Archive for the ‘Autodesk’ Category
Friday, November 18th, 2016
Article source: Comelite Architecture & Structure
A grand private residence in Kerala, India needed interior design for its dining room, living room and courtyard. Strong use of gold was asked for to create a classy look in the living room. Also in the starting stage, theme colors of onion, cream and gold were selected for the design.
Image Courtesy © Comelite Architecture & Structure
Wednesday, November 16th, 2016
Article source: Tom Wiscombe Architecture
The history of the American billboard tracks with the larger cultural and technological history of media distribution and aesthetic sensibilities. In the early 20th century, the billboard began as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the explosion of car culture and the film industry at mid-century, the billboard was transformed into something non-local, something representing filmic worlds, in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60’s and 70’s, with edgy content, protruding elements, and promotional appearances by music stars. The two-dimensionality of the billboard began to move towards three-dimensionality, simultaneously existing as sign and object. Our proposal aims to build on this legacy in a contemporary way, with an iconic object-billboard programmed with an unprecedented breadth of commercial, cultural, and interactive media content.
Rendered by: Kilograph
- Architects: Tom Wiscombe Architecture
- Project: West Hollywood Belltower
- Location: California, USA
- Rendering: Kilograph
- Software used: Maya and Rhinoceros
- Client: City of West Hollywood
- Builder/ Operator: Orange Barrel Media
- Museum Partner: Museum of Contemporary Art (MoCA)
- Structural: Walter P Moore
Sunday, November 13th, 2016
Article source: Architecture Anne Démians
«My role as an architect is to ensure that this important density is consistent with the quality of the site and with each workspace. This density is assumed as a positive constraint, likely by nature to propel us towards the future. Les Dunes project differentiates itself from others by its architectural identity, it offers a new image of modernity through a innovation in construction in a gentle rupture / breakaway from what’s previously been done over the past 30 years. The entity as a whole is more than a building, it is a landscape.» Anne Démians
INTERNET’S INFLUENCE ON TERTIARY INNOVATION
Following two decades of technological upheaval directly related to the Internet, changes in society have emerged with their consequences on our ways of living.
Heralding a new era, digital tools profoundly boost individual and social exchanges and modes of expression. Our working attitudes are thus modified and our relationship to space is shaken. This digital transition impacts work relations and manifests itself in the office, but how are they (re)drawn?
Image Courtesy © Jean-Pierre Porcher
- Architects: Architecture Anne Démians
- Project: Société Générale Headquarters
- Location: 6 allée des Sablons Val de Fontenay, Paris, France
- Photography: Jean-Pierre Porcher, Laure Vasconi et AAD
- Software used: AUTOCAD
- Client: Societe Generale
- Master of attorney book: Sogeprom
- Project team: Martin Mercier (contest), Jack Weinand (studies and site), Malik Darmayan, Gabriel Ober, Francesco Girardi, Minsu Lee, Maite Casas, David Dahan, Igor Sanchez, Alain Sabounjian (Contributors)
- BET Economist: Mazet and Associates
- BET façade and structure: VP & GREEN fluid
- BET electricity: Egis
- BET cuisiniste: Gaury
- HQE: Alto Engineering
- Area: 89 000 m²
- Budget: EUR 210 million
Friday, November 11th, 2016
Article source: CORE Architects Inc.
12 degrees was designed as an urban infill project, fitting into the context of a mixed use residential area where the city block has buildings that include both the Art Gallery of Ontario and the Ontario College of Art and Design.
Given the artistic nature of the city block, the design became a playful exercise in massing and an anchor to the south-west corner of the block. The design can be read as analogous to the stacking of toy blocks, with one of the blocks skewed at 12 degrees from the others.
Image Courtesy © CORE Architects Inc.
- Architects: CORE Architects Inc.
- Project: 12 Degrees
- Location: Toronto, Ontario, Canada
- Software used: REVIT and AutoCad
Thursday, November 10th, 2016
Article source: Betwin Space Design
“Two years for gathering energy of the earth with the sounds of water, wind and human footstep, and six years for looking after ginseng. Six-year-old Red Ginseng nourished by the devotion of KGC(Korea Ginseng Corporation) for eight years. ”Opened on the first floor of KT&G (Korea Tobacco & Ginseng Corporation) Tower last August, Café Sapoon Sapoon expresses the advertising copy of Cheong-Kwan-Jang implicatively. Sapoon Sapoon is a compound word of Saponin, main ingredient of red ginseng, and Spoon, a tool to deliver taste and nutriment of food. As Sapoon also means ‘a figure of light and careful step’ and ‘light and refreshing state of body and mind’ in pure Korean word, people can feel refreshing scenery with light beverage. Sapoon Sapoon is a casual space created by KGC in order to be free from the perception, ‘Red ginseng is nothing but health functional food’, while keeping credibility of company and its quality-first spirit. Betwin Space Design grafted traditional ideology of Cheong-Kwan-Jang on this café modernly.
