The building, situated on the top of a hill, responds to a dual function: artist’s studio and home for the family. Observing the territory, with the presence of the houses of clay and their chromatic relationship with its surroundings, suggest the idea of using the slab in brick. The Tavelle (hollow tiles), once divided, were applied both on the facades that on the cover as a coating choosing the inner part of them, resulting in a unique solution of the use of this material. The formal purity takes the shape of barns and houses land extensively in the area. The interior space consists of a living unit on two levels of wood (including the kitchen, bathrooms, bedrooms and the library), which divides in two the total volume (study and living). The openings guarantee (the client’s request) a horizontal light in the studio and at the same time frame of the views of particular landscape suggestion.
The drive behind this commission was a lady investor who sought Martin Martin Rajniš with the request to try and design a studio to fit among some stone houses. There was already an old stone wall on the site, defining a small area below the street level and overlooking a river valley.
“THE ARCHITECT’S CABIN”
In this project we tried to build our “cabin” as a shelter capable of making us feel comfortable while we develop our work as architects. With this project, we tried to renovate a typical ground floor space in a building inside Ferrol’s 18th century’s historical center of. A narrow and elongated plot (5×16 m.), with a few sunlight hours.
Article source: Walters Storyk Design Group (WSDG)
NEW YORK: As the culmination of a nearly 20-year-long odyssey, the Lower East Side Girls Club has added a new component to its year-old Center for Community. A classic Airstream Trailer (circa 1958) has been repurposed as a teaching, production and recording studio for LESGC’s WGRL Internet Radio Station and Recording Arts Program. Prominently displayed in a second story window in LESGC’s recently completed $20 million sustainably-built 12 story building at 101 Avenue D, the studio was designed and configured by Walters Storyk Design Group cofounder/architect/ acoustician John Storyk.
This studio was built in the heart of an artistic neighborhood, where street walls and galleries offer a great variety of expressions and occupational forms. As it is situated in a place marked by frequent floods, its creation offered many challenges.
H71a was a shop adjacent to the timber house at Hverfisgata 71. In 2001 Studio Granda converted the house into a studio, office and archive for photographer Sigurgeir Sigurjónsson. The shop, that had an unsound structure, was left vacant.
The Room is a film finishing studio housed within Technicolor facilities in New York City. Servicing films, documentaries and television, the studio includes three separately operated editing suites, a shared reception area and meeting spaces. The design of The Room aimed to create a unique work environment tailored to the specific needs and working habits of its users, while enhancing both the aesthetic experience and the functional -technical performance of the studio.
The building is situated in the center of the plot, respecting the limits for construction and plot ratio.
The house rises as a single body. Its shape is influenced by physical and morphological conditions and by the program.
The initial idea of the project is to expand the building up inside the parcel and surrounding existing trees in order to preserve the maximum possible trees; later the shape was adapted to the program, to acquire the final setting.
The project is for a secondary dwelling which will be used as an art studio and home office. The project is characterized by its high level external aesthetic detailing. A black glazed brick is chosen as the base building material with a cedar wall paneling system used as a secondary decorative cladding. The timber paneling is both decorative and functional with it being used as rotating timber shutters over the northern level 1 window which reveal splashes of colour and tone in a rotated position. The paneling arrangement acts as a ribbon, wrapping and shrouding the building whilst providing notions of flow and direction through its fluid and curvilinear arrangement and articulation.
We renovated the old steel building, originally used as a factory / office, into a workspace for an artist to use for the next several decades. In order to improve the building performance, we applied fireproof coating and structural reinforcement. The construction of the original building was based on the value of “quantity over quality.” As a result, you can see various gaps and distortions all over the building after 40 years, which are made even more clearly visible by newly applied coating and finishes. We intend to transform these gaps and distortions into unique spaces where one encounters unexpected experiences.