“A contemporary apartment, with a clear connection to the modern design of collective housing in the beginning of Brasília”. That was the guidance, which our clients gave us at the time, today our dearest friends, in the beginning of the architectonic design to remodel the apartment, located in middle of Brasília.
Article source: Studio 15b – Architecture + Interior Design
Inspired by an enthusiastic client passionate about colour, Inertia Engineering’s office fit-out is bright and on-trend. Copper accents provide warmth to the corporate white-blue colours that were derived from the company logo. The reception area is flanked by a curved concrete rendered wall that leads you into the custom designed meeting room and further into the spacious open plan office. The curve of the meeting room softens the harsh angles prominent in the space while encouraging a ‘round table’ approach to meetings. Much thought went into the spatial planning of this existing office space in order to compliment the team work flow while providing a generous and practical break out space for employees. A whole wall was dedicated to storage for stationery, archiving and servers which is cleverly disguised by graphical sliding doors with a centrally located functional utility space. The breakout space is framed by timber screening and houses a functional kitchen that provides plenty of storage for individuals and a high bar for informal gatherings. Comfortable upholstered occasional ottomans are scattered in the corner while outdoor ottomans encourage use of the long balcony. Combining the client’s daring attitude to colour with our expertise ensured a successful outcome that will encourage productivity in this functional and bright work place.
A grand private residence in Kerala, India needed interior design for its dining room, living room and courtyard. Strong use of gold was asked for to create a classy look in the living room. Also in the starting stage, theme colors of onion, cream and gold were selected for the design.
The history of the American billboard tracks with the larger cultural and technological history of media distribution and aesthetic sensibilities. In the early 20th century, the billboard began as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the explosion of car culture and the film industry at mid-century, the billboard was transformed into something non-local, something representing filmic worlds, in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60’s and 70’s, with edgy content, protruding elements, and promotional appearances by music stars. The two-dimensionality of the billboard began to move towards three-dimensionality, simultaneously existing as sign and object. Our proposal aims to build on this legacy in a contemporary way, with an iconic object-billboard programmed with an unprecedented breadth of commercial, cultural, and interactive media content.
«My role as an architect is to ensure that this important density is consistent with the quality of the site and with each workspace. This density is assumed as a positive constraint, likely by nature to propel us towards the future. Les Dunes project differentiates itself from others by its architectural identity, it offers a new image of modernity through a innovation in construction in a gentle rupture / breakaway from what’s previously been done over the past 30 years. The entity as a whole is more than a building, it is a landscape.» Anne Démians
INTERNET’S INFLUENCE ON TERTIARY INNOVATION
Following two decades of technological upheaval directly related to the Internet, changes in society have emerged with their consequences on our ways of living.
Heralding a new era, digital tools profoundly boost individual and social exchanges and modes of expression. Our working attitudes are thus modified and our relationship to space is shaken. This digital transition impacts work relations and manifests itself in the office, but how are they (re)drawn?
Location: 6 allée des Sablons Val de Fontenay, Paris, France
Photography: Jean-Pierre Porcher, Laure Vasconi et AAD
Software used: AUTOCAD
Client: Societe Generale
Master of attorney book: Sogeprom
Project team: Martin Mercier (contest), Jack Weinand (studies and site), Malik Darmayan, Gabriel Ober, Francesco Girardi, Minsu Lee, Maite Casas, David Dahan, Igor Sanchez, Alain Sabounjian (Contributors)
12 degrees was designed as an urban infill project, fitting into the context of a mixed use residential area where the city block has buildings that include both the Art Gallery of Ontario and the Ontario College of Art and Design.
Given the artistic nature of the city block, the design became a playful exercise in massing and an anchor to the south-west corner of the block. The design can be read as analogous to the stacking of toy blocks, with one of the blocks skewed at 12 degrees from the others.
A narrow site high up on a precipice overlooks the inner Stockholm archipelago to the south. It meets a dense row of pine trees to the west and a softer grove of deciduous trees to the east. One enters the site from the north, where a generous staircase mediates the initial steep south-facing slope. The stairs follow a concrete wall that forms the spine of the structure, and lead the visitor downwards between the concrete wall on the one side and a wooden volume on the other. The staircase leaves the visitor at a gap in the concrete wall, providing a glimpse of the garden on the other side. The promenade continues along the closed wall, towards the view and the water, now flanked to the west by the row of pine trees. A second opening in the wall presents the entrance to the house and extends a passage through and across it, into the garden.
“Two years for gathering energy of the earth with the sounds of water, wind and human footstep, and six years for looking after ginseng. Six-year-old Red Ginseng nourished by the devotion of KGC(Korea Ginseng Corporation) for eight years. ”Opened on the first floor of KT&G (Korea Tobacco & Ginseng Corporation) Tower last August, Café Sapoon Sapoon expresses the advertising copy of Cheong-Kwan-Jang implicatively. Sapoon Sapoon is a compound word of Saponin, main ingredient of red ginseng, and Spoon, a tool to deliver taste and nutriment of food. As Sapoon also means ‘a figure of light and careful step’ and ‘light and refreshing state of body and mind’ in pure Korean word, people can feel refreshing scenery with light beverage. Sapoon Sapoon is a casual space created by KGC in order to be free from the perception, ‘Red ginseng is nothing but health functional food’, while keeping credibility of company and its quality-first spirit. Betwin Space Design grafted traditional ideology of Cheong-Kwan-Jang on this café modernly.