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Indigo Waterfall in Tokushima, Japan by spatial practice

Tuesday, January 17th, 2017

Article source:  spatial practice

Award-winning architectural office, spatial practice, completed a site-specific light installation in Tokushima, Japan; titled Indigo Waterfall. The permanent fiber optic lighting installation is debuted at the Tokushima LED Art Festival 2016 flanking both sides of Kasuga Bridge creating the perception of indigo ink spilling into Shinmachi River.

Inspired by both the past and present industries of Tokushima City, the designer merges and highlights the importance of both industries in its development of the city.  Tokushima City was built by the indigo dye industry; big indigo storehouses occupied both waterfronts surrounding Kasuga Bridge where white walls and blue stones were reflected onto the river. Tracing back to its history, the Indigo Waterfall gives new remembrance to the surrounding indigo storehouses by utilizing Tokushima City’s new thriving LED industry and its surrounding natural beauty. By connecting light, nature, local culture and people; the installation creates a new image for Tokushima City.

Indigo Waterfall bridges the past, future, and evolution of industrial development.

Bird view, Image Courtesy © spatial practice

Bird view, Image Courtesy © spatial practice

  • Architects: spatial practice
  • Project: Indigo Waterfall
  • Location: Kasuga Bridge; Tokushima, Japan
  • Software used: Autocad, Photoshop, InDesign
  • Client: Tokushima City Government
  • Project Team: Erik Amir, Dora Chi, Jason Loo, Ryo Otsuka, Taylor Williams
  • Light Consultant: Light Moment
  • Local Consultant: Kanou Consultant
  • Main Contractor: Tokugawa Denko
  • Sub-Contractor: Products Kei; Style-Tec

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Kindergarten in Koblenz, Germany by Herrmanns-Architekten

Friday, January 13th, 2017

Article source: Herrmanns-Architekten 

Explanations about the construction of a kindergarten in Lahnstein

The curved building for a new kindergarten is to be erected as a wooden structure with a formwork of vertical wood panels. The intention of the architects is that the new  building is self-consciously integrated into the urban environment.

Especially when building for children, other aspects than usual have to be incorporated into the design process. Who says that a building must inevitably always be designed with the rigid cartesian axes (height / width / depth) as a crate. This is the dynamic structure of the organic building with its curved ground plan for breaking open the rigid geometric shapes.

Image Courtesy © Herrmanns-Architekten

Image Courtesy © Herrmanns-Architekten

  • Architects: Herrmanns-Architekten
  • Project: Kindergarten
  • Location: Koblenz, Germany
  • Software used: Adobe InDesign, Adobe Photoshop, ArchiCAD, ORCA AVA

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Cedar House in Surrey, London by Seeding office

Tuesday, January 10th, 2017

Article source: Seeding office

Comprises a historic detached building with Georgian façade but with origin, in part, said to date back to before the times of Henry VIII.

The front elevation, facing the river, dates from the mid to late 18th century and hides much of the older building which is basically 15th century, altered and enlarged in the 17th and 18th centuries.

Image Courtesy © Seeding office

Image Courtesy © Seeding office

  • Architects: Seeding office
  • Project: Cedar House
  • Location: Surrey, London
  • Software used: Autocad, Revit, 3dS Max, Photoshop

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Havre 77 ReUrbano in Colonia Juárez, Mexico City by Francisco Pardo Arquitecto + Amezcua

Sunday, January 8th, 2017

Article source: Francisco Pardo Arquitecto

As its name — which reflects its exact address — would suggest, Havre 77 by Francisco Pardo Arquitecto in collaboration with architect Julio Amezcua is an urban re-densification and reactivation project that sinks its roots deeply into Mexico City’s urban fabric. Standing on the south side of the emblematic Paseo de la Reforma, the intervention is part of a wider regeneration program covering Colonia Juárez. Today a bustling central district, the area used to be one of the city’s most exclusive suburbs back in the early 1900’s, before it was hit by a revolutionary war and two destructive earthquakes in 1957 and 1985, which led to a rent freeze for over 50 years.

