“Yaroslav Galant innovative design” studio has finished work on the project for football club “Grupo Desportivo Estoril Praia” (Portugal). The new dynamic structure has been constructed on a roof of already existing building.
“Clube 39” includes offices and the universal transformable space, which joins restaurant, training center, conference hall, museum and open terrace facing training fields.
The new Kulm Eispavillon in St Moritz opens to the public today, a regeneration project that is set to reinstate Kulm Park as the social focus of this part of the resort by returning it to the community.
The initial aim of the project was to restore the existing 1905 eispavillon which played host to the 1928 and 1948 Winter Olympics. The building had been abandoned for many years, and had fallen into a state of extreme disrepair. The new scheme brings the building back to its original state with the ice skating rink as the focus, also introducing a new club restaurant, patisserie, and sun terrace for visitors and the local Engadin community to enjoy. To expand the old eispavillon’s capacity to host events, a new multipurpose pavilion has been incorporated with links to the historic structure. Designed in the spirit of a mini-stadium, it is set to be the focus of the annual calendar of sporting and cultural events including the medal ceremonies at the Ski World Championships to be held in St Moritz in February 2017, as well as music festivals and shows of classic cars.
The concept consisted in lifting key contextual elements – traditional building material and Lebanese gardens –and revives them with contemporary interpretations. So conventional wood and dark stone found an unexpected contrast in vivid red metal, and space-efficient vertical gardens replaced their horizontal predecessors. These elements complement the diversity of the surrounding context. While it looks like a simple geometric shape from afar, the structure consists of three parallel elongated blocks each with a unique identity that’s revealed on approach, while a cantilevered section that extends out towards the street emphasizes the building’s partly public function, a contemporary art gallery that occupies the ground floor to introduce a cultural and commercial element to the project.
The project is part of Seine-Arche development which concerns a wider territory in line with the axis of Defense. Taking into account the natural relief and coexistence of various networks which pass through, the Seine-Arche development required the upstream of colossal structures. Aiming to attract here new populations from all over the department of Hauts-de-Seine, the urban project was designed to restore the site scale and its habitability, through a series of seventeen \”Urban Terraces\”. The new buildings offer an architecture that is both monumental, in response to the scale of the site and which expresses the domestic nature of the programs. By his design, details and the choice of the materials, the project provides opportunities for the quality of living and the sustainability of the buildings. Even if the planned allocation for the Terrace 9 is divided into several programs, the whole ensures a single coherent expression. Our goal was to work accurately for functional quality and comfort of the housing program distributed between the three towers and the base. Accommodations are of varied types, ranging from studios to T5, in accession or in social housing. The facades are exposed respectively to the four cardinal points, they are all provided with numerous openings that extend the inside of housings to cascades of terraces, or to small hollowed loggias, which are interposed in the design of the frame.
Wishing to live both in the city and on the waterfront, the owners searched long and hard before finding this small, narrow, affordable lot on the Des Prairies River. The lot’s shape, proximity to the river and the character of the adjoining properties were the main factors that shaped this urban home with a beautiful natural setting.
The number of cruise ships coming to Rotterdam and docking at the Cruise Terminal is increasing each year. To cope with this growth and associated baggage handling, TomDavid Architects have designed an industrial structure that brings together business and pleasure: a Pop Up Luggage Space (P.U.L.S.) with an elevated terrace providing stunning views over the river and of Rotterdam’s skyline.
The ‘Flower Terraces’ sit in the heart of the circular city of Ruichang, China. Referring to traditional Chinese housing motifs, the Flower Terraces arrange living areas as individual volumes around green outdoor spaces. The individually shaped apartments let the residents sense that they live in a unique ‘house’, rather than a numbered unit along a corridor. The seasonal warm temperatures of Ruichang allow for private and communal life to happen not only inside but also outside. The generous terraces become integral living spaces and an essential and characteristic element of the buildings. Similar to overhanging roofs in historic Chinese houses, a series of cantilever slabs create protected outdoor areas in front of the apartments. Foldable wooden shutter elements clad all apartments not only to provide privacy to the interiors but also to protect from direct sun and to allow natural ventilation across the apartments. The path through the building is a lively route with open spaces that enhance social encounters. Communal spaces are placed around the lifts and the open stairs with paths of increasing privacy towards the apartments. Residents of the ‘Flower Terraces’ live surrounded by flowers on each level. Open areas allow good air flow and a pleasant microclimate around the apartments where residents can plant on their individual private terraces and winter gardens, creating their own private retreats amongst greenery.
Our project consists of alterations and additions to an existing 1890’s duplex cottage on Bellevue Terrace in Fremantle.
The briefed starting point for our intervention was to improve the relationship between internal and external spaces that previously suffered on account of a 1.5m level variance and the inconvenient location of an existing bathroom.
At our first visit to Lake Heron in the Laurentides, we ended up in a forest enflamed by fall. We borrowed a small path to reach the top of the site where we found a clearing atop a promontory. We could contemplate the lake which was about 60 meters below. Small but sinuous, it gave the impression that a meander hid the invisible part of a larger lake. The silhouette of the mountains loomed in the distance. The scenery was of immense beauty. We all gasped discovering the site that day. We went down quietly through different ecosystems dotted with magnificent rocks. I remember a small forest of spruces with a constricted path the caused a rhythmic vertical which filtered the horizontality of the water.
The architectural idea of the building is derived from an inside-out perspective, where the social qualities of the building are a dominant driver for the design: Often in tall buildings, the sense of community amongst the occupants is challenged by the fact that you hardly ever meet your neighbours, except coming and going via the lobby and at the lifts.