Award-winning architectural office, spatial practice, completed a site-specific light installation in Tokushima, Japan; titled Indigo Waterfall. The permanent fiber optic lighting installation is debuted at the Tokushima LED Art Festival 2016 flanking both sides of Kasuga Bridge creating the perception of indigo ink spilling into Shinmachi River.
Inspired by both the past and present industries of Tokushima City, the designer merges and highlights the importance of both industries in its development of the city. Tokushima City was built by the indigo dye industry; big indigo storehouses occupied both waterfronts surrounding Kasuga Bridge where white walls and blue stones were reflected onto the river. Tracing back to its history, the Indigo Waterfall gives new remembrance to the surrounding indigo storehouses by utilizing Tokushima City’s new thriving LED industry and its surrounding natural beauty. By connecting light, nature, local culture and people; the installation creates a new image for Tokushima City.
Indigo Waterfall bridges the past, future, and evolution of industrial development.
This house is a hybrid of several types of houses: first of all the first thing it wants is to be a “house of the Camp d’Elx”, as those still populate the rural districts with its peculiar silhouette, whose traditional architecture makes use of ceramic decks inclined and the deep porches -for shade- oriented at noon; But at the same time it also wants to be a “house-patio Mediterranean”, introverted, protected from the outside and purely white; And also has in its genetics a “Californian house”, one of those sophisticated houses of the admired modern architecture of Los Angeles -with whom we share Mediterranean climate- that unfold their plants -many L shaped- in open horizontal spaces which overlook the gardens and the refreshing swimming pools.
In the village of Vlijmen this house was designed for an elderly couple, who wanted to keep on living in this house as long as possible. Therefore, most of the program is located on ground level, on top only a spare bed- and bathroom are being made. The box from the ground level is being perforated with voids, where a small patio, wooden Western Red Cedar parts, or windows were made. By making this rhythm, a car port and patio-shaped exteriors give the house an extra layer between in- and outside.
For those people who have a long experience of living in single-unit houses with a courtyard, it is a great challenge to change their life style and live in apartment houses.
Losing many of desirable advantages of single unit houses such as independency, fellowship with nature, existence of hierarchy and, natural ventilation and … is a trouble for the people who want to live apartment units.
The principal aim of designing Chennai Airport was to minimize the heat gain and maximize the day lighting throughout the terminal as much as possible. High level of sustainability in nearly every aspect of design, including restoration of the native landscape, passive energy conservation strategies, material selection, onsite storm water detention, and on site waste water treatment and dispersal systems are being aimed at.
Chennai Airport, which is a prominent gateway to South India, has been specially designed for attaining a high level of sustainability in nearly every aspect of design. With its beautiful lush green gardens and smart calculative design, this structure is a landmark in the architectural world which redefines the future possibilities. This project, which is termed as “The Greenest Airport “ by The Architectural Record is designed by Ms Creative Group, under the charismatic leadership of Prof. Charanjit Shah and Ar. Gurpreet Shah. Creative Group, in association with Gensler and Frederic Schwartz Architects, won the international design competition for Chennai Airport in 2007 on the basis of its innovative energy efficient design. This mega infrastructure project of Airports Authority of India is built with a cost of Rs 2012 Crores which sprawls over a total area of more than 2,50,000 Sqm.
The Montreux Jazz Heritage Lab 2 is a research program at the crossroads between architecture, design and technology. The program is led by the EPFL+ECAL Lab in close collaboration with the architectural lab ALICE, at the École Polytechnique Fédérale de Lausanne (EPFL), one of the two Swiss Federal Institutes of Technology.
This new permanent and immersive installation is hosted within the new campus building designed by the architect Kengo Kuma, and situated just next to the Montreux Jazz Café. Rather than mimicking the past, the project leads the audience on a unique journey through 50 years of history and 5.000 hours of audiovisual recordings made at the Montreux Jazz Festival. Visitors truly feel that they are live on stage with Ella Fitzgerald, standing beside Miles Davis’ trumpet, or composing Smoke on the Water together with Deep Purple.
Equivalent to the brownstones of New York, this interwar duplex is a humane scale solution to housing in the Sydney city fringes.
Shoulder to shoulder with other apartment buildings, the original 1920s two-storey flats were transformed into a four storey block with a basement carpark and cellar, a ground floor garden apartment and a two-storey penthouse.
Comprises a historic detached building with Georgian façade but with origin, in part, said to date back to before the times of Henry VIII.
The front elevation, facing the river, dates from the mid to late 18th century and hides much of the older building which is basically 15th century, altered and enlarged in the 17th and 18th centuries.
As its name — which reflects its exact address — would suggest, Havre 77 by Francisco Pardo Arquitecto in collaboration with architect Julio Amezcua is an urban re-densification and reactivation project that sinks its roots deeply into Mexico City’s urban fabric. Standing on the south side of the emblematic Paseo de la Reforma, the intervention is part of a wider regeneration program covering Colonia Juárez. Today a bustling central district, the area used to be one of the city’s most exclusive suburbs back in the early 1900’s, before it was hit by a revolutionary war and two destructive earthquakes in 1957 and 1985, which led to a rent freeze for over 50 years.
Fokkema & Partners developed the interior design for the new – energy neutral – City Hall of Krimpen with an energy label A++. A welcoming entrance invites citizens to visit the City Hall for the services in the public area, which have open counters with a view through the building and to water around it. Flexibility fits the new way of working in the City Hall, which translates to a large diversity of workplaces and ways to arrange various spaces.