Image Courtesy © Diana Arnau

Image Courtesy © Diana Arnau

  • Architects: Francisco Pardo Arquitecto + Amezcua
  • Project: Havre 77 ReUrbano
  • Location: Havre 77, Colonia Juárez, Mexico City (MX)
  • Photography: Diana Arnau and Ana Hop
  • Software used: Autocad, Adobe Suite, and Rhinoceros
  • Design team: Julio Amezcua, Karen Burkart, Victor Cruz, José Luis Fajardo, Alan Orozco, Francisco Pardo, Aarón Rivera, Vania Torres, Tiberio Wallentin
  • Real Estate Concept: ReUrbano. Rodrigo Rivero Borrell Wheatley + Alberto Kritzler Ring
  • GFA: 1.485 sqm
  • Design: 2011
  • Construction: 2016

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Won Dharma Center in Claverack, New York by Hanrahan Meyers Architects LLP

Thursday, January 5th, 2017

Article source: Hanrahan Meyers Architects LLP

The Won Dharma Center, USA, is a 28,000 square foot recreational and spiritual retreat in Claverack, New York for the Won Buddhists, a Korean organization that emphasizes balance in one’s daily life and relationship to nature. The center is located within a 500-acre property on a gently sloping hill with views west to the Hudson River valley and the Catskill Mountains. The buildings for the Center, including permanent and guest residences, an administration building and a meditation hall, are sited as far as possible from the highway and are oriented toward the west and south to maximize views and light. The symbol of this organization is an open circle, suggesting both a void without absence and infinite return. The buildings are organized around these dual concepts of void and spiral.

Image Courtesy © Hanrahan Meyers Architects LLP

Image Courtesy © Hanrahan Meyers Architects LLP

 

  • Architects: Hanrahan Meyers Architects LLP
  • Project: Won Dharma Center
  • Location: Claverack, New York, USA
  • Software used: Autocad, Adobe Photoshop
  • Client: Won Buddhism of America, Inc.
  • Size: 48,000 s.f.
  • Date: 2012

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Platanenkubus Nagold in Germany by Ludwig.Schoenle

Tuesday, December 27th, 2016

Article source: Ludwig.Schoenle

The Plane-Tree-Cube was designed as a contribution for the Regional Horticultural Show in Nagold in 2012. It was conceptualized as a long-term Baubotanik experiment within an urban context. By the help of “Plan Addition” techniques, a green cube with an edge length of 10 meters was created that, right from the beginning, had the dimension of a full-grown tree. Initially, young plane trees are arranged in plant containers on six levels. They form green walls around a space open to the sky.

Image Courtesy © Ludwig.Schoenle

Image Courtesy © Ludwig.Schoenle

  • Architects: Ludwig.Schoenle
  • Project: Platanenkubus Nagold (Plane Tree Cube Nagold)
  • Location: Nagold, Germany
  • Software used: Autocad, SketchUp, Photoshop, Illustrator
  • Lead Architects: Ferdinand Ludwig, Daniel Schönle
  • Client: Landesgartenschau Nagold 2012 GmbH
  • Plants and plant maintenance: Helix Plant Systems
  • Engineering: Brocke Engineers, Stuttgart
  • Gross Built Area (square meters or square foot): ca. 100m²
  • Completion Year: 2012

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PLVS VLTRA in Wageningen, Netherlands by Wiegerinck architectuur en stedenbouw

Thursday, December 22nd, 2016

Article source: Wiegerinck architectuur en stedenbouw

Invitation to innovate

In the design for the new incubator and multi-tenant building on the university campus in Wageningen, start-ups and knowledge-intensive technological businesses in the agro and food sectors will have a place for research and open innovation.

‘Plus Ultra’ means ‘there will always be unchartered territory to be discovered and explored’ (see footnote) and symbolizes the commitment to continuous innovation.

