How on earth does one come up with the idea of pouring a huge amount of concrete into an Emmental farmhouse? Certainly, one could find several practical reasons (statics, thermal storage mass or the like…). For us, the house needed something rough and immediate, something that could build up its own world in the former barn and hayloft. A concrete object now cuts through all three floors and supports the old roof. In addition to its structural qualities, it holds all the bathrooms and kitchen accommodations, as well as cabinets and storage space. Large windows open up the view into the impressive attic.
The ‘Great Australian Dream’ of owning a quarter acre block with a new house has become a distant memory in inner-city Brisbane, as parcels of land are shaved down repeatedly in a bid to densify the urban centre. Nestled within the urban streets of Teneriffe, a colonial Queenslander presented a charming frontage that concealed the potential for the Architect to utilise the vacant 300m2 backyard to design and build a new family home. The ‘Backyard House’ has been an opportunity to set a precedent for suburban infill development as an alternative to the prevailing trend of building apartments near railway and bus stations.
House Spaak is an exceptional building project where historical and modern wooden architecture combines. New terraced house comprises an idyllic entirety with Konstaapeli Spaak’s log house which was erected around 1730. Designed by AVARRUS Architects, these terraced apartments have a solid wood frame and natural ventilation. Whereas Spaak’s log-frame house was renovated with piety into sauna and workshops for the residents.
I called this project 100% Residency, because all the land, even in its green area, it has a function.
This, was elaborated as a collaboration for a student of mine, of the course of Civil Engineering, in college that I taught. Therefore, I elaborated in metallic structure, for it to be already getting accustomed and having an already real project, a detail of this bevelled structure, so it already improves its knowledge. And the apparent concrete in the rest.
Martha Schwartz Partners was one of nine international landscape design firms to be invited to design a small master garden installation on the theme of “the harmonious co-existence of nature and the city” at the 2011 International Horticulture Exhibition in Xi’an, China. The owner’s brief specified that the designer should consider the limitations of local building materials and methods, and that the garden should be accessible to a Chinese point of view.
Western Hills in the western part of Beijing where the Old Summer Palace is located—is far from the hustle and bustle of the city. This project’s design is a combination of cultural elements of Western Hills and modern oriental design techniques. A shaded corridor leads to a space possessing a fantastic view. The moment people enter the space, they feel as if they have walked into a beautiful painting that features both ancient elegance and modern freedom. “Let me forget my worldly worries and find peace in the woods of the Western Hills; the white clouds seem to have read my mind, and drift slowly down from the forest to keep me company.”
After the development of some alternative occupation to the terrain started in mid-2013, the architectural program is reviewed and discussed in order to effectively meet the wishes of the couple who today make this house their home.
Article source: Wei Yi International Design Associates
The concept, Wabi-Sabi, from Japanese aesthetics is the principle in the project. The materials with texture of modesty, rustic and asymmetry are used as the main substance in the space, trying to create an unrefined and lean atmosphere. Through the peculiarity of imperfection, the inhabitant are led to discern the hidden beauty of the truly excellence and here they can find their pure sanctuary from the turmoil world.
Main Material: oak veneered brushed and painted、special hand painting, German cement paint, titanium metal, Belgium chalkboard paint, grey glass, panDOMO, Engineered flooringns and thoughts are subside and dissolved into the state of serenity of heart.
Naito Shinjuku was established in 1699 as a stage stop along a major thoroughfare heading out of Edo (old name of Tokyo). Dropping the “Naito,” the district started to be called Shinjuku in 1920, the same year that saw the Musashino-kan Shinjuku emerge on Shinjuku-dori Avenue, which was also home to the Shinjuku Mitsukoshi store. Local merchants opened a 600-seat movie theater in the three-story wooden structure with tiled façades. In 1928, Musashino-kan Shinjuku relocated to its current site, a new cinema with 1,115 seats housed in a three-story concrete building. During the silent movie era, Musei Tokugawa was active as a narrator here. Later, an air raid over Tokyo caused a fire to burn the entire interior of the theater, but the building survived and became a symbol of post-war recovery. Cinema offered entertainment to the populace, and Musashino-kan entered the golden age in an alliance of more than 20 theaters. But the movie-going population peaked in 1958 at 1.1 billion tickets, and rapidly dropped to 1/3 of that patronage by 1965. Amidst a declining industry, the decrepit Musashino-kan was demolished in 1966 and rebuilt. Still standing today, the building initially consisted of a retail and dining complex seven floors aboveground and three floors underground. The first movie theater in this new building had 500 seats on the seventh floor. In 1994, the Cinema Qualite mini-theater opened. The seventh floor was closed in 2002, and the third-floor theater operations changed banners from Cinema Qualite to Musashino-kan Shinjuku. For the improvements made most recently, however, aseismic reinforcement work on the entire building prompted the Musashino-kan Shinjuku on the third floor to undergo a complete renovation.