The new chapel, set within a vineyard in South Africa, is designed by South-African born Coetzee Steyn of London based Steyn Studio. Its serene sculptural form emulates the silhouette of surrounding mountain ranges, paying tribute to the historic Cape Dutch gables dotting the rural landscapes of the Western Cape. Constructed from a slim concrete cast shell, the roof supports itself as each undulation dramatically falls to meet the ground. Where each wave of the roof structure rises to a peak, expanses of glazing adjoined centrally by a crucifix adorn the façade.
An iconic urban landmark, but also a sustainable structure for an evolving shopping experience: the new CENTRO*Arezzo Coop.fi frees itself from the conceptual dictates of the traditional shopping mall and acts as a social and recreation pole that is perfectly integrated with the city. Opened in 1988, the complex has undergone a significant aesthetic and functional redevelopment that has completely changed its identity and its relationship with the surrounding environment.
In his essay, “On Trial 1: The situation. What architecture of technology?,” published in1962, Reyner Banham called the suspended ceiling a “Utopian or a Dymaxion dream.” He maintained that suspended ceilings had achieved a degree of industrialization, flexibility, and interchangeability of parts—accommodating a range of services such as heating and cooling, ventilation, lighting, sound, fire-extinguishing, acoustic control, etc.—that far surpass the limited functions of exterior paneling or curtain-wall systems. “Taken grosso modo, one-offs, off-the-pegs, standardized and specialized,” he wrote, “all together, suspended ceilings represent probably the greatest achievement to date in accommodating technology to architecture.” Yet, despite its remarkable all-pervading presence, in Banham’s view, the suspended ceiling had been unremarked in the mythologies of modern architecture. “No one is for or against suspended ceilings,” he argued, “and yet they constitute one of the most sophisticated elements in the technology of architecture.”
Webster Terrace was a distinguished modern movement house built in three stages. It had an open plan living/dining/kitchen with a distinctive sloped ceiling extending into a mono slope cantilevered roof.
The Falcon House challenges the inappropriate, contemporary approach of destroying the native landscape and topography. The upper level hovers gently as a white object, the lower level is a black shadow, in the middle is a thin zone of grey that reminds us that nothing is ever ‘black or white’.
With the change from commercial harbour activities to residences and retail, the Inner Harbour of Copenhagen has undergone a pronounced transformation. In this case, the clients brief called for a somewhat minimal bicycle ramp providing an alternative to the staircase. DISSING+WEITLING saw a tremendous potential for the new ramp to become something more than just replacing the staircase. The solution was ‘The Bicycle Snake’. The 230m elevated ramp ensures the complete separation of cyclists and pedestrians – the cyclists can pass quickly and easily through the area, while experiencing unique and exciting views and the elevated road allows pedestrians to use the entire wharf avoiding perilous situations.
The New Contemporary Art Wing Expansion to the Lima Art Museum located in the 19th century Exposition Palace, creates a strong architectural dialogue between the historical structure and the new expansion; they connect without touching. The project requirement to create a below grade expansion to the current museum without touching the historical structure below or above grade, resulted in a careful exploration of how to spatially connect these two buildings that cannot physically connect.
Hyundai’s “Modern Premium” strategy – the concern’s definition of quality encompassing technology, functionality, design, comfort and sustainability – formed the basis for an invited architectural competition to find a correspondingly comprehensive design concept, which could be simultaneously applied to all of Hyundai’s spatially very diverse locations.
Inside the rural Tai Yang Valley, West of Hangzhou, the Sun Commune is a local initiative raising awareness of sustainable farming and promoting healthy living and outdoor activities for the increasing urbanization of China.
Within the sun commune, Superimpose Architecture Studio designed MICR-O to be a learning platform for city dwellers.
Durham University has opened its new £11.5 million Ogden Centre for Fundamental Physics designed by Studio Libeskind (New York). Durham University is one of the world’s leading institutions in cosmology and space science and it is hoped that the new Ogden Centre building will further cement this position. The new Centre will accommodate the rapid growth and academic success of Durham’s research into fundamental physics, enabling it to maintain its leading global position in the decades ahead.