at the threshold of one of Chicago’s fastest growing neighborhoods, the Fulton Market District. The 326-foot-tall mixed-use office tower includes pandemic-responsive design features, from seven landscaped terraces that allow for indoor/outdoor workspaces, to assistive smart building systems. The project is certified LEED Platinum, WiredScore Platinum, SmartScore Platinum and targets WELL Building Standard certification, and is home to offices for leading companies such as The Aspen Group and John Deere.
The Zemelny Office Building is located close to the Moscow metro station called Ulitsa 1905 Goda. The building is surrounded with the industrial architecture dating back to the last century, while three kilometres away there is the Moscow City business district, and the Zemelny has become a ‘green’ alternative to it.
The tower with a total area of 39000 m2 stands on a 3-floor stylobate and is “enwrapped” with a fishnet diagonal-lattice metal shell. The prototype of this structure is based on the hyperboloid creations by the engineer Shukhov, the author of the Shukhov Radio Tower in Moscow.
Construction was completed on the Museum Tower Kyobashi, designed by Nikken Sekkei, in July 2019. The Artizon Museum, located on the lower floor, opened on January 18, 2020.
The approximately 150-m high Museum Tower Kyobashi housing high-grade tenant offices and an art museum is located in Kyobashi in front of Tokyo Station. Honoring the philosophy of the founder of Bridgestone Tire (present Bridgestone) Shojiro Ishibashi who built the Bridgestone Museum of Art in 1951 forerunner to the Artizon Museum and a state-of-the-art structure at the time this client-collaborative design was intended to create a new era of architecture embodying the social environment and cutting-edge technologies of 2020.
This project is to renovate an entire concrete building near Kuramae Station into a showroom and office for IaicoS, which operates Hender Scheme and Polyploid.
There are a few simple, specific rules for this space. The first is to use raw-edged materials as they are without significant edge treatment except for deburring. The second is to use the colors of materials as they are as much as possible without color matching. The third is to treat opposites, such as craft/industrial, front/back, artificial/natural, and cheap/luxurious as equally as possible.
The project consists in converting an industrial warehouse into a space with two main uses: 1) temporary accommodation specifically conceived for groups of people 2) organisation and promotion of events (cultural, social, marketing, etc.).
The initial strategy was to try to combine these two realities by creating a set of common areas for the living space with strong character and materiality in order to serve both situations.
The project site locates along Chiba-Kaido Avenue in the historical part of Nishifunabashi, Chiba, near the Sengen Shrine on the hill with lush pine forests. The client, an art collector operating a real estate business, planned to build a new building on his parents’ property to accommodate his family’s residence and his company’s galleries & offices. Besides his parents’ house on the northern end of the property, most areas of the linear site closer to the road were relatively unplanned, with an old warehouse building and car parks mixed in the lush vegetation. Thus, our first approach was to organize the entire site so that the two families’ lives and the workspaces coexist comfortably, arranging site circulation and developing a sloped garden moderating the level differences between the two buildings. The new building accommodates garages in the middle of GF and the residence on the quiet northern side facing the garden. The galleries & offices are vertically consolidated on the southern side towards the national road to be the main face of the building. Interpreting the client’s visions to this place, such as cultural commitment to the neighborhoods, attraction to external visitors, and utilization of suburban potentials, we aimed to incorporate publicness and versatility into the new building together with attractive design, like ‘museum with a house’ rather than ‘house with galleries.’
JPMorgan Chase today unveiled the design for its new state-of-the-art global headquarters at 270 Park Avenue, reinforcing its commitment to New York City. The 1,388-foot/423 meter, 60-story skyscraper – designed by Foster + Partners – will be New York City’s largest all-electric tower with net zero operational emissions and exceptional indoor air quality that exceeds the highest standards in sustainability, health and wellness. It will help define the modern workplace with 21st century infrastructure, smart technology and 2.5 million square feet of flexible and collaborative space that can easily adapt to the future of work.
The creation of the new headquarters was necessary for Samolet to implement a hybrid work schedule and provide employees with a variety of workspace formats. The new office features a large number of collaboration areas, meeting rooms, common spaces, and separate spaces for individual work. Thanks to its flexibility, the office adapts to the specific tasks of project teams and allows employees to choose the most comfortable place to work.
This 94,440 square-foot building, located in the outskirts of Kuala Lumpur, consists of a three-story office space adjacent to a fully equipped warehouse respectively constructed of reinforced concrete and steel structure.
Gibert&Tan, who was tasked with designing this new office-slash-warehouse, decided that the only way to address the dichotomic qualities inherent to the design brief (almost irreconcilable in language and character), was to embrace them and specifically in their terms. Gibert opted for acceptance: “the decision to carry forward the pitched geometry of the warehouse to the office component implied a strong alternative to typical ‘boxes’ you often see in such context”, he says, alluding to the office unconventional asymmetric silhouette.
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