This contemporary architectural design, located just blocks from the Barton Springs Pool and the Umlauf Sculpture Garden, features two residences in the heart of Austin’s Zilker Neighborhood. Both units open out to private landscaped interior courtyards as well as second floor balconies with views to downtown. The exterior material palette consists of a vertical standing seam siding contrasted against a white washed, vertical cypress tongue and groove siding. The rear unit is the builder / developer, Tim Mccabe’s own residence featuring prints from noted photographer David Hume Kennerly and sculpture from his travels in Asia as the development manager for the Pero Family in Dallas. Tim’s brings his sensibilities from living in Dallas in cannonical modern urban residences by the likes Bud Oblesby and Frank Welch of the O’Neil Ford School here to Austin’s own growing modern tradition. The building as a whole is a focused on elegant, urban living through a simple edited material palette, amazing framed views to the Zilker’s mature tree canopy and ample outdoor gathering spaces.
This construction is located in Tufi d’Agna, a small settlement in the mountain town of Corniglio, inside of the Tuscan-Emilian Appenine recently recognized by the UNESCO as a MAB (Man and the Biosphere Programme) reserve.
The small building, a farm building once used to shelter the shepherds and animals, was recovered as a refuge where the residential use, considering the remote location and the difficulties to achieve it, is sporadic and linked to the summer period.
The house sits in the context of a densely built residential area in North Bangalore. A substantial area of the plot along the road edge is occupied by the expansive canopy of a beautiful African Tulip.
The design takes the tree into consideration at every stage in an attempt to unite it with the built space, factoring in daylight and ventilation. The resulting home is marked by a sedate atmosphere, hints of the tree and the sky mingling with sober earth walls, which then contrast with oxide floors and painted steel windows.
The project proposes an architecture that responds to the inherent qualities of the site, privileged views, and the larger context of the Sonoran Desert. The language of the house draws upon these inherencies and allows for a greater understanding of the project’s circumstances.
Of the need for an exhibition space came the “MATO – Art Gallery”, next to Paulo Neves sculptor’s atelier.
Looking for inspiration in their own work of the sculptor, the organic design mirrors the trace of Paulo Neves. Whole body develops without straight surfaces. As if a strange animal has born on site, mixed with the surrounding vegetation.
This site for this project has one main view to the east towards Camelback Mountain. The intent of the project was to focus the views towards the iconic landmark to capture it and have it constantly presenced in the experience of the house while creating other introspective moments of experience.
Typically, you enter the building, or you stay outside.This building offers a third possibility.This is the third use case climbing on the structure with steps lead up to the highest point of the structure, starting from the ground, resting on different levels, spend time, chatting, and the city is watching the situation.Located parking area on the existing car park, across the board to be open to pedestrian use gives a spaciousness to the city. That the intended use of the cultural center, through the terraces are created with steps has been made more effective.
Pedestrian circulation on the cultural center moved, rising to a new challenge is defined in the vertical.