Image Courtesy © Kim Zwarts

Image Courtesy © Kim Zwarts

  • Architects: Wiegerinck architectuur en stedenbouw
  • Project: PLVS VLTRA
  • Location: Wageningen university and research center, Netherlands
  • Photography: Kim Zwarts
  • Software used: SketchUp, Revit, Autocad, Photoshop, InDesign
  • Lead Architects: Bert Muijres, Roy Pype, Tim Loeters
  • Client: Kadans Science Partner
  • Contractor: Hendriks Bouwbedrijf
  • Constructions advisor: Archimedes
  • Advisor installations: Van Looy Group
  • Landscape architecture: Poelmans Reesink
  • Constructions: Goudstikker de Vries
  • Technical Installations: Schrijvers Electrotechniek
  • BEEAM advisor: C2N
  • Physics: Peutz
  • Gross Built Area (square meters or square foot): 7600
  • Completion Year: 2016

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Pushkinsky International Cinema Hall in Moscow, Russia by MetropolitanmomentuM

Saturday, December 17th, 2016

Article source: v2com

The AAP American Architecture Prize honors exceptional designs in 41 categories across three disciplines: architectural design, interior design, and landscape architecture. MetropolitanmomentuM won Silver Prize and Bronze Prize in the categories of Architectural Design / Misc. and Heritage Architecture respectively for Pushkinsky International Cinema Hall at Moscow – Revitalization.

Perspective View - Exterior, Image Courtesy © Pablo Osorio

Perspective View – Exterior, Image Courtesy © Pablo Osorio

  • Architects: MetropolitanmomentuM
  • Project: Pushkinsky International Cinema Hall
  • Location: Moscow, Russia
  • Photography: Pablo Osorio
  • Software used: Revit and 3ds max from Auto-desk, Illustrator, In-design, and Photoshop from Adobe and 3D CAD CATIA and SOLIDWORKS 3D from Dassault Systèmes

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De Bank in Rotterdam, The Netherlands by KAAN Architecten

Thursday, December 15th, 2016

Article source: KAAN Architecten 

KAAN Architecten has moved to a new office, marking a page-turn for the expanding architectural practice. The new location is in the heart of Rotterdam, situated along the Maas river, just a few meters from the iconic Erasmus bridge and the firm’s awardwinning project Education Center at Erasmus Medical Center University. The project has transformed 1.400 sqm of the former premises of De Nederlandsche Bank into KAAN’s new open-space headquarters, which encompasses more than 80 workspaces.

Image Courtesy © Simone Bossi

Image Courtesy © Simone Bossi

  • Architects: KAAN Architecten (Kees Kaan, Vincent Panhuysen, Dikkie Scipio)
  • Project: De Bank
  • Location: Boompjes 255, Rotterdam, The Netherlands
  • Photography: Simone Bossi and Casper Rila
  • Software used: Autodesk AutoCAD, Adobe Suite and Rhinoceros
  • Project team: Beatrice Bagnara, Dennis Bruijn, Marten Dashorst, Luuk Dietz, Giuseppe Mazzaglia
  • Contractor: Pleijsier Bouw
  • Construction advisor: Pieters Bouwtechniek
  • Water + Electrical installations: Van Panhuis
  • GFA: 1.400 sqm
  • Design phase: February – March 2016
  • Construction phase: April – September 2016

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Editions MP in Mexico City by LANZA Atelier

Tuesday, December 13th, 2016

Article source: LANZA Atelier

Editions MP is a project for the offices of a new publisher of art books.

We designed and produced all the furniture. The proposal was to organize all the elements following an unbroken line around the entire perimeter of the space, closing on itself. From the marble sliding door, through the shelves, tables, hanging library and the platform on which the couch rests, all the intervention stood on this virtual line, freeing the central space to make it as flexible as possible.

Image Courtesy © LANZA Atelier

Image Courtesy © LANZA Atelier

  • Architects: LANZA Atelier
  • Project: Editions MP
  • Location: Mexico City
  • Software used: Autocad and Photoshop

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