A garden, a lounge area corner, a tree, a chimney, windows facing onto an interior space that looks like an external one with branches that climb toward the ceiling, a comfortable and cozy place which looks like a nest.
There is not one style that can define it, it is not industrial, not radical chic, neither a trattoria, it does not follow trends, it is just like itself.
Paco Roncero´s sensitivity towards the new Spanish cuisine was the starting point for James & Mau in their search of a concept that would reinterpret the typical Spanish image, uniting tradition with innovation while cleverly avoiding kitsch or fashion botox. The objective was to allow both Spanish and tourists to identify themselves to the Spanish culture in a modern, sophisticated and fun way.
Set in De Hallen, a former tram depot in Amsterdam west, Kanarie Club pays tribute to the old trams with its renewed design. Digging deep into the history of the building, Studio Modijefsky has created a design with strong references to the past. As a tram depot there were several activities taking place in the space giving service to the run down trams, such as electricity, paint, wood and metal work. These skills and the tools and work spaces they require, inspires the material and colour palette of the new interior and are means to divide the new restaurant space into different zones.
250,000 people pass through Stockholm’s central station on a daily basis. If you were one of them, you would not have missed all the development that has been going on here between 2008-2014 – and a station that has been fully functional the entire time.
In 2008, we were asked by Jernhusen to modernize and develop large parts of Stockholm’s Central station – one of Sweden’s most important crossroads – and make it possible for the station to manage the challenges of both today and tomorrow. Not least the constantly increasing number of travellers. Due to the requirement for many separate improvements, we were given the opportunity to develop a thorough concept for the development.
”Our vision was to improve the experience of the visitors through modernization and design that exceeded their expectations and at the same time preserve and highlight the fine qualities of the old building”, says Mark Humphreys, chief architect.
The site is surrounded by the unique hills of Chianti, covered with vineyards, half-way between Florence and Siena. A cultured and illuminated customer has made it possible to pursue, through architecture, the enhancement of the landscape and the surroundings as expression of the cultural and social valence of the place where wine is produced. The functional aspects have therefore become an essential part of a design itinerary which centres on the geomorphological experimentation of a building understood as the most authentic expression of a desired symbiosis and merger between anthropic culture, the work of man, his work environment and the natural environment. The physical and intellectual construction of the winery pivots on the profound and deep-rooted ties with the land, a relationship which is so intense and suffered (also in terms of economic investment) as to make the architectural image conceal itself and blend into it. The purpose of the project has therefore been to merge the building and the rural landscape; the industrial complex appears to be a part of the latter thanks to the roof, which has been turned into a plot of farmland cultivated with vines, interrupted, along the contour lines, by two horizontal cuts which let light into the interior and provide those inside the building with a view of the landscape through the imaginary construction of a diorama. The façade, to use an expression typical of buildings, therefore extends horizontally along the natural slope, paced by the rows of vines which, along with the earth, form its “roof cover”. The openings or cuts discreetly reveal the underground interior: the office areas, organized like a belvedere above the barricade, and the areas where the wine is produced are arranged along the lower, and the bottling and storage areas along the upper.
Generator Rome is only a short walk from the Colosseum and Termini Station, in the Esquilino neighbourhood – one of the oldest areas in the city. The property reinvigorates an elegant 20th century residence on Via Principe Amedeo. Its surroundings include cinematic streetscapes, leading to picturesque squares, churches, parks and a vast array of bars, cafés and pizzerias, as well as authentic local markets.
DesignAgency took its inspiration from the distinctive flavours of this diverse and historic neighbourhood, as well as the Italian culture and the Roman trade routes that have left their marks on this area to create a vibrant and welcoming environment with subtle ethnic flair.
The restaurant is located downtown Bucharest on a picturesque street behind Romanian Athenaeum. This area is a symbol representing an ascending period for the Romanian capital. The owner of the place is a well known chef in Romania, named Joseph Hadad, who decided to do a new type of brasserie with food signed by him.
In place of the old bar/restaurant BOOS Beach Club, modern and contemporary architecture, tightly linked to its context, reflects the new image of this iconic venue in Luxembourg. The new structure, interwoven around the existing house, is inspired by the Japanese art of origami. It resembles a folded sheet of paper that answers to the program requirements, while creating a relation with the old and opening up to the natural surroundings. The idea was to integrate harmoniously the new structure into the existing natural context, while at the same time paying respect to the existing architecture by placing a light wooden structure with glass openings towards the landscape. The dynamic design enables orienting the bar and eating areas towards the outside, guiding the views to the tall tree stalks. By leaning on the existing house, and due to its triangular form, the self-supporting rigid roof requires very few peripheral structural points. The motivation to choose this lightweight and easily removable roof system leaves space and possibility to the idea of possible future change, if needed.
In a context distinguished by Italian coffee, GB Space applies Italian renaissance elements to the space and incorporates modern materials and textures therein, perfectly combining with the modern times while keeping the romantic charm of Renaissance.
From electronics to coffee, from tradition to technology, from west to east, as one of the largest electronic brands in the world, PHILIPS, through such a carrier as traditional Italian coffee, integrates its own technological advantages and cooperates with GB Space in building the first cross-industry intelligent coffee shop in China. The challenge of this project is how to enhance the public’s recognition on the new brand image through interior design.