Image Courtesy © Yong-joon Choi
- Architects: Betwin Space Design
- Project: Cafe SAPOON SAPOON
- Location: Seoul, South Korea
- Photography: Yong-joon Choi
- Software used: Adobe photoshop & illustrator, Google sketch up, 3D max, Auto cad
- Design Director: Jung-gon Kim, Hwan-woo Oh
- Design Team: Sun Kim, Hye-jin Yang, Su-in Lee, Dae-hyun Lee
- Client: KGC
- Area café: 220.9 sqm + terrace 82.3 sqm
- Completion: Aug, 2016
Thursday, November 10th, 2016
Article source: Rara Architecture
Our mission was to reinstate the old home’s glory through highlighting it’s simplistic characteristics and its overall form. We stripped it right back to a neutral state. The height of the rear addition had the potential to dwarf the original heritage home, so, sympathetically, we mimicked the roof angle, but didn’t hide it. Nothing about the addition is ‘trying to hide’ anything. The old building transitions smoothly to the new, visually and emotionally, both internally and externally – the old floorboards transition to a new polished concrete slab, the old weatherboards transition to a perforated brick wall (outlining the central Zen garden) and then again to a solid brick wall. The addition, which can be enjoyed from the rear lanes and from within the property stands proud, like the existing Edwardian; it stands high, and strong without any exaggeration or excess, it is brutal, minimal and statuesque: a monolith.
Image Courtesy © Christopher Alexander
- Architects: Rara Architecture (Wesley Spencer)
- Project: Monolith House
- Location: Victoria, Australia
- Photography: Alison McWhirter, Christopher Alexander
- Software used: AutoCAD
Thursday, November 10th, 2016
Article source: CTRLZAK Studio
Femme Fanatique is a space dedicated to the world of tango. Femme Fanatique’s shoes are designed with passion and are entirely handmade by specialized artisans. CTRLZAK’s design presents these exact elements, interpreting the essence and the posture of the dance while emphasizing at the same time the process and the quality of the product.
Image Courtesy © Dimitris Poupalos
- Architects: CTRLZAK Studio
- Project: Femme Fanatique
- Photography: Dimitris Poupalos
- Software used: Rhino, Autocad, Photoshop and Illustrator
- Graphic design and brand identity: Somethink
- Construction and project supervision: Thimios Apostolakis
Friday, November 4th, 2016
Article source: Lee H. Skolnick Architecture + Design Partnership
Ani Villas, two modern luxury villas of 3,000-4,000 square feet each, reside on a 1 ½ acre plot that slopes up to a sheer, stone promontory, overlooking Little Bay to the west on Anguilla’s north coast. They include soaring indoor-outdoor living spaces with breathtaking views of the sea and the sky. Each villa has four bedrooms with a detached office/guest area, and site amenities include a tennis court, a viewing pavilion and a cliff-top pool and deck area. The white, modern structures – a series of stacked rectangular layers, forming subtly ascending levels and varying sized balconies and infilled with glass – are like a beacon atop the cliff and position themselves within the tradition of tropical modern architecture.
Night-View, Image Courtesy © James Wilkins
Friday, November 4th, 2016
Article source: Cerejeira Fontes Arquitectos
The object, the chapel, is a handmade wooden box construction inside a huge18th century stone building, the Seminary of St. Tiago, in the center of Braga, Portugal. Into the renovated two levels space that encloses the Chapel comes some daylight that is very controlled and delicately used by the architects. The space around the chapel is quite dark, so the object appears transparent. The natural light is filtered through its walls, made by thin, horizontal, wooden bars, and gives the architectural body a luminous appearance.
Image Courtesy © José Forte
- Architects: Cerejeira Fontes Arquitectos
- Project: Tree of Life Chapel
- Location: Braga, Portugal
- Photography: José Forte and Asbjørn Andresen
- Software used: REVIT (autodesk)
- Design Team: António Jorge Fontes, André Fontes, Asbjörn Andresen, Joaquim Carvalho(civil engineer)
- Area: 38 m2
- Project year: 2010
- Construction year: 2010
- Finished year: 2010
- Inogorated: October 20, 2011
Friday, November 4th, 2016
Article source: Roselind Wilson Design
Eaton Mews North is a 1,700 square foot mews house located in Belgravia and arranged over four floors. Roselind Wilson Design was appointed as the interior architect to redevelop the structural interior layouts, furniture layouts and design of the kitchen, bathrooms and all interior finishes and details including doors, skirtings, joinery, architectural and decorative lighting, the staircase and all wall finishes. In keeping with the client’s brief to develop something that is unique, the look is undoubtedly layered with focus on textured fabrics and finishes and the striking use of battered and aged bronzes with bleached floors and textured timbers set against polished and honed marbles with exquisite veining and textured tiles with understated wall papers to create a subtle sense of glamour. The palette was very textural with bronzes, beiges, taupes and chocolates being the foundation colours with slight accents of green tones. The use of these tones allows for a calming sense of luxury with no brutal features that dominate the space.
Image Courtesy © Richard Waite
- Architects: Roselind Wilson Design
- Project: Eaton Mews North
- Location: Belgravia, London, England, United Kingdom
- Photography: Richard Waite
- Software used: CAD, SketchUp, PhotoShop
- Area: 1700 square foot