It started from the concept to make a Sushi restaurant that provides truly real Japanese Sushi made by highly skilled Sushi Chef.
Prioritizing guest’s higher satisfaction rather than achieving more seats, Removed the existing upstairs to make a high ceiling one-story, Composed only 8 counter seats main-building and a new-built annex. By separating the main-building and the annex by the pond, The annex private-room is emphasized its value as visible but inaccessible.
The site for this project is a remote, private lake beside which for more than seventy years existed a family’s cottage. When the land passed from mother to son, the decision was made to reinvigorate the home; ultimately, because the home had already reached such an advanced state of decay, it was decided to have it removed and to build a new cottage. For sentimental reasons, the new home was to be the exact dimensions of the former and it was to sit in the exact same location. Aside from those requirements though, a far more open spatial arrangement was desired. The cottage was only intended for three-season use (the Manhattan couple for whom this was being built intended to spend winters in warmer climates). The house design was simplified because significant insulation was not required, however, construction intentions were complicated by the fact that the remote location meant that the cost of labor “commuting” from the city would be extremely costly.
This house is set on a traditional Berkeley street, and adjacent to a former rail line (traces of which are still visible from an aerial view.) The architecture borrows from the machine qualities of the railway to echo the former land use, and blends it with the character of the current residential neighborhood. Corrugated metal wraps down the roof and wall facing the former train line, while the front of the house expresses the pitch of the roof that ties it to more traditional house forms. The interior is an open expanse that also recalls a large, open station with a free plan and high vaulted ceilings.
Robotmother wanted an office space for their operations including maintenance space for Miles who looks after all the maintenance of Jubilee Wharf, accommodation for bands playing at Peapods Cafe, compost toilet with poo tanks in the hull, wood chip boiler, office space with separate meeting room and mezzanine level for Peapods admin. All highly insulated.
York House School, an independent K–12 for girls, has been located in the heart of Vancouver’s heritage Shaughnessy neighborhood since 1932. The forward-looking Institute required a new senior school building with a mandate that included the incorporation of energy efficient systems, the maximization of natural lighting, and the provision of flexible work spaces to accommodate 21st-century teaching practices. The new senior school was also required to unify the 144,721ft2 (13,445m2) campus, which comprised several buildings of various styles that had been added over an 80-year span.
Principal-in-charge: Mark Ostry, ARCHITECT AIBC AAA SAA OAA FRAIC
Project Lead: Susan Ockwell, ARCHITECT AIBC LEED AP
Team: Russell Acton, ARCHITECT AIBC AAA SAA OAA FRAIC; Nathaniel Straathof, ARCHITECT AIBC LEED, AP; Ryan McCuaig, ARCHITECT AIBC, CP, MRAIC, LEED AP; Michael Fugeta, MArch IA; Sergei Vakhrameev, MArch
Structural Engineer: Fast & Epp
Mechanical Engineer: MCW Consultants Ltd.
Electrical Engineer: Acumen Engineering Pte Ltd:
Landscape Architect: PWL Partnership Landscape Architects Inc.
Contractor: Haebler Construction Ltd.
Code: Gage Babcock & Associates Ltd.
Acoustic: Daniel Lyzun & Associates Ltd./ Rowan Williams Davies and Irwin Inc.
Envelope: Morrison Hershfield Ltd.
Environmental: A.C.M. Environmental
Geotechnical: Exp Associates Inc.
Specifications: Padley Consulting Inc.
Awards & Recognition
2014 City of Vancouver Urban Design Award
2015 ACEC-BC Award of Merit for Engineering Excellence
The project’s main aim is to provide a space as large as possible for children and staff thus creating exciting situations through a combination of a clearly structured room design and the topography of the roof landscape. The kindergarten is designed as a passive house with lowest possible energy use.
Building “image”, symbolic and copy, the project is in its form and purpose, to meet these requirements : the visitor should immediately understand the nature, the DNA, of the building. Emblematic bio climatic elements serve to the project and not the reverse.
They shape the project as well as the traditional components (wall, etc. roof). 3 requirements, 3 heights, 1 main entrance: it is the pragmatic application of the combined program bio climatic approach that guides the design of the project.
HIGHWAY REST STOPS 1-2, Rest Stops for the new Highway in Gori, Georgia
In 2009, the head of the Roads Department of Georgia commissioned J. MAYER H. to design a system of 20 rest stops for the new highway, a thoroughfare that will run through Georgia and serve as a connection between the Republic of Azerbaijan and the Republic of Turkey. Two first rest stops were completed in 2011 near Gori, a third in Lochini was finished 2012. The new rest stops are located on selected scenic viewpoints along the route and serve as activators for their area and neighboring cities, including not only nearby a gas stations and supermarket, but also a farmers market and a cultural space for local arts and crafts.
In 1989, Vestbo, a local housing cooperation acquired a stunning site 10 minutes north from Bergen.
The plot is up in the hillside and has spectacular views over the fjord leading into the Bergen harbor.
Vestbo developed most of the land before the year 2000, but one plot had been preserved due to a high power line above that went over it and made it uninhabitable due to electrical radiation, In 2008 the power company dismantled the power line and put it underground. Suddenly the possibility for a new housing development arose.
What was once two separate courtrooms with adjacent support offices and an intermediate floor separating the two, is now a grand two-story Commissioners Courtroom, restored to its original 1896 creation. In addition to the courtroom restoration, a new stairwell spanning five floors within the courthouse was designed to bring the building up to code. One of the challenging requirements to this courtroom is that it had to serve multiple uses in order to make the room more accommodating throughout the year.