After the development of some alternative occupation to the terrain started in mid-2013, the architectural program is reviewed and discussed in order to effectively meet the wishes of the couple who today make this house their home.
National War Memorial has been conceived by the Government of India to honour the memory of all the soldiers who have sacrificed their lives for the country. The Memorial is envisaged in the heart of the national capital of India, New Delhi and lies in the close vicinity of India Gate.
The project constitutes an extension to the company MultPortas e Acabamentos, in the civil construction sector. Located in the city of the center-west of the state of São Paulo, in the city of Bauru. Company already traditional in its field of activity, and local tradition.
They needed the local expansion, for expansion of products for sale of finishes and aggregates.
Startup InCUBAtors, a project for the inclusion and promotion to new identitarian ideas of the Cuban culture.
The project is located on the Haiphong esplanade, in the bay of Habana, Cuba. The port and industrial identity of the bay will undergo a reconversion, since the port will be transferred to the city of Mariel, which offers the opportunity to rethink itself as a significant cultural enclave, from the anthropic and the symbolic.
Emigration House, a project by Steven Christensen Architecture of Santa Monica, California, has received a Special Mention distinction at the Architizer A+ Awards. The Architizer A+Awards received entries from over 100 countries, and its winners represent the best of architecture and design worldwide. The jury included such industry luminaries as Denise Scott Brown, Bjarke Ingels and Tom Kundig, as well as personalities from outside of architecture such as Tony Hsieh (CEO, Zappos), Yves Behar (Fuseproject), John Edelman (CEO, Design Within Reach), Cameron Sinclair (Architecture for Humanity) and Barry Bergdoll (MoMA). Special Mention awards were given to the top 15 percent of entries in each category, and other firms to receive the distinction include Morphosis, Neri&Hu, and OMA.
“The ceiling used to be decorative, a symbolic plane, a place invested with intense iconography. (…) Now, it has become an entire factory of equipment that enables us to exist, a space so deep that it begins to compete with the architecture. It is a domain over which architects have lost all control, a zone surrendered to other professions.” Rem Koolhaas, Venice Biennial. This restaurant is located on the rooftop of one of the newest unit of an international chain hotel located in the centre of Brasília. This is a type of space that is often impersonal, where standardized characteristics are kept throughout its units all over the world. In this project, we were interested in exploring the tension between characteristics that could be understood both as undefined and specific in a hotel building. Therefore, the project aimed to stress the differences between its two main surfaces: the floor and the ceiling. The floor is neutral and impersonal. The ceiling has a specific design with a clear iconographic reference.
An iconic urban landmark, but also a sustainable structure for an evolving shopping experience: the new CENTRO*Arezzo Coop.fi frees itself from the conceptual dictates of the traditional shopping mall and acts as a social and recreation pole that is perfectly integrated with the city. Opened in 1988, the complex has undergone a significant aesthetic and functional redevelopment that has completely changed its identity and its relationship with the surrounding environment.
The client of this project is an advertising agency, who providing full industry chain service in West China. In the earliest beginning, when the client invite us and introduce themselves, we were attracted by their unique “big platform + branch company” structure. Starting from this very point as concept, we developed the whole space design.
The New Contemporary Art Wing Expansion to the Lima Art Museum located in the 19th century Exposition Palace, creates a strong architectural dialogue between the historical structure and the new expansion; they connect without touching. The project requirement to create a below grade expansion to the current museum without touching the historical structure below or above grade, resulted in a careful exploration of how to spatially connect these two buildings that cannot physically connect.