The optical shop C_29 / ’Optimist’, is an interwar listed building of a total surface 90m2 and is located in the centre of Chalkida. The space is airy and expands along the central market and the back courtyard / patio which is formed in the core of the building. The building itself is a composite construction with the ground floor being made of bearing masonry and the two floors of reinforced concrete bearer and filling brickwork. The main design aspect was the creation of a gradient technique in the texture of materiality in order to emphasize the reflection and the absorbance of light. This gradient tool continues to exist and plays a significant role even to the choice of materials, resulting in their sound existence or their theoretical absence in the formed space. Some utilitarian objects are transformed into prismatic sculptures. The courtyard space is defined by an imaginary cube. What is more is that the plan does not allow visual contact to the courtyard and the shop. Therefore, there is formed a wall at an angle of 45 degrees in the intermediate space fully covered by mirror , which results in visual continuity between the two spaces.
I called this project 100% Residency, because all the land, even in its green area, it has a function.
This, was elaborated as a collaboration for a student of mine, of the course of Civil Engineering, in college that I taught. Therefore, I elaborated in metallic structure, for it to be already getting accustomed and having an already real project, a detail of this bevelled structure, so it already improves its knowledge. And the apparent concrete in the rest.
Western Hills in the western part of Beijing where the Old Summer Palace is located—is far from the hustle and bustle of the city. This project’s design is a combination of cultural elements of Western Hills and modern oriental design techniques. A shaded corridor leads to a space possessing a fantastic view. The moment people enter the space, they feel as if they have walked into a beautiful painting that features both ancient elegance and modern freedom. “Let me forget my worldly worries and find peace in the woods of the Western Hills; the white clouds seem to have read my mind, and drift slowly down from the forest to keep me company.”
Naito Shinjuku was established in 1699 as a stage stop along a major thoroughfare heading out of Edo (old name of Tokyo). Dropping the “Naito,” the district started to be called Shinjuku in 1920, the same year that saw the Musashino-kan Shinjuku emerge on Shinjuku-dori Avenue, which was also home to the Shinjuku Mitsukoshi store. Local merchants opened a 600-seat movie theater in the three-story wooden structure with tiled façades. In 1928, Musashino-kan Shinjuku relocated to its current site, a new cinema with 1,115 seats housed in a three-story concrete building. During the silent movie era, Musei Tokugawa was active as a narrator here. Later, an air raid over Tokyo caused a fire to burn the entire interior of the theater, but the building survived and became a symbol of post-war recovery. Cinema offered entertainment to the populace, and Musashino-kan entered the golden age in an alliance of more than 20 theaters. But the movie-going population peaked in 1958 at 1.1 billion tickets, and rapidly dropped to 1/3 of that patronage by 1965. Amidst a declining industry, the decrepit Musashino-kan was demolished in 1966 and rebuilt. Still standing today, the building initially consisted of a retail and dining complex seven floors aboveground and three floors underground. The first movie theater in this new building had 500 seats on the seventh floor. In 1994, the Cinema Qualite mini-theater opened. The seventh floor was closed in 2002, and the third-floor theater operations changed banners from Cinema Qualite to Musashino-kan Shinjuku. For the improvements made most recently, however, aseismic reinforcement work on the entire building prompted the Musashino-kan Shinjuku on the third floor to undergo a complete renovation.
The idea for a public toilet in Gdynia is closely related to the location of the given area. View of the open sea and extending walking paths, suggested concept of creating building that besides its primary function will be set in a seaside tourist character. Periscope building allows its users to observe sea from the interior not through the traditional window. By placing the upper mirror of this periscope mechanism at a height of 4m, view of the water is raised above the boulevard’s level and so the strolling people. Users of the public toilet can see an undisturbed yet always different image of the Baltic Sea. Monolithic, concrete building owes its shape to the hidden periscope structure, but due to the rounded arcade and used raw materials, building with its profile resembles the nearby breakwater, blending with the local landscape. In the gap between the women’s and men’s toilet, there is a tribune from which people can enjoy view of the Baltic Sea. Its form, in contrast to the traditional benches, can hold a larger group of people. Wooden finish of the tribune and its surrounding walls warms raw style of the building. Inside the toilet, as well as outside the building, walls are covered with concrete. Free space under periscope construction is filled with huge pebbles, reminding the breakwater. Simple interior exposes periscope’s mirror with Baltic Sea view. Direct access to the building allows independent use of all the toilet rooms. Whole object in its form and function blends with the coastal mood, creating entirely new point on the promenade path.
National War Memorial has been conceived by the Government of India to honour the memory of all the soldiers who have sacrificed their lives for the country. The Memorial is envisaged in the heart of the national capital of India, New Delhi and lies in the close vicinity of India Gate.
The client brief for this small summer house located in Halkidiki, Greece called for a low-maintenance weekend home located on a pristine olive grove hill overlooking the sea, and beyond towards the famous monasteries of Mount Athos.
The project constitutes an extension to the company MultPortas e Acabamentos, in the civil construction sector. Located in the city of the center-west of the state of São Paulo, in the city of Bauru. Company already traditional in its field of activity, and local tradition.
They needed the local expansion, for expansion of products for sale of finishes and aggregates.
The old freight depot west of Malmö Central Station was no more than a roofless shell when two siblings, Nina Totté Karyd and Martin Karyd, bought it in order to create a market hall. In 2013 Wingårdh Architects was commissioned to transform the ruin into a market hall for about twenty vendors and restaurateurs. The initial intention was to add a similar volume onto the existing oblong brick building, but the plans changed when several layers of underground utilities were discovered on the site, reducing the buildable area of the lot.
Architect: Wingårdh Arkitektkontor AB through Gert Wingårdh (principal architect), Joakim lyth (senior lead architect), Maria lyth (project architect), Ulrika Davidsson (lead engineer), Erik Holmgren, Andre Pihl, Gustaf Wennerberg, and others
Total area: approx. 1500 m2
Project start: 2013
Completion: 2016 (opening planned for November 2016)