The Blake Street Residence was intended to investigate a typology of coastal architecture which responded primarily to the ruggedness of its Australian landscape setting.
This dictated elevating the house above the ground plane through the construction of a massive stone podium. The choice of Maffra stone and its rudimentary construction relates to similar stonework seen in many of the historic buildings in the surrounding area.
Rather than the arrival of a new office building, the realization of the headquarters of the Brabantse Delta water board signifies a new lease of life for the century-old country estate (first mentioned late 14th century), and an important symbol for the landscape at the South of Breda. With its new premises on the Bouvigne estate, the district water board has provided appropriate continuity for a piece of cultural-historical heritage. The scope of the commission was broad, extending the castle, the gardens and the surrounding structures and grounds, including the chapel and the castle gatehouse.
The Community Center in Aphae-do, Shinan-gun, Jeollanam-do is located on a special site, and has a special programme. First of all, it was my first building project to be built on an island. Second, the main programme of the building was the public bath and restaurant for the elders in the village. The elders, who make up most of the population in the fishing village, do not have a decent bathing facility in their home.
The Pavilion was built on an existing underground water tank that dictated the foot print of the structure. Glass became the primary material for construction as the Pavilion was sited amidst lush tropical greenery. Glass not only formed the walls but also the roof in the form of a strategically placed skylight opening up to the view of a large jackfruit tree above blurring the boundaries between the inside and the outside.
This second addition to the Victorian Grade 2 listed school building, is a new translucent inside outside space designed as a sensory classroom environment that enables free flow for foundation level children.
The school were keen that the new space allowed them to enlarge the existing reception year intake and enable children to have direct access to the play space whilst improving visibility and supervision for teachers.
This modern rammed earth house is located in Ayerbe, a little village in the Spanish Pyrenees. Rural migration in the region during middle 20th century led to the disappearance of traditional architecture techniques. This house attempts to awaken the interest of the community and the curiosity about this type of sustainable buildings that are strongly linked to the territory. The project has been inspired by old local earthen buildings regarding their orientation, morphology and the use of local materials.
The project springs from the need to create a welcoming place for the citizens of Favara while simultaneously donating to the city an innovative public space shaped from the perfect combination of wood and vegetation.
A couple, a traditional house in the Empordà and one dream.
Houses should evolve along with its user. Ana María and Manuel, our clients, made the decision of spending as much time as possible in their summerhouse in Sant Mori. Located between Figueres and Girona, Sant Mori is a rural village with irregular geometry, which offers a characteristic Mediterranean landscape scenery to its inhabitants, bounded by long fields and forests.
Transformation of Medellin, education and culture have been the main platform for true social changes, where physical infrastructures are essential in the inclusion of quality policies in areas where state hasn’t been before and low levels of human development are common. These spaces are operated from Educational Ministry and Citizen Culture, seeking mainly to improve the education quality to reduce dropout and repetition rates in early grades in elementary school. This project it’s about how to contribute to citizen encounter, integrating these infrastructures to the city, to its inhabitants and the recovery of public space.
When TPG Architecture first began working on the Condé Nast Entertainment (CNE) project in 2013 at 222 Broadway in New York City, the designers were given the mandate to create a space that was comfortable, homey and would allow for long work days and nights. The second piece of information that was relevant to the design was implicit, not stated directly: that CNE is one of the fastest-growing division of Conde Nast’s business, with expected growth in employees, revenues, services and product offerings in the next three years.