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ALPS VILLA in Brescia, Italy by Camillo Botticini Architetto

Thursday, November 27th, 2014

Article source: Camillo Botticini Architetto

The house stands on a clearing in the trees, 700 meters above sea level, close to the “Passo del Cavallo”, next to a road that connects Trompia Valley and Sabbia Valley on a steep slope. The landscape is characterized by an open valley to the south and a frame of green mountains with peaks of dolomite rock to the north.

Image Courtesy © Niccolò Galeazzi

Image Courtesy © Niccolò Galeazzi

  • Architects: Camillo Botticini Architetto
  • Project: ALPS VILLA
  • Location: Passo del Cavallo Brescia – IT, Italy
  • Photography: Niccolò Galeazzi
  • Software used: autocad
  • Structural engineering: Ing. Franco Palmieri
  • Services engineering: Planex srl
  • Collaborators: arch. Lucia Fanetti, Ing. Paolo Dellana, arch. Giorgia Guseo, arch. Stefano Farina
  • Construction Company: Baglioni Costruzioni srl
  • Supervisor of construction: Geom. Roberto Migliorati
  • Client: Privato
  • Area:. 360 m2
  • Schedule: 2011-2012
  • Construction: 2013-2014

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Emplazados en Adra in Almería, Spain by EXarchitects

Thursday, November 27th, 2014

Article source: EXarchitects

José Salinas from EXarchitects in collaboration with Antonio Garcia Perez Architects + Cruz y Pérez Arquitectos, in October 2012 won the first prize with the project of the construction of a coffee kiosk in the square next to “Puerta del Mar” in the heart of Adra (Almería).

Image Courtesy © Miguel de Guzmán

Image Courtesy © Miguel de Guzmán

  • Architects: EXarchitects
  • Project: Emplazados en Adra
  • Location: Almería, Spain
  • Photography: Miguel de Guzmán
  • Software used: Rhinoceros + Grasshopper 3D + Kangaroo for grasshopper
  • Architect’s team: José Salinas + Claudia Cruz
  • Budget: 60 000€
  • Area: 65 m2
  • Date: 2012
  • Construction: Holtz design

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Kaleydo Hotel in Lombok, Indonesia by Studio Stag

Tuesday, November 25th, 2014

Article source: Studio Stag

Kaleydo Hotel is a hospitality project located in Gili Trawangan island of Lombok, Indonesia. The client asked for a contemporary concept which considers the vernacular character of the area. Without being in so much resemblance of the aesthetics and style of Indonesian architecture, StudiSTAG started analyzing the vernacular in a function and usefulness guidance. A more contemporary approach reached by evaluating the ratios of the vernacular, rationalizing the Indonesian style and using the local techniques and materials.

Image Courtesy © Studio Stag

Image Courtesy © Studio Stag

  • Architects: Studio Stag
  • Project: Kaleydo Hotel
  • Location: Lombok, Indonesia
  • Software used: 3dsmax and rhinoceros

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Dalseong Citizen’s Gymnasium by Selim senin

Tuesday, November 25th, 2014

Article source: selim senin

After a search for the best possible result to ensure the equal view of the courts from different directions, the project has been generated by a geometric combination of badminton courts. Around ten badminton courts a circulation belt of 3m was formed, this is how spectators or athletes can freely move all around. This circular space was surrounded by a large triangle which forms three triangular areas around the circle. Thanks to this organization of space three spectator stands were generated all of which has different view directions to the courts. In order to assure the proper angle for the triangular stands to view the courts, they were elevated upwards and were connected with triangular trusses so each triangular space carries each other’s load. Thus a dynamic interior setting was formed.

Image Courtesy © selim senin

Image Courtesy © selim senin

  • Architects: Selim senin
  • Project: Dalseong Citizen’s Gymnasium
  • Software used: sketchup,vray, autocad, photoshop, 3dmax, revit 

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Harvard Art Museums in Cambridge, Massachusetts by Renzo Piano Building Workshop

Saturday, November 22nd, 2014

Article source: Renzo Piano Building Workshop

The Harvard Art Museums’ Straus Center for Conservation and Technical Studies is the premier training ground for fine arts conservation and research. It plays a leading role both in the preservation of art and in the advancement of conservation science. The Straus Center supports the Harvard Art Museums by providing analysis of and treatments to the approximately 250,000 objects in all media in the museums’ collections, dating from ancient times to the present.

Exterior view Quincy Street elevation December 2013, Image Courtesy ©  Michel Denancé

Exterior view Quincy Street elevation December 2013, Image Courtesy © Michel Denancé

  • Architects: Renzo Piano Building Workshop
  • Project: Harvard Art Museums
  • Location: Cambridge, Massachusetts, USA
  • Photography: Lesvants, Michel Denancé, Nic Lehoux
  • Software used: Autocad
  • Client: Harvard Art Museums
  • Design team: M.Carroll and E.Trezzani (partners in charge) with J.Lee, E.Baglietto (partner), S.Ishida (partner), R.Aeck, F.Becchi, B.Cook, M.Orlandi, J.Pejkovic,A.Sternand J.Cook, M.Fleming, J.M.Palacio, S. Joubert; M. Ottonello (CAD operator); F.Cappellini, F.Terranova, I.Corsaro (models)
  • Consultants: Robert Silman Associates (structure); Arup (MEP engineering, lighting design, facade engineering, code consulting, LEED consulting); Nitsch Engineering (civil engineering); Anthony Associates (wood scientist);Davis Langdon (cost consultant);  Sandy Brown Associates (acoustics); Carl Cathcart (arborist); Building Conservation Associates (restoration consultant)

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3.1 Phillip Lim MICROCOSM in Tokyo, Japan by Schemata Architects / Jo Nagasaka

Friday, November 21st, 2014

Article source: Schemata Architects / Jo Nagasaka

This is 3.1 Phillip Lim 2014 Pop- Up store at Shinjuku Isetan, which opens from April 2014 for six months.
This time the shop is located on the third floor of the department store, which had a space with a strong character. We attempt to make five renewals in 6 months, and at this stage we have done two renewals.
In this project, we focus on the brand philosophy of 3.1 Phillip Lim. Several sets of “almost” opposing words are given. “Almost” is the keyword that represents the wide scope of their design directions, and also it liberates their ways of thinking. The keywords are as follows.

