The original planning brief foresaw an adaptation of the existing house, which was inhabited by the building owner at the time. The home owner’s driving aspiration for the project was the integration of a swimming pool with a visual relationship to the outside. After many design variations and the exhaustion of all building parameters it became clear this would not be feasible within the constraints of the old house. However the strong desire for a private swimming pool remained, leading the owner to the courageous decision to tear down the original house and build new in order to realize their ideas.
For a taste of New York in the Mother City, look no further than the fresh, sophisticated new offices of Urban Lime! Inhouse Brand Architects has unveiled a stylish redesign for the Cape Town branch of this international property management company. The commission was the second from Urban Lime; Inhouse previously refurbished the upper floors and common areas throughout the same building and due to the success of this initial project, was the inevitable choice to fulfil the client’s latest aspirations for the first and second floors.
Steven Christensen Architecture of Santa Monica, California has been named a winner in the first annual AAP American Architecture Prize, which recognizes the most outstanding architecture worldwide.
The design for Liepāja Thermal Bath and Hotel originates from a keen interest in the formal associations of the dome throughout architectural history, and more precisely, its role within the typology of the public bath.
Fraser Brown MacKenna Architects are delighted to have been recognized by the Leading European Architecture Forum (LEAF) for their development at Pembury Circus, which has been awarded the title “Best Mixed Use Development” at the LEAF Awards 2016, alongside other high profile finalists.
Pirineos 125 is a department building that answers to the neediness of households in Mexico City. The project maximizes all the areas reducing the circulations and giving the priority to the living spaces. The building is spread in four levels, has eleven departments and a roof garden. The departments, with 67 m2, have two bedrooms with bathrooms, living-dining room and kitchen. The design provides natural light to all the rooms and the curtain wall facade creates a shadow play through the living room.
Award-winning architectural office, spatial practice, completed a site-specific light installation in Tokushima, Japan; titled Indigo Waterfall. The permanent fiber optic lighting installation is debuted at the Tokushima LED Art Festival 2016 flanking both sides of Kasuga Bridge creating the perception of indigo ink spilling into Shinmachi River.
Inspired by both the past and present industries of Tokushima City, the designer merges and highlights the importance of both industries in its development of the city. Tokushima City was built by the indigo dye industry; big indigo storehouses occupied both waterfronts surrounding Kasuga Bridge where white walls and blue stones were reflected onto the river. Tracing back to its history, the Indigo Waterfall gives new remembrance to the surrounding indigo storehouses by utilizing Tokushima City’s new thriving LED industry and its surrounding natural beauty. By connecting light, nature, local culture and people; the installation creates a new image for Tokushima City.
Indigo Waterfall bridges the past, future, and evolution of industrial development.
Explanations about the construction of a kindergarten in Lahnstein
The curved building for a new kindergarten is to be erected as a wooden structure with a formwork of vertical wood panels. The intention of the architects is that the new building is self-consciously integrated into the urban environment.
Especially when building for children, other aspects than usual have to be incorporated into the design process. Who says that a building must inevitably always be designed with the rigid cartesian axes (height / width / depth) as a crate. This is the dynamic structure of the organic building with its curved ground plan for breaking open the rigid geometric shapes.
Comprises a historic detached building with Georgian façade but with origin, in part, said to date back to before the times of Henry VIII.
The front elevation, facing the river, dates from the mid to late 18th century and hides much of the older building which is basically 15th century, altered and enlarged in the 17th and 18th centuries.
The Won Dharma Center, USA, is a 28,000 square foot recreational and spiritual retreat in Claverack, New York for the Won Buddhists, a Korean organization that emphasizes balance in one’s daily life and relationship to nature. The center is located within a 500-acre property on a gently sloping hill with views west to the Hudson River valley and the Catskill Mountains. The buildings for the Center, including permanent and guest residences, an administration building and a meditation hall, are sited as far as possible from the highway and are oriented toward the west and south to maximize views and light. The symbol of this organization is an open circle, suggesting both a void without absence and infinite return. The buildings are organized around these dual concepts of void and spiral.
The Plane-Tree-Cube was designed as a contribution for the Regional Horticultural Show in Nagold in 2012. It was conceptualized as a long-term Baubotanik experiment within an urban context. By the help of “Plan Addition” techniques, a green cube with an edge length of 10 meters was created that, right from the beginning, had the dimension of a full-grown tree. Initially, young plane trees are arranged in plant containers on six levels. They form green walls around a space open to the sky.