PARCO

Image Courtesy © Takumi Ota

Image Courtesy © Takumi Ota

  • Architects: Schemata Architects / Jo Nagasaka
  • Project: 3.1 Phillip Lim MICROCOSM
  • Location: ISETAN SHINJUKU 3F 3-14-1 Shinjuku  Tokyo, Japan
  • Photography: Takumi Ota
  • Software used: Vectorworks
  • Project team: Masami Nakata/Schemata Architects
  • Usage: pop-up store
  • Construction: TANK
floor
  • Area: 68.2㎡
  • Period: 05/03/2014~09/2014

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P house in São Paulo, Brazil by Studio MK27 | Marcio Kogan

Friday, November 21st, 2014

Article source: Studio MK27 | Marcio Kogan

The P house is a puzzle game. Rotating three volumes around one nucleus generated not only a particular spatial dynamic, but also different visual relations between empty and full, between the private and semiprivate areas and the view of the city.

Image Courtesy © fernando guerra

Image Courtesy © fernando guerra

  • Architects: Studio MK27 | Marcio Kogan
  • Project: P house
  • Location: São Paulo, Brazil
  • Photography: Fernando guerra
  • Software used: AutoCAD
  • Project Date: july . 2007
  • Completion:  july . 2012
  • Site area: 1240 sqm
  • Built area: 773 sqm
  • Co-architect: lair reis

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Yandex Saint Petersburg office – 4 in Saint Petersburg, Russia by za bor architects

Friday, November 21st, 2014

Article source: za bor architects

The office of Yandex in Saint Petersburg is special. It is the brightest and the most unusual office of the company with lots of original visual solutions. As the company has been dynamically developing within the last years, it required more new space for the office. So, they started with 1800 sq.m in Saint Petersburgin 2008, and by 2014 the office has grown to occupy about 10000 sq.m and three floors. Its last part, the fourth one already, occupies the third floor of Benua business centre.

Image Courtesy © Peter Zaytsev

Image Courtesy © Peter Zaytsev

  • Architects: za bor architects
  • Project: Yandex Saint Petersburg office – 4
  • Location: Benois business center, Saint Petersburg, Russia
  • Photography: Peter Zaytsev
  • Software used: ArchiCAD
  • Decorator: Nadezhda Rozhanskaya
  • Area: 3310 sqm
  • Years of project: 2013-2014

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CABANE de ZUCCa SHIBUYA PARCO in Tokyo, Japan by Jo Nagasaka/Schemata Architects

Friday, November 21st, 2014

Article source: Jo Nagasaka/Schemata Architects

This is the renovation of CABANE de ZUCCa SHIBUYA PARCO. When commissioned for the project, my initial thought was “Unbelievable….Can’t be true!”, because the CABANE de ZUCCa flagship in Omotesando was the shop I admired most when I was a boy fresh out of high school, although I was not a fashion-conscious type. I didn’t dare to enter but only peeked inside from the street, and I was intrigued and fascinated by the simple yet sophisticated shop design composed of galvanized steel frames-such material was rarely used for a shop interior during that time. The impression of the shop space still remains vivid in my memory.

Image Courtesy © Takumi Ota

Image Courtesy © Takumi Ota

  • Architects: Jo Nagasaka/Schemata Architects
  • Project: CABANE de ZUCCa SHIBUYA PARCO
  • Location: SHIBUYA PARCO 3F, 15-1 Udagawa-cho, Shibuya-ku, Tokyo, Japan
  • Photography: Takumi Ota
  • Software used: Vectorworks
  • Construction: TANK
  • Site area: 116.9m²
  • Structure: RC
  • Completion: 8/2014

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TAKAHASHI HIROKO OSHIAGE STUDIO in Tokyo, Japan by Jo Nagasaka/Schemata Architects

Friday, November 21st, 2014

Article source: Jo Nagasaka/Schemata Architects

We renovated the old steel building, originally used as a factory / office, into a workspace for an artist to use for the next several decades. In order to improve the building performance, we applied fireproof coating and structural reinforcement. The construction of the original building was based on the value of “quantity over quality.” As a result, you can see various gaps and distortions all over the building after 40 years, which are made even more clearly visible by newly applied coating and finishes. We intend to transform these gaps and distortions into unique spaces where one encounters unexpected experiences.

Image Courtesy © TAKAHASHI HIROKO INC.

Image Courtesy © TAKAHASHI HIROKO INC.

  • Architects: Jo Nagasaka/Schemata Architects
  • Project: TAKAHASHI HIROKO OSHIAGE STUDIO
  • Location: 4-11-2 Narihira Sumida Tokyo
  • Photography: Shiori Kawamoto
  • Software used: Vectorworks
  • Project team: Masami Nakata
  • Construction: Eiger(building・interior), E&Y(furniture), Kazumasa Higurashi(garden), Yoshiki Maeshiba(planting)
  • Site area: 219.21㎡
  • Building area: 140.85㎡
  • Total floor area: 324.10㎡
  • Floors: 3
  • Structure: steel
  • Completion: 09/2014

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